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Figurine de Dignataire, A Male Luba-Hemba Figure, Congo

$1,004.55List Price

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Statue Songye, Kneeling Male Figure, Democratic Republic of Congo
Located in Cotignac, FR
A Songye Male Power Figure, Democratic Republic of the Congo, the male figure resting on one knee, with openwork arms and hands resting by the abdomen which contains various charms a...
Category

Mid-20th Century Figurative Sculptures

Materials

Metal

Mid-Century Nude Male Acephale Sang de Boeuf Ceramic Sculpture with Marble Base.
By Franta (Frantisek Merte)
Located in Cotignac, FR
French Mid 20th Century ceramic figure of a man in Sang de Boeuf, oxblood red, glaze presented on a metal 'tige' and marble base. The sculpture is not signed but was purchased from ...
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Mid-20th Century Abstract Expressionist Nude Sculptures

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Group of Four Native North American Hopi Katsina (Kachina) Dolls in Canoe..
Located in Cotignac, FR
A group of four Native North American carved wood and painted effigy figures, Hopi Katsina or Kachina dolls paddling their canoe. Four wonderfully playful, brightly coloured and hig...
Category

Mid-20th Century Tribal Figurative Sculptures

Materials

Wood, Paint

Statue Songye, Republic of Congo, Misangu Glass Beads & Chiefly Raffia Skirt
Located in Cotignac, FR
A Songye Male Power Figure, Democratic Republic of the Congo, the male figure with openwork arms and hands resting on the abdomen, typical facial features and a waterbuck (kobus elli...
Category

Mid-20th Century Tribal Figurative Sculptures

Materials

Metal

Cigar Store Indian, Early 20th Century, Carved Wood With Polychrome Decoration
Located in Cotignac, FR
A 20th Century wood carved male figure, a 'Cigar Store Indian' with original polychrome decoration. A now controversial subject, but none the less charming rendition, of a native North American man originally probably used as an advertising figure. Wonderful quality of carving capturing the stance of the man looking out to the distance, hair flowing to his back and plait to the side, all the details of his costume, his native dress and hairpipe breastplate (suggesting he is possibly a Comanche) and chest ornament, apron, trousers, mocassins, shield and arrows. The original Polychrome decoration has weathered beautifully as has the wood itself to present a sculpture that would adorn any collection or interior. Because of the general illiteracy of the populace, early store owners used descriptive emblems or figures to advertise their shops' wares. American Indians and tobacco had always been associated because American Indians introduced tobacco to Europeans. As early as the 17th century, European tobacconists used figures of American Indians to advertise their shops. Because European carvers had never seen a Native American, these early cigar-store "Indians" looked more like Africans with feathered headdresses and other fanciful, exotic features. These carvings were called "Black Boys" or "Virginians" in the trade. Eventually, the European cigar-store figure...
Category

Mid-20th Century American Realist Figurative Sculptures

Materials

Wood, Paint

Outsider Art Mixed Media Collage Montage. 'Les Mots Exquis des Eskimos.'
By Armand Avril
Located in Cotignac, FR
Ousider Art mixed media montage titled 'Les Mots Exquis des Eskimos' ( The exquisite words of the Eskimos ) by French artist Armand Avril, signed, dated 2010 and titled to the revers...
Category

21st Century and Contemporary Outsider Art Mixed Media

Materials

Wood, Plywood, Oil

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A late 17th Italian carved limewood figure of Mermaid, circle of Filippo Parodi
Located in PARIS, FR
A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...
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