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Sandy Graves
Strut 1/50

$3,140
£2,364.13
€2,746.80
CA$4,421.16
A$4,925.49
CHF 2,583.98
MX$60,159.80
NOK 32,718.16
SEK 30,659.62
DKK 20,502.69

About the Item

Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs. As she continued her education at Colorado State University in Fort Collins, Colorado, Graves experimented with a large variety of different mediums, however, she found herself continuously revisiting bronze sculpture. She fell in love with the warmth and beauty of the medium, as well as the intimate interactions and contact the viewers have with bronzes. Graves hopes for her work to remind viewers of special memories in order to create interesting and inviting sculptures. A life-long equestrian, Graves recently has begun to incorporate abstracted equine forms to compliment the wildlife and human figures that comprise much of her portfolio. Each sculpture, whether a long-legged horse, a miniature rabbit, or a group of cyclists in a packed peloton, is carefully finished with unique and elegant patina that augments the whimsy and emotion of each piece.
  • Creator:
  • Dimensions:
    Height: 9 in (22.86 cm)Width: 4.5 in (11.43 cm)Depth: 14 in (35.56 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Napa, CA
  • Reference Number:
    Seller: SGX-42171stDibs: LU14427870912

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Patrol 14/35
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Category

2010s Contemporary Abstract Sculptures

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Moxie Step It
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bauxite, sheet metals, shale, oxides, acrylic paints Dan Corbin's sculptures are a convergence of conceptualism and the human figure, illuminating what it feels like to be alive during current times, with all its beauty, complexity, contradictions, and possibilities. The artist’s sculptures address issues of contemporary society - materialism, industrialization and cultural change - while simultaneously referring to a wide range of human emotions. His sculptures lift the spirit while questioning what it is to be human. In Corbin’s archetype of man, intellect and soul are separate from the body. Armless, headless, anonymous cores can now be broken down to the smallest units, analyzed, engineered, beautified, and commodified. Corbin’s articulation of figurative sculpture takes iconography of the present and embeds it in the surface of his sculptures. He calls these miniature time capsules ‘inclusions’. Objects like cosmetic bottles, action figures, dolls, and feeder fish are sealed in resin and strategically embedded throughout the body. With these ‘inclusions’ the figure becomes a technologically enhanced vessel. The human body is no longer a container for a perfect being, handed down by god or evolution, but an aesthetically enhanced harbinger of a new era. In combination with the ‘inclusions’ Corbin uses a multitude of industrial materials, emphasizing the intrinsic value and physical properties of each. Each surface becomes fully charged with content, primed for multiple interpretations. Dan Corbin has been included in notable exhibitions at galleries and institutions including the Museum of Northern California Art...
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The Scholar 20/50
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