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Mickey "Kano" Kane"Double Entendre (TwoFaceNote)" Satirical Currency Collage1993
1993
About the Item
"Double Entendre (TwoFaceNote)" Satirical Currency Collage
Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical mixed media artwork that mimics a U.S. banknote to critique capitalism, identity, and the commodification of culture. At its center, mirrored and distorted figures reflect themes of duplicity and mass reproduction, framed by ornate currency motifs and surrounded by repeating "B" seals. Bold text—“DOUBLE ENTENDRE (TWOFACENOTE)”—highlights the dual meaning and artificial value in both art and money. A grayscale figure at the bottom, connected by crimson ribbons, adds emotional weight and underscores the human cost beneath systems of power. The piece cleverly blurs the line between economic authority and artistic commentary.
Dated "1993" in the lower left corner.
Signed "Kano" in the lower right corner.
Presented in a new warm beige mat.
Mat size: 20"H x 28"W
Paper size: 13.75"H x 21"W
Mickey Kane, better known as "Kano," is an artist and sculptor from Santa Cruz, CA. His collage work is generally satirical or critical in nature, frequently dealing with themes of money, capitalism, government, power, and debt. By contrast, his sculptural work is abstract and free of direct symbolism, focusing instead on the aesthetics of the composition.
- Creator:Mickey "Kano" Kane (1939 - 2002, American)
- Creation Year:1993
- Dimensions:Height: 20 in (50.8 cm)Width: 28 in (71.12 cm)Depth: 0.25 in (6.35 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition. Mat is new.
- Gallery Location:Soquel, CA
- Reference Number:Seller: DBH98121stDibs: LU54216128582
Mickey “Kano” Kane (American, 1939-2002) was born in Illinois and grew up in Sacramento, CA. Kane moved to the Pacific Coast and worked on mixed media panels - which he would refer to as a “Totem” – and detailed collage compositions. His collage work is generally satirical or critical in nature, frequently dealing with themes of money, capitalism, government, power, and debt. By contrast, his “Totem” sculptural work is abstract and free of direct symbolism, focusing instead on the aesthetics of the composition. Original Member, Artist’s Cooperative Gallery Artist’s Statement: The Totem is indicative of the unfolding 21st Century, graphically and metaphorically. It is neither one side nor the other, nor does one side challenge or compete with the other. Each side cooperates and thus enhances the other so that both "sides" transcend that definition into a composition revealing that, indeed, the whole is greater than the sum of its parts. The Totem reflects the inner harmony that all sides, whether two or two thousand, are striving to manifest in their own inimitable way.
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