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Beatrice De DomenicoFrench Contemporary Sculpture by Beatrice De Domenico - Table of Hunting2018
2018
$2,650
£2,011.83
€2,301.11
CA$3,702.43
A$4,117.92
CHF 2,150.25
MX$50,110.65
NOK 27,461.94
SEK 25,754.45
DKK 17,174.06
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About the Item
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes.
The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with it's unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimension and it stabilized it. Beatrice came back to the resin because of it's fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
- Creator:Beatrice De Domenico (1956, French)
- Creation Year:2018
- Dimensions:Height: 25.6 in (65 cm)Width: 32.88 in (83.5 cm)Depth: 4.73 in (12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU108727613732
Beatrice De Domenico
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes. The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, and grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with its unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimensions and it stabilized it. Beatrice came back to the resin because of its fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
[Biography provided by Galerie Bruno Massa]
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