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Beatrice De DomenicoFrench Contemporary Sculpture by Beatrice De Domenico - Rise and Shine2019
2019
$5,640
$14,50061% Off
£4,282.59
£11,010.1961% Off
€4,897.46
€12,590.9861% Off
CA$7,879.90
CA$20,258.6061% Off
A$8,764.17
A$22,531.9961% Off
CHF 4,576.38
CHF 11,765.5061% Off
MX$106,650.58
MX$274,190.3361% Off
NOK 58,447.30
NOK 150,263.4461% Off
SEK 54,813.25
SEK 140,920.6061% Off
DKK 36,551.59
DKK 93,971.3061% Off
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About the Item
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes.
The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with it's unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimension and it stabilized it. Beatrice came back to the resin because of it's fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
- Creator:Beatrice De Domenico (1956, French)
- Creation Year:2019
- Dimensions:Height: 86.26 in (219.1 cm)Width: 71.66 in (182 cm)Depth: 11.82 in (30 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU108727613802
Beatrice De Domenico
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes. The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, and grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with its unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimensions and it stabilized it. Beatrice came back to the resin because of its fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
[Biography provided by Galerie Bruno Massa]
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