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Ben Edols & Kathy ElliottMasterpiece Contemporary Australian Blown and Carved Glass Sculpture Vase2001
2001
About the Item
Provenance: Part of an important collection that had work Both Benjamin Edols and Kathy Elliott were born in Sydney. The two began working together as recent graduates from the Canberra School of Art. Ben also studied at the Royal College of Arts in Sydney.
The first exhibition of their collaborative work was in 1993. Since that time they have developed a body of work of blown and cold worked glass vessels and forms. Ben specialises in glassblowing and Kathy specialises in cold working techniques such as carving and engraving.
In 2000 they built their own glassblowing and cold working studio in Sydney. In recent years, their work has been inspired by the botanical forms and patterns found in nature. One of the qualities of glass that they most appreciate is its ability to carry light.
They have taught in Australia, America and Japan. Their work has been exhibited widely and is held in many public museums and private collections around the world including the Victoria and Albert Museum, the American Craft Museum, the National Gallery of Australia and the Auckland War Memorial Museum.
Ben Edols & Kathy Elliott
SELECTED SOLO EXHIBITIONS
Tutti, Sabbia Gallery, Sydney, NSW
Glance, Beaver Galleries, Canberra ACT
Dwell, Collector Space, Jam Factory, Adelaide. SA
Shelter, Sabbia Gallery, Sydney
Benjamin Edols Kathy Elliott, Flame Run Gallery , Louisville KY
Light Marks, William Traver Gallery, Seattle
Studio Glass, Beaver Galleries, Canberra
Benjamin Edols Kathy Elliott, Masterworks Gallery, Auckland
Evolve, Sabbia Gallery, Sydney
Edols & Elliott, Kirra Gallery, Melbourne, VIC
Recent Work, deVera, New York, NY
Cultivate II, Quadrivium , Sydney, NSW
Botanicals, de Vera, San Francisco, CA
Blaze, Quadrivium, Sydney, N.S.W.
Benjamin Edols and Kathy Elliott New GLass, Distelfink at Nellie Castan, Melbourne,Vic.
Light Erosion, Barry Friedman Ltd., New York, NY
Flux, Bullseye Gallery, Portland OR
Recent Work, Galerie L, Hamburg, Germany
SELECTED GROUP EXHIBITIONS
Playing with Fire: 50 Years of Contemporary Glass, Museum of Design, NY
Global + Local: Studio and Contemporary Glass on Florida’s West Coast
Alphabet, Craft ACT, Canberra ACT
Translucence: Contemporary Glass, Art Gallery of Western Australia, Perth,
Geometry, Sabbia Gallery, Sydney, NSW
Group Show , Morgan Glass Gallery, Pittsburgh,
La Collezione Bellini-Pezzoli, Museo Bagatti Valsecchi, Milan
Light in Winter, Kirra Galleries, Melbourne
Evolving Elements, Aptos Cruz Gallery , Stirling SA
Ranamok Glass Prize, Travelling competetive exhibition
Furnace, Contemporary Australian Art Glass, Tasmanian Craft Fair, Tasmania
Collect, Saatchi Gallery , London
Australia GLASS 2006, Sandra Ainsley Gallery , Toronto,
Collect, Victoria and Albert Museum, London
Lino Tagliapietro e amici, Fuller Museum of Art, Brockton, MA, U.S.A.
International Craft Triennale, Museum fur Angewandte Kunst, Frankfurt, Germany
Vetro al Femminile,Galleria Marina Barovier,Venice,Italy
Contemporary Australian Craft,Hokkaido Museum of Modern Art,Sapporo,Japan
FELLOWSHIPS AND AWARDS
Australia Council Grant
Resource Finance Corporation Glass Prize
Pilchuck Glass School Scholarship (Kathy Elliott)
Fellowship at the Creative Glass Centre of America (Kathy Elliott)
First Prize: ‘Glass : Challenging the Medium’ Competitive Exhibition (Kathy Elliott)
COLLECTIONS
Victoria and Albert Museum
Kunstmuseum Dusseldorf
Auckland Museum
Toyama Art Museum
Museum of Arts and Design
Chrysler Museum of Art
Devonport Art Gallery,Tasmania
Powerhouse Museum
Queensland Art Gallery
National Gallery of Australia
Corning Museum of Glass
American Glass Museum
Wagga Wagga National Glass Collection
Art Gallery of South Australia
National Gallery of Victoria
Glasmuseum Alter Hof Herding,Coesfeld Lette,Germany
Parliament House Collection,Canberra
Government House Collection, Sydney
Tasmanian Museum and Art Gallery
The Wustum Museum of Fine Arts, Racine, WI
The Denver Art Museum
The Carnegie Museum of Art, PA
Palm Springs Art Museum, CA
Fuller Craft Museum, MA
EDUCATION (BEN EDOLS)
Post Graduate Diploma of Art, Canberra School of Art. Workshop Head: Klaus Moje
Bachelor of Arts (Visual), Sydney College of the Arts, Workshop Head: Maureen Cahill
EDUCATION (KATHY ELLIOTT)
Bachelor of Arts (Visual), Canberra School of Art. Workshop Head: Klaus Moje
- Creator:Ben Edols & Kathy Elliott (Australian)
- Creation Year:2001
- Dimensions:Height: 5 in (12.7 cm)Width: 11.5 in (29.21 cm)Depth: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211177892
About the Seller
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View AllVintage Hand Blown Faceted Fruit Form Murano Glass Sculpture Vase for Arcade
By Laura de Santillana
Located in Surfside, FL
Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish:
PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass
COCCO, made in brown glass
Produced by maestro Simone Cenedese in Murano
Mouth-blown, hand-shaped, cut glass.
Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted
LAURA DE SANTILLANA
After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer.
she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique.
Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world.
She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day.
2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona
SELECT SOLO EXHIBITIONS
2018: In This Light, Galleri Glas, Stockholm
2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles
2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich
Sleeves, Caterina Tognon, Venezia
I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano
2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan
2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan
2013: Big Flats, Galerie L’Arc en Seine, Paris, France
2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA
2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France
Liquid Glass, Traver Gallery, Seattle, WA, USA
2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech
2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA
2007: Khadi, Galleria Marina Barovier, Venice, Italy
2006: Bodhis, Galerie L’Arc en Seine, Paris, France
Bodhis, Barry Friedman Gallery, New York, NY, USA
2005: New Work, Sanske Galerie, Zurich, Switzerland
2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog)
Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog)
Metals, Elliott Brown Gallery, Seattle, WA, USA
SELECTED GROUP AND DUO EXHIBITIONS
Design Basel, Galerie Pierre Marie Giraud
Chromatique, MUDAC, Lausanne
Living with Art_Albion Barn, Oxford UK
Oltre Roma, Accademia d’Ungheria, Roma
Fired up: women in glass, Toledo, Museum of Art_Charlotte, Mint Museum , USA
Laura de Santillana and Alessandro Diaz de Santillana, YSP
Trésors de sable et de feu. Verre et cristal aux Arts Decoratifs, XIV-XXI siècle,
Musée des Arts Décoratifs, Paris, France
Artissima Torino, Galleria Caterina Tognon
Hourglass, Galleria Marignana, Venezia, Italy
I Santillana, MAK, Austrian Museum for Applied Arts/Contemporary Art, Vienna, Austria
Artissima Torino, Faggionato Gallery, London, UK
Fire and Form: The Art of Contemporary Glass, The Norton Museum of Art, Palm Beach, Laura de Santillana, Fashion meets Art, Giorgio Armani, New York, NY, USA
Translucency, Paul Hughes Fine Arts, London, UK
Selected Museums
Museo Vetrario di Murano, Venice, Italy
The Corning Museum of Glass, New York, NY, USA
Victoria and Albert Museum, London, UK
Metropolitan Museum of Arts, New York, NY, USA
Saint Louis Museum of Fine Arts, St Louis, MO, USA
Cooper-Hewitt Museum, New York, NY, USA
Seattle Art Museum, Seattle, WA, USA
Denver Art Museum, Denver, CO, USA
The Museum of Fine Arts, Houston, TX, USA
Carnegie Museum of Art, Pittsburgh, PA, USA
Los Angeles, Los Angeles County Museum of Art
MUDAC, Lausanne, Switzerland
MAD, Museum of Arts and Design, New York, NY, USA
Museu de Arte de São Paulo, São Paulo, Brazil
Musée des arts décoratifs, Paris, France
Kunstmuseum im Ehrenhof, Düsseldorf, Germany
Kunstsammlungen der Veste Coburg, Coburg, Germany
Museum für Kunst und Gewerbe, Hamburg, Germany
Neue Sammlung, Munich, Germany
IMA, Indianapolis Museum of Art, Indianapolis, IN, USA
Museum of Fine Arts, Boston, MA, USA
Toledo Museum of Art, Toledo, OH, USA
This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi Ohira...
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Vintage Hand Blown Faceted Fruit Form Murano Glass Sculpture Vase for Arcade
By Laura de Santillana
Located in Surfside, FL
Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish:
PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass
COCCO, made in brown glass
Produced by maestro Simone Cenedese in Murano
Mouth-blown, hand-shaped, cut glass.
Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted
LAURA DE SANTILLANA
After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer.
she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique.
Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world.
She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day.
2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona
SELECT SOLO EXHIBITIONS
2018: In This Light, Galleri Glas, Stockholm
2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles
2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich
Sleeves, Caterina Tognon, Venezia
I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano
2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan
2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan
2013: Big Flats, Galerie L’Arc en Seine, Paris, France
2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA
2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France
Liquid Glass, Traver Gallery, Seattle, WA, USA
2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech
2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA
2007: Khadi, Galleria Marina Barovier, Venice, Italy
2006: Bodhis, Galerie L’Arc en Seine, Paris, France
Bodhis, Barry Friedman Gallery, New York, NY, USA
2005: New Work, Sanske Galerie, Zurich, Switzerland
2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog)
Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog)
Metals, Elliott...
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Latin American Abstract Geometric Chrome Bronze Architectural Sculpture E. Tafur
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Edgar Alonso Tafur, Latin American artist born and raised in Cali. Colombia, was first trained as an architect at the University of the Andes, but shortly thereafter switched his focus to sculpture. It is this work which brought Tafur to the United States, first to study at the University of Florida and then to Oklahoma where he was featured in a solo exhibition at the Oklahoma Art Center in 1966. Alluding his architectural roots, Tafurs sculptures possess a marked structural form, drawing on themes of positive and negative space. In addition to his work as a sculptor, Tafur was well known for his modernist concept designs, consisting of fountains and architectural murals commissioned by fellow architects. “Each of his works is an understatement of the principles of architecture, which is itself sculptural. Tafur’s sensitivity towards the play of light and shadow on the surfaces, his relationship of positive and negative spaces, and his fluid play of rhythms all lend themselves dramatically to an exciting visual statement. His simplicity and modernism evokes the opinion of the renowned architect, Mies Van der Rohe: ‘less is more.'” Patric Shannon, Director, Oklahoma Art Center
While some of his work has a brutalist quality to it it is generally more abstract geometric, masculine with polished chrome surfaces, enamel and some with great, strong colors. This has an abstract flora, cactus like shape to it. He is from the generation of Colombian artists who rose to prominence in the mid 20th century which included Fernando Botero, Doris Salcedo, Oscar Murillo, Antonio Caro...
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Located in Surfside, FL
This is being sold as a piece of (functional?) decorator table sculpture for a kitchen or restaurant. I do not know if or how it works. the wheel and gears turn. It might be missing a cover on the handle. It is a lovely antique piece. Made in France.
A halfcentury before they produced their first car, the Peugeot brothers were making coffee grinders, continuing to do so for over 100years. In 1840 the Peugeots produced their first moulin a
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Bronze Sculpture Figure with Beast American Modernist Leonard Baskin Museum Art
By Leonard Baskin
Located in Surfside, FL
Leonard Baskin, American 1922-2000
Homage to the Un-American Activities Committee
Bronze relief sculpture plaque
This is not editioned, nor signed or numbered, on the piece but according to the catalog there was 12 or less.
A number of these are in museum and university art collections and one of them was exhibited at MoMA NY.
This was done to commemorate the communist witch hunts of the Mccarthy era. An important, historic piece.
Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher.
Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine, small edition, book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts.
He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960).
The Funeral Cortege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C.
His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan.
His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his signed work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin.
Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover, Edmond Casarella...
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Located in Surfside, FL
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Fruitfulness From Permanence
signed, edition 3/8
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19.5 X 16 X 1.5 inches
The inspiration for this work was a Bernini sculpture Elephant Carrying Obelisk, a 17th century commission outside an ancient temple dedicated to Minerva the goddess of wisdom. It was one of several works from 1967 on a theme of continuity
Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher.
Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts.
He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960).
The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C.
His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan.
His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin.
Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover, Edmond...
Category
20th Century Modern Figurative Sculptures
Materials
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