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Carmen AlmonWhite Melon with Blue Morpho2025
2025
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
About the Item
Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botanical art. Almon captures the fragility of a moment in time, creating not botanical replicas of nature but rather her personal interpretation of her memory of a particular plant, flower, branch or bud. One is reminded of the beautiful illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Because each piece takes so long to complete, few are realized each year, which makes them rare treasures.
Almon’s works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery, TX and LA, as well as featured at art fairs worldwide. She was recently written up by Architectural Digest, The New York Times, and Martha Stewart Living magazine and her works are found in prestigious private and public collections throughout the United States and Europe.
- Creator:
- Creation Year:2025
- Dimensions:Height: 14 in (35.56 cm)Width: 22 in (55.88 cm)Depth: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU110216771422
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Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting particular plants based on her memories of them. “These botanical compositions seem to defy their sheet-metal origins to come alive. Branches bend, vines loop, leaves twist, and a few surprising bugs, from butterflies to beetles, drop in to colonize her plants.” Through her work, one is reminded of the beautifully illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Each piece takes up to twelve weeks to complete, therefore, few are realized each year making them rare treasures.
In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.”
Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...
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Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botani...
Category
2010s Naturalistic Still-life Sculptures
Materials
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Price Upon Request
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In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.”
Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...
Category
2010s Naturalistic Still-life Sculptures
Materials
Brass, Copper, Enamel, Steel
Price Upon Request
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Price Upon Request
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