Metal Sculptures

slate/pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. O...

"Midnight Ride" by Kevin Barrett Unique welded bronze sculpture This sculpture is available at a larger size by commission. Kevin Barrett is noted for ...

Bronze statue, also for external use. Done by a renowned Slovak sculptor Milan Lukáč (studies Academy of Fines Arts in Bratislava and École Nationale Supér...

This playful pop art-inspired large indoor sculpture is by Calgary’s Alexander Caldwell. Stainless steel balls in various sizes are welded to create...

'Pura Gede' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space & Standing Stones series. It features painterly brush...

Titled "In vivo", this woven airy sculpture is created and woven by artist Delphine Grandvaux from metal wire. This artwork depicts bubbles of life,...

"MAOLA 2" Steel Sculpture 94.5 x 47 x 47 in Edition 1/2 by ILLYA TIGOIS Medium: steel & stainless steel The "MAOLA" project is a series of works aimed at allowing the observer to i...

Indulge in the beauty of divine creation with Adam by Frederick Hart. This masterpiece, number 2 out of 8, is up for sale and waiting to be cherished by its new owner. This piece is ...

23.5cms high x 8 x 11 Bronze above a composite base. Unique variation Stamped with monogram signature. Lacquering protects the natural bronze surfaces against tarnishing by touch. We...

This is an artwork created by the well known Italian artist Carmelo Cappello. This Carmelo Cappello Abstract Sculpture is a very interesting example of the approach of the artist to...

"Dahlia" by Richard Pitts Powder-coated aluminum on a brushed aluminum base (height includes base) Richard Pitts works in many media, from steel to wood to bronze to aluminum, not t...

Mirror polished stainless steel. The primary focal point of this sculpture is its slanting progression of intersecting geometric objects, located in the upper half. It is as if the ...

Barricada #9 bp S30 is a polished bronze sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 30 × 22 × 14 cm (11.8 × 8.7 × 5.5 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. Alejandro Vega Beuvrin’s works are conceived as ‘spatial drawings’. In a minimalists’ style and influenced by his architectural knowledge, the artist views his works in relation to the surroundings space. Starting from his two-dimensional digital drawings, the artist laser cuts the metal plates, that upon assembly become three-dimensional forms. Entitled ‘Barricada’ (‘Barricade’), these metal sheet sculptures...

Originally conceived in 1880-82 for the tympanum of the Gates of Hell, where she is cradled in the arms of L'homme qui tombe, as well as crouching in slightly varied form to the lef...

Kinetic bronze sculpture. Gianfranco Meggiato was born on August 26, 1963 in Venice, where he studied stone, bronze, wood and ceramics sculpture at the Istituto Statale d’Arte. At t...

Barricada #9 aic 3S is a painted stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 45 × 31 × 20 cm (17.7 × 12.2 × 7.9 in). The sculpture is sig...

Alfil #2 is a weathering steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 60 × 25 × 22 cm (23.6 × 9.8 × 8.7 in). The sculpture is signed and numbered, i...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working i...

Titled "Semence", this airy sculpture of meticulous mesh represents a little seed growing somewhere, added to other small seeds growing elsewhere, which gives us a glimpse of a promising future. This artwork is entirely hand-woven by artist Delphine Grandvaux directly from an annealed iron black wire and a galvanized grey iron wire with some spots painted red. This piece is to be hung from the ceiling or on the wall. Delphine Grandvaux is a French sculptor. Motivated by her desire to create light and airy artworks, she found her way to express creatively in a unique artistic approach, based on a similar technique of mesh from the metal wire as Ruth Asawa. In the woven works...

Inspired by ancient vessels, Marlene Hilton Moore’s colourful, contemporary wall sculptures are made from polished powder-coated steel. The deep blue-green colour of the vessel draws...

A World to Teach by Jane DeDecker Figurative Bronze Sculpture functioning as bench 44x53x22" bronze ed/21 (last in available casting in the edition) Brother and Sister composition, d...

Bertoia's "wheat" pieces are rare and a joy. These works do not make sound when one touches the tines and is meant less to be touched than to convey an organic feel of sunlight rippling through stalks of golden wheat. This is a great size for a table. An unusual composition for Bertoia, Untitled (Wheat) combines elements with the artist’s more familiar Tonals with those of the Sprays. Typical of the artist’s œuvre however is the pleasant sensation of touch when stroking the ends of the wires. Bertoia’s spray sculptures...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

This contemporary bronze indoor sculpture was inspired by music and created by David Chamberlain. David Chamberlain’s compelling, lyrical sculptures are celebrations of form inspire...

Contemporary Minimal Silver polished stainless steel sculpture. It is a stunning polished stainless steel and makes for an elegant statement in any garden, lobby or private home. Ku...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

"Compression de canettes", is an iconic piece by César Baldaccini (1921–1998), a leading figure of the Nouveau Réalisme movement. Known simply as César, he revolutionized sculpture b...

This artwork is a multiples limited not numbered specimens created by the Italian artist Ugo La Pietra, a well known Internationally artist. Ugo La Pietra was born in Bussi Sul Tir...

Val Bertoia was born in Santa Monica, California in 1949. In the 1950s, his family moved from California to Pennsylvania where he has lived and worked here ever since. In the1960s, V...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

Very large Contemporary powder coated aluminum sculpture for inside or garden outdoor spaces. Beautiful spiral dancing and intertwining. This is a large scale outdoor or indoor scul...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

The arrow has a great symbolic meaning, related to elements of different natures such as protection, love, hunt, and orientation. "Ero" refers to this as an evolution symbol and the ...

This is an engaging multiple artwork by the Italian artist Robert Nanut, a talented artist of 1980’. This is a multiple of numbered edition of 1.000 pieces. This artwork was made in 1980 but it can be considered new cause remained since now stored and packed in the Editor warehouse. The bronze sculpture is completed by the certificate of authenticity, there is the number assigned to the piece and the original signature of the author. Roberto Nanut...

Artist: Kuno Vollet Title: Aspiring Path Contemporary rusted steel sculpture for inside or garden outdoor spaces. Stunning large artwork. Possible to put on a pedestal or directly...

Artist: Kuno Vollet Title: Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm Lim...

This woven metallic sculpture is created and shaped by Delphine Grandvaux directly from annealed iron wire. As a new pronoun in French, "Iels" is u...

Kim Seungwoo is a contemporary Korean sculptor, lives in Seoul, South Korea. Seungwoo is famous for his sculptures made from coins and buttons. He create...

"Silver Circle" by Joel Perlman Unique cast stainless steel Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While minima...

"ROCKSLIDE D.T.’s" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while ...

These sculptures were inspired by the spirituality of the twelve-step programs and the eight-fold path of Buddhism.  Meshing these philosophies with meditation led me to express these small sculptures to achieve the connection between art and spirit. Wire figures...

The modern Wood Sculpture " Kootook ” is a unique piece made from a burnout mold by David Marshall in 2021, sand cast in aluminium, mounted on raw wood, in our foundry, handcrafted b...

Artist: Kuno Vollet Title: Infinitum Materials: Polished Bronze sculpture with a gold patina Size: 45cm x 25 cm x 25 cm About the Gallery: Folly and Muse was established in 20...

Artist: Kuno Vollet Title: 4 Leaf Stone Gingko Materials: Cast brass, gold leaf, Stone base This small elegant original brass cast and gold leaf sculpture by German artist Kuno Vol...

8cms high x 24 x 17.5 Bronze Series of variations Stamped with monogram signature and uniquely numbered 851B The edge in natural bronze is finely rubbed and lacquered which prevents...

This hand-crafted glass sculpture and urn "Sunset" is a unique colored glass window model that vividly depicts a desert scene with cacti and an in...

This is an interesting and deep multiple artwork by Annie Lambert, a talented artist of 1980’ in Italy. This is a multiple of a numbered edition of 1.00...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

Very large Contemporary powder coated aluminum sculpture for inside or garden outdoor spaces. Beautiful spiral dancing and intertwining. This is a large scale outdoor or indoor scul...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

**ATTENTION** This piece can not be shipped. It need to be sold in California where the showroom is located in Los Angeles. California residents will receive free w...

Mirror polished stainless steel. John Whitehead's first standing geometric abstract sculpture, this piece is a montage of intersecting geometric shapes in 3D space. Various patterns...

This dynamic wall sculpture is created from sheets of steel, welded together in an abstract geometric pattern. Earth tones of blue, orange, pur...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

'Kulaykili' is a contemporary abstract cast glass sculpture by David Ruth from his Darfur series. It features painterly brushstroke formations in glass called trails. These trails ar...

Copper burnished in fire, solid brass, piano wires, nylon, aluminum blasted with glass beads and stones—these are the elements used to create Alice Vander Vennen’s elegant new sculpt...

Chester L. Williams Label on bottom, signed. Title: Promethium Medium: Bronze, Aluminum and wood. Approx. dimensions: 12 X 11 X 4 inches. Chester Lee Williams (1944-1919) was born in 1944, in Durham, North Carolina. Chester cultivated a creative mind that eventually led him to pursue an education in fine arts and sculpture at North Carolina Central University (BA) and the University of Michigan (MFA). In 1974, he made his way to Tallahassee and started instructing at FAMU. Students at the university have a deep appreciation for the jazz lover’s insight and skill. A lifelong artist, Chester's work has been featured in galleries and publications across the country. The body of his work produced over 45 years has evolved from smooth and supple sculptures into the more angular and defiant shapes seen in his later works. Chester has said: "All of the works are me. I still embrace every one of them." Chester enjoyed traveling and exploring different cultures. His art was influenced by his travel and knowledge of African culture. He was an educator for 37 years, teaching at Voorhees College, North Carolina Central University and Florida A&M University before retiring in 2011. He sold his first piece of art in the ninth grade to his homeroom teacher. (That early sale paid off — years later, that teacher’s husband, the president of a bank, commissioned Williams to create a sculpture for the bank’s lobby...