Items Similar to Bronze Portrait of a Lady
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Adrian Paul AllinsonBronze Portrait of a Lady
$2,732.11
£2,000
€2,351.40
CA$3,747.26
A$4,211.67
CHF 2,193.33
MX$51,224.37
NOK 28,066.33
SEK 26,615.15
DKK 17,549.29
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Adrian Paul Allinson
Bronze Portrait of a Lady
Patinated bronze, signed and dated '24 lower base
Dimensions: 8 3/4 x 15 1/2 inches (21 x 39.5 cm)
This fantastic bronze depicts a lady’s face and hair in a stylised but naturalistic way typical of Allinson’s figurative works. The physiology of the lady’s face is reminiscent of how Allinson depicts women in his paintings, demonstrating his ability to retain his personal artistic flair across diverse mediums. The sculpture has a mask-like quality to it, with its intensely peaceful expression almost connoting a death mask. This unique work demonstrates Allinson’s capabilities with all forms of diverse artistic medium and expression.
Adrian Paul Allinson
Born Alfred Pulvermacher Allinson in London 1890, Allinson was the eldest of five siblings and the child of surgeon Thomas Richard Allinson and German-Jewish portraitist Hannah Pulvermacher. Hannah encouraged her son to paint, create music, and learn languages during his childhood.
Allinson initially studied at Wycliffe College, Gloucestershire, but was expelled and sent to Wrekin College, Shropshire, after attempting to convince his classmates God did not exist. After leaving school, Allinson briefly studied medicine but his love for art was too strong, and he began to study at the Slade School in 1910, winning a scholarship in his second year.
From 1911, Allinson began to exhibit with the New English Art Club, the Friday Club, and the Camden Town Group. The founder of the Camden Town Group - Walter Sickert - mentored Allinson in his depictions of theatre, ballet and music hall scenes, and enabled Allinson to sell his works to the dance historian and bookseller Cyril Beaumont.
Graduating from the Slade in 1912, Allinson briefly travelled abroad to study at Henrich Knirr’s art school in Munich and the Grande Chaumiere in Paris. On his return to London in 1914, he helped to found the London Group and held two joint exhibitions at the Chenil Galleries in 1914 and 1915. Allinson was medically unfit to serve in the First World War, but was also a committed pacifist and aligned himself with the other conscientious objectors of the Bloomsbury Group. It was during this time he painted his famous painting collection known as The Cafe Royal. Allinson produced caricatures for local newspapers such as the Daily Express, and worked for the Beecham Opera Company as a set designer.
In the inter-war years, Allinson travelled around Europe and settled down with his wife and son in a small Swiss village, but would send his art to exhibit at the Royal Academy. The family returned to London in the 1920s, with Allinson opening his studio in St John’s Wood. He travelled to the Mediterranean with German artist Henrich Schroder, painting landscapes of Italy, Greece, Spain, Tunisia and the Balearic Islands. In the 1930s, he was elected to the Royal Society of British Artists, the Pastel Society, and the Royal Institute of Oil Painters. A true Renaissance man, Allinson also exhibited sculpture and pottery, joining the Art Workers’ Guild for two years in 1933. He was predominantly employed by London Transport, British Railways, and the Empire Marketing Board producing stylised travel posters for a variety of national and global destinations.
When the Second World War broke out, Allinson was selected by the War Artists’ Advisory Committee to be an official war artist, producing paintings of the effects of the conflict on the London cityscape. His wife and son spent the war years in Gloucestershire, where his wife unfortunately passed away just before the war’s conclusion.
After the war, Allinson was employed at Westminster Technical Institute as a teacher of painting and drawing, whilst continuing to exhibit his own work. He also worked on the wax sculpture of Kwame Nkrumah, the first Prime Minister of Ghana, for Madame Tussauds.
Allinson passed away in February 1959. A memorial exhibition was held at the Royal Society of Painters in Water-Colours in 1962, as well as a retrospective at the Fine Art Society in 1984.
Museums
London Transport Museum, Victoria & Albert MuseumManchester Art Gallery, The Potteries Museum & Art Gallery, Aberystwyth University School of Art Museum and Galleries, Wolverhampton Art Gallery, Brighton Museum, Ferens Gallery and many more.
- Creator:Adrian Paul Allinson (1890 - 1959, British)
- Dimensions:Height: 15.56 in (39.5 cm)Width: 8.27 in (21 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52416565182
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2007
1stDibs seller since 2014
82 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllHead of Dame Edith Sitwell
Located in London, GB
Maurice Lambert
Head of Dame Edith Sitwell
1901-1964
Patinated bronze on marble base
Dimensions: 7 x 16 inches (18 x 41 cm)
Provenance
Private collection
Originally commissioned by Edith's brother Osbert Sitwell circa 1926/27. Our version is of the same period and must have been commissioned at the same time. A version of this piece made in 1984 in aluminium is held in the permanent collection of the National Portrait Gallery (NPG 5801).
Maurice Lambert
Maurice Lambert, born in Paris, was son of the Russian-born Australian painter George Washington Lambert...
Category
20th Century Modern Figurative Sculptures
Materials
Marble, Bronze
Bronze Head of a Young Boy, Early 20th Century English Sculpture
Located in London, GB
English School
Early 20th Century
Head of a Young Boy
Bronze with stone base
Height: 12 3/4 inches (32.5 cm)
Category
Early 20th Century Figurative Sculptures
Materials
Stone, Bronze
Portrait of a Woman
Located in London, GB
Luis Muntane Muns
Portrait of a Woman
1899-1987
Oil on canvas, signed lower right
Image size: 31 ¼ x 37 ½ inches (79.5 x 95.5 cm)
Original frame
The lady averts her eyes from the ga...
Category
20th Century Art Deco Portrait Paintings
Materials
Oil, Canvas
The Scholar Red Clay Contemporary Sculpture
By Christian Mizon
Located in London, GB
Christian Mizon
Contemporary
The Scholar
Red Clay
Height: 6 ¼ inches (16 cm)
Stamped by artist
Christian Mizon is a graduate of Camberwell College of A...
Category
21st Century and Contemporary Contemporary Nude Sculptures
Materials
Clay
Portrait of the Artist's Wife
By Peter Kuhfeld
Located in London, GB
Peter Kuhfeld
Portrait of the Artist's Wife
b. 1952
Oil on board, signed lower right, titled 'Cathryn' and dated 'Oct 1983' verso
Image size: 12 1/2 x 11 1/2 (32 x 29.3 cm)
Original...
Category
20th Century Portrait Paintings
Materials
Oil, Board
In Fashion, Sgrffito Signed Portrait, 20th Century British
Located in London, GB
Sgraffito on acrylic, signed below
Image size: 12 1/2 x 8 inches (32 x 20.5 cm)
Acid free mount
Mary A Brooks was a notable contributor to a vast array of children's publications from the early 1940s to the late 1980s. Brooks was the illustrator of Enid Blyton...
Category
Mid-20th Century Mixed Media
Materials
Acrylic
You May Also Like
Bust Of A Woman Roberto Cortazar
By Roberto Cortazar
Located in Lake Worth Beach, FL
Bust of a Woman, bronze sculptue.
Bronze with dark brown patina signed on the back R. Cortazar 1/9.
Originally from Tapachula, Chiapas Mexico, he was b...
Category
1990s Modern Figurative Sculptures
Materials
Bronze
Eilene, bronze portrait, female by John Waddell, Arizona sculptor
By John Henry Waddell
Located in Santa Fe, NM
Eilene, bronze portrait, female by John Waddell, Arizona sculptor
Waddell was born in Des Moines, Iowa in 1921 and moved to Evansville, Indiana at the age of ten. There he began to ...
Category
1970s Contemporary Figurative Sculptures
Materials
Bronze
Small Bronze Sculpture Cast Head After Rodin "Petite tete au nez retrousse"
By Auguste Rodin
Located in Surfside, FL
(after) Auguste Rodin
Posthumous cast
"Petite tete au nez retroussé"
Featuring a bust of a woman.
Limited edition bronze is mounted on a marble base and is signed on the lower right. Great detail.
Dimensions: approx. 7-1/4" tall x 5" across x 5" deep with base
Foundry mark on the reverse, #13 of 299 produced.
François Auguste René Rodin (1840 – 1917) was a French sculptor generally considered the founder of modern sculpture. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community.
Rodin became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. His student, Camille Claudel, became his associate, lover, and creative rival. Rodin's other students included Antoine Bourdelle, Constantin Brancusi, and Charles Despiau.
Rodin entered the studio of Albert-Ernest Carrier-Belleuse, a successful mass producer of objets d'art. Rodin worked as Carrier-Belleuse' chief assistant until 1870, designing roof decorations and staircase and doorway embellishments. With the arrival of the Franco-Prussian War, Rodin was called to serve in the French National Guard, but his service was brief due to his near-sightedness. Rodin took classes with animal sculptor Antoine-Louis Barye. The teacher's attention to detail and his finely rendered musculature of animals in motion significantly influenced Rodin. Rodin won the 1880 commission to create a portal for a planned museum of decorative arts. Rodin dedicated much of the next four decades to his elaborate Gates of Hell, an unfinished portal for a museum that was never built. Many of the portal's figures became sculptures in themselves, including Rodin's most famous, The Thinker and The Kiss. With the museum commission came a free studio, granting Rodin a new level of artistic freedom.
By 1900, Rodin's artistic reputation was established. Gaining exposure from a pavilion of his artwork set up near the 1900 World's Fair (Exposition Universelle) in Paris, he received requests to make busts of prominent people internationally, As Rodin's fame grew, he attracted many followers, including the German poet Rainer Maria Rilke, and authors Octave Mirbeau, Joris-Karl Huysmans, and Oscar Wilde.
Rodin and Beuret's modest country estate in Meudon, purchased in 1897, was a host to such guests as King Edward, dancer Isadora Duncan, and harpsichordist Wanda Landowska. He left Beuret in Meudon and began an affair with the American-born Duchesse de Choiseul. From 1910, he mentored the Russian sculptor, Moissey Kogan...
Category
20th Century Modern Figurative Sculptures
Materials
Bronze
Regina Sculpture Bronze Head Portrait of a Woman Lady Archetype Figure In Stock
By Theo Mackaay
Located in Utrecht, NL
Regina Sculpture Bronze Head Portrait of a Woman Lady Archetype Figure In Stock
Theo Mackaay (1950)
Mackaay works with recognizable shape:: women, men and animals, with a pointer a...
Category
21st Century and Contemporary Contemporary Figurative Sculptures
Materials
Bronze
Ein Kopf Bronze Sculpture A Head Portrait of a Woman Man Human
By KOBE
Located in Utrecht, NL
Ein Kopf Bronze Sculpture A Head Portrait of a Woman Man Human
KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014).
...
Category
21st Century and Contemporary Contemporary Figurative Sculptures
Materials
Bronze
Sculpture of a Woman's Head in Patinated Bronze after Picasso, 21st Century.
Located in Saint-Ouen, FR
Sculpture of a woman's head in patinated bronze after Picasso, contemporary art, 21st century.
Sculpture of a woman's head in patinated bronze after Picasso, contemporary art, 21st ...
Category
21st Century and Contemporary French Modern Busts
Materials
Bronze