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Dale DunningAkai Koi AP - red, rustic, baroque, face, figurative, bronze wall sculpture2014
2014
$9,500
£7,062.17
€8,267.51
CA$13,285.47
A$14,834.66
CHF 7,738.16
MX$182,414.25
NOK 97,665.27
SEK 91,948.41
DKK 61,675.64
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About the Item
Bronze sculptor Dale Dunning’s skilled craftsmanship never overshadows the story he wants to tell. Often he presents new ways of looking at the human face – sometimes as a mask, other times brimming with words and thoughts – and always compelling, sacred and narrative. His formal education includes a MFA (1971) from Cranbrook Academy of Art in Bloomfield Hills, Michigan. Dunning has exhibited across Canada and his work is held in a number of corporate and national collections in Ontario and Quebec.
This piece is cast using elements of wood molding to create a wall mounted mask in patina bronze. This body of work references the Baroque and Victorian Grotesque Periods. It is part of a series - other works are also available.
- Creator:Dale Dunning (1946, Canadian)
- Creation Year:2014
- Dimensions:Height: 26 in (66.04 cm)Width: 17 in (43.18 cm)Depth: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU291149032
Dale Dunning
Dale Dunning holds a Master of Fine Arts Degree from Cranbrook Academy of Art in Bloomfield Hills, Michigan. While earning his Bachelor of Fine Arts Degree from Mt. Allison University, NB, he studied under Lawren P. Harris. This academic training is reflected in Dunning’s approach to his work. Early on, he decided to focus on the human head and the mask. Inspired by the Gothic and Classical periods of “Grotesque” art, his work often reflects a romantic sensibility. His sculptures may recall the Gothic literature of Mary Shelley or historical novels of Alexandre Dumas. "The head is universally recognized, easy to identify with. We live in our heads, see, feel, and experience the world in our head. It serves as the foundation upon which I can develop various paths to explore." ~ Dale Dunning Dunning explores a variety of materials – bronze and aluminum casting, welded screws and wrenches, typeset, cable – all in the interest of creating the form. In 2012, Dunning’s work was chosen to illustrate an entire volume of Dacritics, a journal of linguistic criticism published by Johns Hopkins University Press. Dunning has exhibited across Canada and his work is held in private, corporate and public collections including the Montreal Museum of Fine Arts, Robert McLaughlin Gallery, McIntosh Gallery at Western University, Carleton University Art Collection, and the National Library of Canada.
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