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Lubomir TomaszewskiPolish Sculpture Granite Stone, Metal Judaica Jewish Holocaust Memorial Art
$2,500
£1,898.31
€2,170.86
CA$3,492.86
A$3,884.83
CHF 2,028.54
MX$47,274.20
NOK 25,907.49
SEK 24,296.66
DKK 16,201.95
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About the Item
Born in 1923, alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology, is an extraordinary artist, searching for his own artistic way. Ambitious, he aims at creating art nobody else has ever created. He is a representative of experimental realism, a versatile sculptor and painter in love with music, nature and women beauty. He inherited his remarkable humanistic and musical talent from his mother, whereas from his father he inherited his technical and engineering talent. Thanks to this exceptional mixture of genes, Tomaszewski combines an engineer’s approach to nature and human beings with the ability to uncover the human soul. He knew he was an artist from the very beginning. He learned to paint before he could even talk: he made his first realistic drawing at the age of two and a half. The complicated course of events led him to settle down in New York region, the city became his new home, where he could find his way to artistic freedom and fame. He has over 150 individual and group exhibitions around the world to his credit. His works decorate the private studies and houses of Lawrence Rockefeller’s family and of the former President of the United States Jimmy Carter.
Lubomir Tomaszewski creates using three different kinds of media: sculpture, paintings “painted with fire” and porcelain. As a sculptor, he uses ready fragments given by nature: stones or rocks, pieces of wood and bark, and combines them with metal or glass to create unique representations of animals, figures or forest spirits. As a painter, instead of a brush, he uses a torch. The technique of painting with fire and smoke offers not only amazing expression possibilities: it makes it possible to achieve the effect of lightness and dynamism, but also an amazing force of expression. No paint can produce such results. What makes the paintings so captivating is their ethereality and power that has a strong impact on the viewers and touches their emotions. Tomaszewski has been mastering this technique for over 20 years.
While creating porcelain figurines, Professor Tomaszewski approaches the subject with great passion, as he treats them as small sculptures. He works on his own unique style and believes that by designing small-scale sculptures he gives people something beautiful, with modern shapes, something that increases the aesthetic level of the society. His adventure with porcelain figures started in the 1950s in the Institute of Industrial Design, where he used to work.
Lubomir Tomaszewski excellent education, his talent and his extraordinary abilities to observe nature and contemporary art led him to found an international artistic movement: he is the spiritual father and the leader of the Emotionalists, a group established in 1994, formed of painters, sculptors, designers, photographers, dancers and musicians.
The New York Times called him “a motion sculptor”. By his works Tomaszewski proves that popular, not necessarily highly abstract, art can bring great joy to many people, but can also evoke other emotions, such as anxiety or fear. Thanks to the fact that he depicts and evokes emotions that are shared by many people, his works are found in private collections, corporations, museums and galleries around the world, and the number of admirers of his sculptures and paintings is constantly growing. Lubomir Tomaszewski’s works are included in the collections of the National Museum in Warsaw; the National Museum in Kraków; the Warsaw Rising Museum (Warsaw); the National Museum in Wrocław; Halle Museum (Germany); Robert Marston, INC.; Marvin Gilman; Lighting Services INC.; Lawrence Rockefeller and the Rockefeller family; the Ziselman family (Caracas, Venezuela); Jimmy Carter, former President of the United States; T. Komine of Kyowa Bank (Tokyo, Japan), and others.
Awards:
1948 National Award for sculpture ‘Portrait of a Woman’
1955 First Prize, competition for sculptures for the square surrounding
the Palace of Art and Science, Warsaw, Poland.
1956 Third Prize for ‘The Monument of Freedom, Cracow, Poland
1958 Distinction award for sculpture ‘Sport’
1959 Distinction in a two level competition for ‘Monument of Warsaw
Heroes’
1964 Distinction for ‘Nina‘ (coffee set)
1964 Distinction for ‘Dorota‘ (coffee set)
1964 Golden Cross for achievement in industrial design
1983 First Prize in Contemporary Art Exhibit, Slavic Culture Week
1984 Award for Achievement in Sculpture, Perspective Magazine
1988 Third Prize O.A.F., Bruce Museum, Greenwich, CT
1991 Best in Show O.A.F., Bruce Museum, Greenwich, CT
1993 Biennial Award, Museum N.E.C.C.A., CT
1995 First Prize O.A.F., Bruce Museum, Greenwich, CT
1997 Third Prize O.A.F., Bruce Museum, Greenwich, CT
1999 Third Prize O.A.F., Bruce Museum, Greenwich, CT
2000 Second Prize at New Canaan Society for the Arts, CT
2001 Press Award Saumur, France
2002 Touring Exhibition France and Germany
2003 Second Prize “Spectrum” New Canaan Society of Arts CT
2004 Second Prize Polish Art Festival Doylestown PA
2005 First Prize “ Spectrum” New Canaan Society for the Arts
2006 People`s Choice Award National Sculpture Society
2007 Curators Choice Award “Spectrum” New Canaan Society
for the Arts
2007 Second Prize OAF. Bruce Museum, Greenwich, CT2008 – First Prize in “ Spectrum” New Canaan Society for the Arts for
‘Mythical Giant’
2010 American Society of Contemporary Artists, New York, NY, award for “Joy of Dance”
2011 Second Award ‚Illusion’ w New Canaan Society for the
Arts, New Canaan
2012 Honorable Mention New Canaan Society for the Arts for painting
‘It’s Passing’
2013 First prize for ‘Flight over the Stage’ from New Canaan Society
for the Art
2014 First prize for ‘Music of the Forest’ from New Canaan Society
for the Art
2014 Lifetime Achievement Award, Bridgeport University , USA
- Creator:Lubomir Tomaszewski (Polish)
- Dimensions:Height: 18 in (45.72 cm)Width: 13 in (33.02 cm)Depth: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:the base has a seperate rock piece that keeps it propped. as per artist's intent.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215707142
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Aronson, David 1923-
David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists.
At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work.
In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts.
included in the catalog
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Selected Awards
1990, Certificate of Merit, National Academy of Design
1976, Purchase Prize, National Academy of Design
1976, Joseph Isidore Gold Medal, National Academy of Design
1976, Purchase Prize in Drawing, Albrecht Art Museum
1975, Isaac N. Maynard Prize for Painting, National Academy of Design
1973, Samuel F. B. Morse Gold Medal, National Academy of Design
1967, Purchase Prize, National Academy of Fine Arts
1967, Adolph and Clara Obrig Prize, National Academy of Design
1963, Gold Medal, Art Directors Club of Philadelphia
1961, 62, 63, Purchase Prize, National Institute of Arts and Letters
1960, John Siimon Guggenheim Fellowship
1958, Grant in Art, National Institute of Arts and Letters
1954, First Prize, Tupperware Annual Art Fund Award
1954, Grand Prize, Third Annual Boston Arts Festival
1953, Second Prize, Second Annual Boston Arts Festival
1952, Grand Prize, First Annual Boston Arts Festival
1946, Traveling Fellowship, School of the Museum of Fine Arts
1946, Purchase Prize, Virginia Museum of Fine Arts
1944, First Popular Prize, Institute of Contemporary Art
1944, First Judge's Prize, Institute of Contemporary Art
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Brandeis University
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