Miniature Still-life Sculptures

Linda Stein, Spoon to Shell 906 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 906 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 907 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 907 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Micah Evans Blue & White Menorah, 2013 Borosilicate glass 10.50h x 5w x 8d in

Kiva Ford Orange Bottle in a Bottle, 2014 Borosilicate glass 16h x 5w x 5d in

Kiva Ford Anatomical Heart Toasting Flutes, 2010 Borosilicate glass 10h in

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Unique terracotta sculpture Signed on the base

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Creating sculptures of exquisite peculiarity is an art in which Takei excels. His elegantly crafted works embody the notion of the whimsical, contradictory and idiosyncratic. There is an immediately detectable sense of humor and quick wit about the sculptures in this exhibition. Beyond playfulness, however, Takei’s aim is to challenge the viewer to alter the way in which they look at reality. Taking cues from the Surrealists of the early 20th century, Takei transforms the mundane into the fantastic - and sometimes absurd. His work is a constant inquiry into the meaning of functionality and the perception of purpose. Much like Man Ray’s iconic readymade sculpture, The Gift (1921), and Meret Oppenheim’s infamous fur-covered teacup (Object, 1936), Takei recontextualizes those pragmatic objects that we immediately recognize. With his piece Soft Shoulders (2011), Takei deconstructs a wooden clothes hanger...

Fernando Moreno is a Mexican artist who was born in 1983. Fernando Moreno's work has been offered at auction multiple times. Only one artwork sold; this was Untitled, which realized ...

Loli DiSanto’s Fra-GEE-leh (2025) is a playful and sparkling sculptural work crafted from hand-painted acrylic paper mâché, measuring 6 x 4.5 x 4.5 inches. Shaped like an egg, the pi...

Loli DiSanto’s Wimbledon (2025) is a whimsical and radiant sculpture that fuses sport, elegance, and wordplay. Measuring 8 x 6.5 x 6.5 inches, this hand-painted papier-mâché piece ta...

Apache Lovers, bronze, sculpture, Allan Houser, figurative, limited edition

Original sculpture, oil paint and wire. Beautiful intricately made sculpture, created by adding layers of paint over wire. Russell West’s intensely coloured, dripping paint artwork...

Nathan is an award-winning artist who creates awe-inspiring works of art out of some of the most unlikely things. His global touring exhibitions, THE ART OF THE BRICK, feature large-...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Ga...

This collaborative was done at the studio called "On First Studios" (meant First Avenue downtown, N.Y.C.); but the collaboration was dissolved after a sma...

Edition of 20 Painted aluminum with polished acrylic base 1.75 x 8 x 1.75 in (4.44 x 20.32 x 4.44 cm)

Edition of 20 Painted aluminum with polished acrylic base 1.75 x 8 x 1.75 in (4.44 x 20.32 x 4.44 cm)

Rachel Whiteread Untitled 'Torso', 1995 Plaster 9 1/4 x 7 1/8 x 3 1/2 inches Rachel Whiteread (b. 1963) came to prominence in the early 1990s as a cohort of artists, known as the Y...

'Pintail Drake' is a Bronze sculpture full of personality. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic richly d...

Richard Smith has gained an international reputation for his works of art, he has exhibited at prestigious galleries such as the Tryon Gallery and W. H. Pattersons in London, The Spo...

'Mallard Drake' is a stunningly elegant Bronze sculpture. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic richly de...

'Dipper' is a stunningly elegant Bronze sculpture. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic richly detailed ...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

'Nesting Woodcock' by Richard Smith is a beautiful contemporary bronze sculpture. Beautiful patina and incredible detail. Sure to make an amazing addition to any collection! Rich...

'Cockerel' is a Bronze sculpture full of personality. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic richly detail...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting particular plants based on her memories of them. “These botanical compositions seem to defy their sheet-metal origins to come alive. Branches bend, vines loop, leaves twist, and a few surprising bugs, from butterflies to beetles, drop in to colonize her plants.” Through her work, one is reminded of the beautifully illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Each piece takes up to twelve weeks to complete, therefore, few are realized each year making them rare treasures. In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.” Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...

'Stoat' by Richard Smith. Contemporary Bronze wildlife sculpture, patinated brown, orange, white. Richard has exhibited his paintings at the Leigh Yawkey Woodson Museum in the USA,...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

After launching the supportive sign of the word "Hope" for Barack Obama's initial presidential race in 2008, Robert Indiana went on to create several artworks around this word. Furth...

"Dear Thedodsia" Bronze Sculpture 13 x 15 x 13 inch Edition 3/8 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a ...

'Trout' by Richard Smith is a beautiful contemporary bronze sculpture of a small trout swimming in the water. Beautiful patina and incredible detail. Sure to make an amazing addition...

'Dabchick' is a solid Bronze sculpture with a stunning patination. Richard Smith's ability to convey so much character with such simple lines is a testament to the knowledge and love the artist has of the animals he sculpts. Richard J. Smith was born in Luton, Bedfordshire, UK in 1955. He studied illustration at Luton School of Art to a high standard and graduated with a diploma in Technical & Scientific Illustration. He was soon offered a job as a medical artist at the John Radcliffe teaching hospital in Oxford. In 1978 he was painting for galleries as a full time artist with his depictions of wildlife. He has gained an international reputation for his work and is best known for his superb paintings of fish and water. He has exhibited at prestigious galleries such as the Tryon Gallery and W. H. Patersons in London, The Sportsman's Edge Gallery in New York, The Call of Africa in Fort Lauderdale, Florida and the Everard Reed Gallery in Johannesburg, South Africa. Richard has exhibited his paintings at the Leigh Yawkey Woodson Museum in the USA and the Natural History Museum and Tring Museum in Britain. He has sold at all the major auctions houses in London, such as Christie's, Sotheby's, Bonhams and Phillips. In the latter part of 2007, Richard was commissioned to produce several fish paintings, for the Sultan of Oman. Callaghan Fine Paintings has commissioned a series of life size bronze birds. His works include British birds such as the elusive Snipe sitting atop a fence post and the beautiful Little Blue penguin...

A sculpture made with glass layers and painted with nail polish and acrylic, set on a wood pedestal. The glass leaves are separated by slits on the pedest...

A sculpture made with glass layers and painted with nail polish and acrylic, set on a cement pedestal. The glass leaves are separated by slits on the pedestal, giving the sculpture ...

'Parasol Mushroom' is a stunningly elegant Bronze sculpture of a beautiful mushroom in the British countryside. Richard Smith conveys so much detail in such simple lines, exemplifyin...

BarkerLee Yazzie Keeps Cool at Ganado Lake, Navajo, Dog, bronze, sculpture, by Melanie A Yazzie numbered, open edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné (Navajo) dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

TECHNICAL INFORMATION: Larry Rivers Webster Cigar Box 1964-66 Multiple of wood, canvas, paper, and plexiglass, with screen print, paint, and collage additions 13 3/16 x 15 15/16 x 1...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Frog and Swiss on Rye, 1981 By David Gilhooly (1943-2013) 4.75" x 3.5" x 4.5" Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic works...

Burrito Frog, 1981 By David Gilhooly (1943-2013) 8" x 4" x 2" Signed Underneath Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic work...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for he...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for he...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculpture an extraordinary three-dimensional volume. The Turquoise Tree...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

With the distinctive medium of nail polish on glass, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. Her glass panel sculptures play ...

'Otter Pup' is a darling little Bronze sculpture. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent - you can't help but want to tickle this little guy's tummy! The fantastic richly detailed graduated Brown Patina really adds to the depth of the work. Richard Smith works as a part-time sculptor and a part-time gamekeeper on an estate in Hertfordshire, England. On seeing his sculptures the viewer cannot deny Smith's knowledge and love of the animals he creates. Each piece he creates he pays homage to nature and wildlife. Richard J. Smith was born in Luton, Bedfordshire, UK in 1955. He studied illustration at Luton School of Art to a high standard and graduated with a diploma in Technical & Scientific Illustration. He was soon offered a job as a medical artist at the John Radcliffe teaching hospital in Oxford. In 1978 he was painting for galleries as a full time artist with his depictions of wildlife. He has gained an international reputation for his work and is best known for his superb paintings of fish and water. He has exhibited at prestigious galleries such as the Tryon Gallery and W. H. Patersons in London, The Sportsman's Edge Gallery in New York, The Call of Africa in Fort Lauderdale, Florida and the Everard Reed Gallery in Johannesburg, South Africa. Richard has exhibited his paintings at the Leigh Yawkey Woodson Museum in the USA and the Natural History Museum and Tring Museum in Britain. He has sold at all the major auctions houses in London, such as Christie's, Sotheby's, Bonhams and Phillips. In the latter part of 2007, Richard was commissioned to produce several fish paintings, for the Sultan of Oman. Callaghan Fine Paintings has commissioned a series of life size bronze birds. His works include British birds such as the elusive Snipe sitting atop a fence post and the beautiful Little Blue penguin, a native of New Zealand. His works are all studied from life whilst either out in the field or in a museum with taxidermy. With incredible attention to detail Richard has breathed fresh air into this medium. Edition of 25" 'Otter Pup' Solid Bronze Modern British Wildlife & Nature Sculpture by R Smith

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculpture an extraordinary three-dimensional volume. With the distinctive medium of nail polish on glass, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. Her glass panel sculptures play with the viewer’s perspective, changing with every angle to appear both two and three dimensional. Keywords: Glass, nail polish, pedestal, new york, interior design, plum tree...

'Woodpecker' is a Bronze sculpture full of personality. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic richly deta...

'The Emperor' is a life-size sculpture of the Emperor Penguin, a Bronze so full of character you might not believe it is solid Bronze! Richard Smith c...

'Boxing Hares' is a stunningly elegant Bronze sculpture. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic richly det...

'Shaggy Ink Cap Mushroom' is a stunningly elegant Bronze sculpture of a British Mushroom in Nature. The patina you see is what makes this piece so lifelike, rarely seen in bronze tod...