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Beatrice De DomenicoFrench Contemporary Sculpture by Beatrice De Domenico - The Blue Planet2020
2020
$1,950
£1,480.68
€1,693.27
CA$2,724.43
A$3,030.16
CHF 1,582.26
MX$36,873.87
NOK 20,207.84
SEK 18,951.39
DKK 12,637.52
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About the Item
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes.
The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with it's unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimension and it stabilized it. Beatrice came back to the resin because of it's fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
- Creator:Beatrice De Domenico (1956, French)
- Creation Year:2020
- Dimensions:Height: 33.08 in (84 cm)Width: 43.31 in (110 cm)Depth: 4.34 in (11 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU108727613712
Beatrice De Domenico
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes. The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, and grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with its unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimensions and it stabilized it. Beatrice came back to the resin because of its fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
[Biography provided by Galerie Bruno Massa]
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