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Chinese Qing dynasty figurative censer bronze 19th century

19thC

Small gilt bronze objet d'art on wooden base depicting a young sea creature, most likely a newt. These types of objects were very common in aristocratic homes, often kept in the lord...

Alabaster temple with Corinthian capitals, palmette decoration runs along the rim. On the front, two swans are carved on the base, while there are five rosettes at the top. In the ce...

This bronze relief ( 29 x 29 cm, plexiglass pedestal 41 x 41 cm) is a model for a commemorative medal dedicated to the Italian Air Force. At the centre there is the Allegory of the ...

The bronze was first presented at the VII Quadriennale Nazionale d'Arte in Rome, which was held at the Palazzo delle Esposizioni from November 22, 1955 to April 30, 1956, with Fausto...

This 19th century Chinese jardiniere features dragons in different shades of glazed earth tones and a turquoise glaze on the inside. It has good balance and a pleasing silhouette; it...

Slingeren Swinging Bronze Sculpture Figurative In Stock About Jits Bakker (1937-2014) Sculptor, painter, watercolorist, drawer, glass artist, silversmith, graphic artist. The artist...

As with Richard MacDonald’s entire Cirque series, Transcendance has many layers of metaphor and meaning to challenge and intrigue viewers. Transcendance is a striking example of Rich...

The bronze sculpture "Owl" is an exaggerated rendition of an owl that emphasizes the bird's most prominant characteristics - a big fluffy round body and large unblinking eyes making it a charicature of the bird. It is very touchable and calls for one to pet its rounded back. Tom Brun, the sculptor and zookeeper, is well-known for his wood, stone, marble, ceramics and ivory sculptures. One of them, a large hippopotamus, carved from walnut wood travelled the world in the State Department collection. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. This owl, too, seems destined to be caressed. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...