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Henry CrosProfile of young womancirca 1900
circa 1900
$15,326.68
£11,329.79
€12,800
CA$20,845.34
A$23,357.09
CHF 12,158.26
MX$285,738.08
NOK 154,326.54
SEK 145,759.57
DKK 97,465.72
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About the Item
Profile of young woman
by Henry CROS (1840-1907)
Polychrome glass paste
presented on a wooden panel
France
circa 1900
height 24,5 cm
width 16,5 cm
panel : 29 x 21 cm
Biography :
César Isidore Henry Cros, known as Henry Cros (1840-1907), was a French sculptor, painter, ceramist, and glassmaker master. Born into a family of intellectuals, he began painting in 1854. He studied under the sculptors François Jouffroy and Antoine Étex and the painter Jules Valadon at the École des Beaux-Arts in Paris. He made his debut at the 1861 Salon, presenting a bust of his brother Charles Cros. In 1863, he participated in the Salon des Refusés, exhibiting three plaster casts. Between 1869 and 1880, Henry Cros became known to discerning art critics for his research. Cros began by developing an interest in wax and reproducing several of his sculptures in this material, even inventing an encaustic painting process. He later turned his attention to ceramics and produced stoneware. Henry Cros eventually began practicing glassmaking and participated in the development of the modern glass paste technique. His unique work, free from any form of academicism and belonging to Art Nouveau, was inspired in particular by themes from European Antiquity.
Henry Cros participated in the 1889 Universal Exhibition in Paris, where he presented eight low-reliefs, seven of which were made of glass paste and one of marble. He was awarded a silver medal. Cros worked in particular at the Manufacture nationale de Sèvres, where the State granted him a studio in 1891 as well as an annual subsidy. He successively received two important commissions from the State for large compositions in polychrome glass paste, "The History of Water" (1892) – now preserved at the Musée d'Orsay – and "The History of Fire" (1892), then in 1905 a commission from the City of Paris for "The Apotheosis of Victor Hugo", presented at the Victor Hugo House.
Recognized by his peers, but ignored by the general public, a letter from Antoine Bourdelle addressed to Jean Cros, his son, unequivocally attests to his admiration for the artist: "How many times Rodin said to me: Bourdelle, we all have a great duty to fulfill towards Henry Cros. We seem to be too unaware that he is a great artist. His form touches on the most beautiful laws of ancient art from the greatest times and without speaking of his genius as the inventor of his colored glass paste, his work as a painter, as a draftsman, his work as a sculptor makes him a unique master who is sufficient for the glory of his time and his nation." (words taken from the exhibition catalog "Henry Cros", published by Chantal Kiener, 2017).
- Creator:Henry Cros (1840 - 1907, French)
- Creation Year:circa 1900
- Dimensions:Height: 11.42 in (29 cm)Width: 8.27 in (21 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:Seller: N.71481stDibs: LU2514216077802

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Biographies :
Marcel Gimond (1894-1961) was a French sculptor. He studied in Lyon, then at the School of Fine Arts in Lyon where he graduated in 1917. Finally he arrived in Paris the same year and settled in Marly-Le-Roi. Student of Aristide Maillol, he also met Raoul Dufy and Auguste Renoir. Gimond worked with Maillol until 1920, and left him to settle in Paris and regain his independence. He then moved into Renoir's former studio, made available by Jean Renoir. He exhibited at the Salon des Indépendants and the Salon d'Automne in 1922. In 1940, Gimond left Paris to settle in the South zone, in Lyon, then in Aix en Provence; He spent his summers at Saint-Félicien, at the house of poet Charles Forot.
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