Gary Sczerbaniewicz

Contemporary Wall Sculpture Installation Outer Space Science Pink Purple

2022

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.

The Palace at 3am (2022) by Gary Sczerbaniewicz. Wood, laser cut & etched chipboard, latex, plaster, and cast plastic.

Hybrid II by Polly Little (2022). Plaster and acrylic paint.

Russell Targ (2018) by Gary Sczerbaniewicz. Wood, laser-cut MDF, acrylic, ink.

Duo (2022) by Bethany Krull. Porcelain, glaze, aluminum.

Intricate, monochrome florals contrast with the flat, near-abstract twin vases from which they grow, yearning toward one other. “Reaching and Pulling” (2022) by Colleen Toledano. Por...

Artist: Jim Pallas (1941) Title: Reclining “Yes” on three round wheels and one square Year: 2023 Medium: Iron, epoxy, urethane foam and steel Size: 8 x 10 x 9 inches Condition: Excel...

AMERICA MARTIN "Woman Standing At Ease" Welded Core, Foam, Cement, and Black Epoxy Mortar on Metal Base 89 x 31 x 3 inches with Base: 101 x 36.5 x 24 inches Bursting with life, fo...

A unique, wall mounted steel sculpture made of painted aluminium.

A unique, wall mounted steel sculpture made of painted aluminium.

High relief 3D steel wall sculpture by Frederic Daty ABOUT THE WORK - Robotization and artificial intelligence are the beginnings of the era of beings of steel, silicone and microch...

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...