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Unknown
Unknown Israeli Bronze

$600
£446.35
€523.31
CA$839.18
A$936.96
CHF 491.62
MX$11,563.80
NOK 6,179.67
SEK 5,782.18
DKK 3,904
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About the Item

Bronze figurative sculpture Unknown Israeli Artist
  • Dimensions:
    Height: 13 in (33.02 cm)Width: 3 in (7.62 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38210787202

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Unknown Israeli Bronze
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Bronze figurative sculpture Unknown Israeli Artist
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Latin American Art Figurative Abstract Bronze Sculpture Lovers Marcelo Morandin
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Marcelo Morandin 1933-1996 Untitled (Embracing Couple, Lovers) Bronze 1988; ed. P/E; Hand signed, dated and editioned to lower edge DImensions: 48.5 x 32 x 21 cm / 18.8 x 12.5 x 8.2 inches (approximately) PAREJA, Bronce, patinado Marcelo Morandin (1933 - 1996) was active/lived in Argentina, Mexico. Argentinian, Mexican Postwar & Contemporary sculptor Morandin is best known for his monumental sculpture. This is a wonderful, art deco inspired nude couple, the woman appears pregnant). Marcello Morandín (Marcelo Román Morandín Paroni) was born in 1933 in Argentina. He was an important plastic artist and Argentine architect, distinguished in Mexico for being an excellent sculptor and furniture designer. At the end of his studies at the Faculty of Architecture of Buenos Aires, Argentina, he traveled to Mexico and settled in Xalapa, Veracruz. In this city he was part of several artistic projects and noted for being one of the founders of the Department of Aesthetic Research and Applied Design at the University of Veracruz, as well as the Department of Aesthetic Research at UNAM. Between the years 80 and 90, he carried out several monumental works, among them "La pigeon de la paz" a project for the UN; "The foundation of Tenochtitlan" located in front of the Official Residence of Los Pinos; and "The Kinetic Tower" Of the government of Veracruz that combines the light and the sound with diverse moving parts to the compass of the music of Arnold Schoenberg. (Lily Kassner. Dictionary of Mexican sculptors of the twentieth century. Volume II. Mexico. Conaculta, 1997). Similar in style to Israeli artists Aharon Bezalel and Isaac Kahn. He has shown with Jose Villalobos, Nicolas Moreno, Pedro...
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Israeli Bronze Modernist Sculpture Pregnant Woman Abstract Figure Safed, Ein-Hod
By Victor Halvani
Located in Surfside, FL
From a limited edition. an abstract elongated art deco form of a mother with child. signed on bottom of wooden base and etched into bronze. Victor Halvani no doubt had an enchanted childhood. A warm loving Jewish family. His father a judge, his mother, descendent from a rabbinic family, was a great storyteller who transformed the heroes of the Bible into her child’s best friends. A small village at the base of the pyramids of Giza, school trips to the Valley of the Kings in Aswan. Ancient Egyptian art looking at the dreamy child from every corner. Given the chance to look back, it becomes clear that Victor’s lifelong dream – to become an artist, had it’s beginnings right there – in the child dreaming at the Nile. Victor Halvany was born in 1930 to Bella and Yitzchak (OBM). Soaked in that enchanted childhood atmosphere, Victor found himself spending hours and days in the Cairo museum of art, looking at the exhibits and drawing them with intensity and enthusiasm. His inspiration filled drawings caught the eye of his teachers and with there encouragement he entered a national competition in which he won first place. This lead to him winning a full scholarship at the art faculty in Zamalek and at the Cairo University. Full of hopes and dreams he began his studies, only to be interrupted after one year. The Israeli war of independence began and subsequently the pogroms, and the urgent need of Egyptian Jews to emigrate, going first to France and than to Israel. Victor’s first years in Israel were years of struggle for survival, but simultaneously years of activity and progress. In 1950, while serving in the army, Victor met Margalit, the women at his side, mother of his children and the most present character in his career of activity and art. With Margalit’s encouragement and support he not only raised a family, fathering two boys and a girl, but also fulfilled his dream and was fortunate to have a full and inspiring career- as a person, artist, and teacher. Today, in his advanced age, Victor continues his daily activities: creates, plans, exhibits, and as always – open-minded, curious, learning, getting updated. 1953 – Received scholarship and year of study at Bezalel School of art and design in Jerusalem. 1956 – Finished education studies and received BA in education. Tel Aviv art teachers college. 1969 – Scholarship to study abroad for a year at Hammersmith College of art & building in London, graduating cum laude. 1970 – Received MA in art education and sculpture. 2015 – Participation in the sculpture exhibit at the Mamilla mall promenade in Jerusalem. Sculptures exhibited: “David with harp”, “Mother playing with child”, “Yuval father of harp players” 2014 – Participation in sculpture exhibit at the Mamilla Mall Promenade in Jerusalem, sculptures exhibited: “Ruth and Naomi” “David playing harp”, “Girl with gazelle” 2013 – Ein Hod, Yemini sculpture garden, at main entrance to artist’s colony, sculpture exhibited “David playing the harp”. 2012 – Opening of “Art exhibit- Victor Halvani”. At the Halvani residence in Ein Hod, exhibits large collection of sculptures and prints. Visits by appointment. 2011 – Safed, “The Shofar” art project, exhibited at “Safed liberation square”, at main entrance to the city, in the presence of the mayor and representatives of U.S. donors. 2010 – Safed, “The Spies” art project placed, and square named Halvani, at southern entrance to the city of Safed, in presence of the Mayor, Ilan Shochet, and representatives of U.S. donors. 2001 – Participation in international exhibit in San Francisco, U.S. 2001 – Katzrin, Ramat Hagolan, Exhibit of sculptures “Mother playing with child”, “Hope for peace”, and “David with slingshot”, around the city. 2000 – New York, U.S. – International millennium art expo – exhibited “The Hope”. 1999 – Safed, completion of phase 2 of Victor Halvani sculpture garden in Oranim neighborhood. 1998 – Bennington, U.S. – Solo exhibit with collection of bronze sculptures at Bennington art center. 1997 – Stillwater, Oklahoma, U.S. – Placement of sculpture “David playing the harp” at the entrance to Seretean art center at the University of Oklahoma. 1996 – Miami, Florida, U.S., Center for international exhibits – solo exhibit, selection of bronze sculptures. 1995 – West Bloomfield, Michigan, U.S. – Placement of sculpture “David playing harp” at the Reform Jewish Cultural Center park. 1995 – Boston, U.S. – placement of sculpture “David playing harp” at Stanley & Barbara Young...
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Israeli Abstract Figures Art Brut Polychromed Bronze Sculpture Aharon Bezalel
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Located in Surfside, FL
Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...
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Materials

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Bronze Jewish Rabbi. Original Patina. Art-deco wood carved base. It is signed with initials P.K. and marked "Calif Art Bronze Fdry LA" (California Art Bronze Foundry Los Angeles). it is not dated. PETER KRASNOW (1886-1979), Russian-Ukrainian, American artist painter and sculptor, born Feivish Reisberg, was a California modernist and colorist artist known for his abstract wood sculptures and architectonic hard-edge paintings and drawings which were often based on Hebrew calligraphy and other subjects related to his Jewish heritage...
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In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art...
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