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Jean-Baptiste Carpeaux (1827-1875)"Le Rieur Napolitain" by Jean-Baptiste Carpeaux (1827–1875) 2nd half of XIX century
2nd half of XIX century
$1,233.38
£900
€1,050
CA$1,689.42
A$1,879
CHF 981.16
MX$22,865.48
NOK 12,530.88
SEK 11,751.75
DKK 7,836.52
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About the Item
A stunning bronze bust "Le Rieur Napolitain" by Jean-Baptiste Carpeaux (1827–1875), a master of 19th-century French sculpture. This piece captures the joyful expression of a young Neapolitan boy, reflecting Carpeaux’s signature realism and dynamic movement.
Details:
Artist: Jean-Baptiste Carpeaux
Title: Le Rieur Napolitain (The Laughing Neapolitan)
Material: Bronze
Dimensions: Height 27 cm, Width 19 cm, Depth 12 cm
Period: 19th century
Condition: Good, with a beautiful natural patina
Jean-Baptiste Carpeaux (1827–1875) was a leading French sculptor of the 19th century, known for his ability to infuse lifelike movement and emotional depth into his works. Le Rieur Napolitain (The Laughing Neapolitan) is a striking example of his dynamic and expressive style, embodying his fascination with naturalism and human vitality.
This bust is part of Carpeaux’s series of Neapolitan figures, inspired by his time in Italy after winning the prestigious Prix de Rome in 1854. While in Naples, he became captivated by the expressive faces and lively energy of local street children, whom he skillfully captured in clay and bronze. Le Rieur Napolitain showcases his ability to convey spontaneity and joy, a departure from the more formal and restrained academic traditions of his time.
Artistic Characteristics:
Expressive Realism: The sculpture exhibits an extraordinary sense of movement, with the boy’s mischievous grin, dynamic gaze, and the fluidity of his drapery.
Technical Mastery: Carpeaux’s delicate handling of bronze creates subtle variations in texture, from the softness of the skin to the intricate details of the fabric and hair.
Influence of the Italian Renaissance: His style reflects the influence of Renaissance masters such as Donatello and Michelangelo, particularly in the naturalistic representation of emotion.
Cultural & Historical Context:
Carpeaux’s work was a reaction against the rigid Neoclassicism of the early 19th century, embracing the more spontaneous and expressive qualities of Romanticism and Realism. His sculptures were highly sought after by collectors and patrons, including Napoleon III, who admired his ability to blend technical excellence with emotional resonance.
Today, Le Rieur Napolitain remains a celebrated example of Carpeaux’s artistic genius, reflecting the sculptor’s keen observation of life and his enduring ability to capture the essence of human expression.
- Creator:Jean-Baptiste Carpeaux (1827-1875) (1827 - 1875, French)
- Creation Year:2nd half of XIX century
- Dimensions:Height: 10.24 in (26 cm)Width: 7.49 in (19 cm)Depth: 4.73 in (12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good work and metal.
- Gallery Location:Edinburgh, GB
- Reference Number:1stDibs: LU1987215988542
Jean-Baptiste Carpeaux (11 May 1827 – 12 October 1875) was a French sculptor and painter during the Second Empire under Napoleon III. Life Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude.Carpeaux entered the École des Beaux-Arts in 1844 and won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. Carpeaux sought real life subjects in the streets and broke with the classical tradition. Carpeaux debuted at the Salon in 1853 exhibiting La Soumission d'Abd-el-Kader al'Empereur, a bas-relief in plaster that did not attract much attention. Carpeaux was an admirer of Napoléon III and followed him from city to city during Napoléon's official trip through the north of France. After initially not making any contact with the emperor, he finally succeeded in arranging a face-to-face encounter at Amiens where he managed to convince Napoléon to commission a marble statue that was to be carried out by a practitioner, Charles Romain Capellaro. Carpeaux soon grew tired of academicism and became a wanderer on the streets of Rome. He spent free time admiring the frescoes of Michelangelo at the Sistine Chapel. Carpeaux said, "When an artist feels pale and cold, he runs to Michelangelo in order to warm himself, as with the rays of the sun". While a student in Rome, Carpeaux submitted a plaster version of Pêcheur napolitain à la coquille, the Neapolitan Fisherboy, to the French Academy. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugénie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington, D.C. Some years later, he carved the Girl with a Shell, a similar study. In 1861, he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III. Then in 1866, he established his own atelier in order to reproduce and make work on a grander scale. In 1866, he was made chevalier of the Legion of Honour. He employed his brother as the sales manager and made a calculated effort to produce work that would appeal to a larger audience.[3] On 12 October 1875, he died at George Barbu Știrbei's château in Bécon-les-Bruyères, outside Courbevoie. Among his students were Jules Dalou, Jean-Louis Forain and the American sculptor Olin Levi Warner.
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