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Athazagoraphobia in Concrete, 2018

2018

Unseen One (01) in Glass, Concrete, 2020 Additional information: Medium: Glass, concrete Dimensions: 13 x 13 x 2 in Heidi Schwegler explores a wide range of materials in the servic...

Untitled Sculpture by Sterling Allen, 2020 Additional information: Dimensions: 9 × 6.5 × 5.5 in (22.9 × 16.5 × 14 cm) About Artist: Sterling Allen holds a BFA from the University o...

Side by Side in Glass, 2021 Additional information: Medium: Glass Dimensions: 40 x 12 x 4 in Heidi Schwegler explores a wide range of materials in the service of her subject matter...

Celine, Pewter, 2019 Additional information: Medium: Pewter Dimensions: 3 x 2 1/2 x 2 in Heidi Schwegler explores a wide range of materials in the service of her subject matter. Dr...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

La Brecha Study #3, 2021 steel with powder coat and concrete base (indoor only) 16H x 6W x 6D inches Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. B...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

Abstract contemporary collage sculpture that incorporates found furniture, jute, concrete, and paint. The amorphous form features a primarily blue "cord" extending from a grey wooden and concrete base. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...