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Beatrice De DomenicoFrench Contemporary Sculpture by Beatrice De Domenico - Wood Block Printing2018
2018
$1,440
$1,80020% Off
£1,093.22
£1,366.5320% Off
€1,250.41
€1,563.0220% Off
CA$2,011.89
CA$2,514.8620% Off
A$2,237.66
A$2,797.0720% Off
CHF 1,168.44
CHF 1,460.5520% Off
MX$27,229.94
MX$34,037.4220% Off
NOK 14,922.71
NOK 18,653.3920% Off
SEK 13,994.87
SEK 17,493.5920% Off
DKK 9,332.32
DKK 11,665.4020% Off
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About the Item
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes.
The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with it's unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimension and it stabilized it. Beatrice came back to the resin because of it's fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
- Creator:Beatrice De Domenico (1956, French)
- Creation Year:2018
- Dimensions:Height: 27.17 in (69 cm)Width: 27.17 in (69 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU108727613752
Beatrice De Domenico
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes. The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, and grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with its unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimensions and it stabilized it. Beatrice came back to the resin because of its fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
[Biography provided by Galerie Bruno Massa]
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