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Pavlína KvitaBig Source Keeper by Pavlína Kvita - Contemporary sculpture, unique, outdoor2023
2023
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$26,333.35
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£19,860.16
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€22,600
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CA$36,408.14
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A$40,783.24
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CHF 21,420.83
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MX$495,911.12
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NOK 271,257.69
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SEK 257,496.48
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DKK 172,045.99
About the Item
Big Source Keeper is a unique pigmented glass fiber reinforced concrete sculpture by contemporary artist Pavlína Kvita, dimensions are 265 × 120 × 90 cm (104.3 × 47.2 × 35.4 in).
The sculpture is signed and comes with a certificate of authenticity.
This sculpture, made of glass fiber reinforced concrete, represents a mythical creature in grey tones. It was exhibited in 2024 at the iconic Villa Winternitz in Prague, a building designed by architect Adolf Loos in 1932.
The mysterious figures with forms that are both archaic and futuristic emerge in the sculptures of Czech artist Pavlína Kvita as a result of her exploration of her inner world. These anthropomorphic or zoomorphic beings, silent entities existing outside of time, dominate space with a combination of strength and balance that is given to them by their dynamic, streamlined, and abstracting lines. The sculptures created by Pavlína Kvita are the end result of the artist manipulating shapes and their endless possibilities in a circular process of creation/transformation/destruction.
- Creator:Pavlína Kvita (1988, Czech)
- Creation Year:2023
- Dimensions:Height: 104.34 in (265 cm)Width: 47.25 in (120 cm)Depth: 35.44 in (90 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803115394252
Pavlína Kvita
The sculptures of the Czech artist Pavlína Kvita come to life from the exploration of her inner world, resulting in the creation of mysterious figures with forms that are both archaic and futuristic. These anthropomorphic or zoomorphic creatures, silent presences outside of time, impose themselves in space with a blend of strength and balance, conferred on them by their dynamic, streamlined lines, tending towards abstraction. Pavlína Kvita’s sculptures are the end result of a circular process of creation/transformation/destruction which the artist establishes with the material, manipulating shapes and their infinite possibilities. “I really need to feel the work in my hands, to find it by breaking it down and destroying it, and then rebuilding it again. For me it is a process of destruction and creation, just like the process we see at work in life.”
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