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Jits BakkerHeup-moeder Hip-Mother with Child Nude Figurative Woman Sculpture Contemporary2024
2024
$4,098.26
£3,085.37
€3,470
CA$5,645.63
A$6,322.75
CHF 3,299.11
MX$77,229.65
NOK 41,974.23
SEK 39,565.75
DKK 26,414.11
About the Item
Heup-moeder Hip-Mother with Child Nude Figurative Woman Sculpture Contemporary
Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, silversmith, and graphic artist. He refused to be confined by one discipline and explored universal themes through timeless and expressive visual language. Inspired by the Renaissance ideal of the well-rounded human, Bakker developed a rich and diverse body of work. For over fifty years, he worked from his studio 'De Kooi' in De Bilt. His sculptures and artworks are featured in museums and private collections around the world. Throughout his career, he received prestigious commissions and met many world leaders and notable public figures. Jits Bakker's legacy continues to inspire through his powerful and emotionally resonant art that bridges cultures and generations.
- Creator:Jits Bakker (1937 - 2014, Dutch)
- Creation Year:2024
- Dimensions:Height: 11.03 in (28 cm)Width: 4.34 in (11 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Utrecht, NL
- Reference Number:1stDibs: LU1597216494382
Jits Bakker (1937–2014) was a Dutch visual artist deeply inspired by classical mythology and Renaissance ideals. Though best known internationally as a sculptor, his artistic talents spanned a wide range of disciplines including painting, drawing, watercolor, glass art, graphic techniques, and jewelry design. Bakker began his career as a painter rooted in Impressionism but later developed a bold Expressionist style influenced by Fauvism. He was passionate about plein air painting, capturing landscapes with emotional intensity and vibrant color. His diverse body of work reflects a deep connection to nature, personal experience, and classical themes. In 1962, he began working with glass mosaics, drawn to the interplay of color and light, and he remained active in this medium throughout his life. He also saw his jewelry as miniature sculptures and treated each piece with the same artistic integrity as his larger works. Bakker embodied the Renaissance principle of the "universal man," constantly exploring new creative fields and rejecting the idea of artistic specialization. His life’s work is a testament to versatility, craftsmanship, and timeless expression. He studied at ArtEZ in Arnhem and held numerous exhibitions across Europe and the U.S., with permanent installations and high-profile commissions, including for royalty and international institutions.

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