Joseph Rozman

'Death of a Sergeant' Milwaukee artist

1968

'Were We Ever Really Children?' is a rare early example of the small-scale assemblages that American artist Joel Jaeks began producing in the 1980s. As with all of his assemblages, t...

"Can't Get Her Off My Mind" is an original ceramic sculpture created by Steven Kemenyffy. 43"x30"x14" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

'And Ten Out of Ten' is a rare early example of the small-scale assemblages that American artist Joel Jaeks began producing in the 1980s. As with all of his assemblages, the artwork ...

"El Gozo en el Recuerdo (The Pleasure in Memory)" is an original mixed media piece on handmade paper by Teresa Olabuenaga. The artist signed the piece in the lower right. It depicts ...

assemblage sculpture: vintage wood boxes containing 20 vintage handmade & painted wood toy game men, vintage handheld dexterity game that reads “The American Way – Liberty and Justice for All...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author and educator. For over three decades he has made his home in New Orleans, performing on tenor...