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Peter Millett
Red Button

2015

$3,000
£2,303.87
€2,640.21
CA$4,223.26
A$4,730.98
CHF 2,465.27
MX$57,708.23
NOK 31,327.97
SEK 29,540.05
DKK 19,705.79

About the Item

painted wood Growing up Peter Millett was surrounded by activity. His father was an architect and his mother a musician who produced community theatre. There were always sets being constructed and rehearsals taking place; Millett enjoyed observing the transformation, the suspension of reality and the creation of a totally believable world. A seasoned traveler, Millett draws inspiration from his extensive trips through North American South American, Southeast Asia, and the Middle East. Exploring the architecture, native art forms, religion, and handmade textiles specific to the region. His work investigates a geometric language of shape and space, initially through drawing and constructed collages and later expanding upon that language through bronze, steel, sheet metal, and wood. Wood ultimately was the material Millett was drawn to the most. Peter Millett has exhibited extensively throughout the United States and Japan. His work is included in the permanent collections of the Museum of Modern Art in New York; the San Francisco Museum of Modern Art; Seattle Art Museum; Microsoft Corporation, Redmond, WA; Tacoma Art Museum, Tacoma, WA; Continental Bank, Chicago, IL; Boeing Corporation, Chicago, IL; among many others. He completed public art commissions for the King County Regional Justice Center in Kent, WA; the AT&T Gateway Tower in Seattle, WA; and the Washington State Arts Commission in Mountain View, WA. He has received grants and awards from the ESPY Foundation and the Seattle Art Museum.
  • Creator:
    Peter Millett (American)
  • Creation Year:
    2015
  • Dimensions:
    Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)Depth: 7.5 in (19.05 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Phoenix, AZ
  • Reference Number:
    Seller: 20170927101stDibs: LU1372195613

More From This Seller

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Red Button
By Peter Millett
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painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
Category

2010s Abstract Geometric Abstract Sculptures

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Wood, Paint

Four Square
By Peter Millett
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painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
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2010s Abstract Geometric Abstract Sculptures

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Hexnut
By Peter Millett
Located in Phoenix, AZ
painted wood Growing up Peter Millett was surrounded by activity. His father was an architect and his mother a musician who produced community theatre. There were always sets being ...
Category

2010s Abstract Geometric Abstract Sculptures

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Wood, Paint

Two Story
By Peter Millett
Located in Phoenix, AZ
painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Paint

Log On
By Peter Millett
Located in Phoenix, AZ
painted cedar Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explori...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Cedar, Paint

Return to Me
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

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