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Pascal KernLarge French Conceptual Sculpture Photograph Triptych Copper Frame Pascal Kern1987
1987
$13,000
£9,883.58
€11,406.03
CA$18,196.51
A$20,375.24
CHF 10,630.78
MX$248,257.30
NOK 134,897.03
SEK 128,251.16
DKK 85,138.48
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About the Item
Pascal Kern (1952-2007)
Icone (three panel triptych), 1987
Cibachrome print, inn copper handmade frame. (One is empty of photo on purpose.)
Bearing artist label and inscriptions (frame verso)
48 x 48 inches. (each)
Provenance: the Ginny L Williams collection. Williams was a major art collector and photo dealer. She had been an early champion of women’s art and she collected many of the biggest female names in modernism, such as Helen Frankenthaler and Louise Bourgeois. She also collected international art stars such as Sandy Skoglund, Joel Peter-Witkin and Thomas Ruff. She served on the Denver Art Museums board of trustees and also served on the boards of the Guggenheim in New York and the Hirschhorn in Washington, D.C.
Born in 1952, Pascal Kern lived and worked in Paris, France where he studied at the Sorbonne. For much of his career, Kern used photography to produce sculpture which explore the question of volume in all its aspects: the relationships between volume and surface, fullness and emptiness, mass and color, depth and contour. The enigma of Kern‘s artwork lies in his questioning of the boundaries of sculpture, photograph, fiction, and function. The presentation of the life-size cibachrome photographs as diptychs, triptychs or polyptychs underscores the sculptural element of the work. Using found or natural forms, he elevates the every-day to an almost Iconic status; fascinated with the space created and occupied by the subject, and the purity of it’s form. The metal industrial objects and wooden moulds are retrieved from old factories and foundries, while the vegetables are grown from seed. The artist lived with his subject matter for a period of time before photographing, taking only one photograph which is later reproduced to life-sized. The cibachrome photographs of each subject are presented as diptychs, triptychs or polyptychs, in frames constructed with related materials. The final stage in the long process of crafting these incredible works is for them to be hung specifically (with precise instructions from the artist) to achieve a perfect balance ; the work appearing almost weightless whilst creating an unusually powerful presence.
SELECT SOLO EXHIBITIONS
2005 Sculpture, Culture, Nature, Galerie Lucien Schweitzer, Luxembourg, Switzerland.
2004 Sculpture – Culture – Nature, HackelBury Fine Art, London, United Kingdom.
2003 Sculpture, Culture, Nature, Galerie Lucien Schweitzer, Luxembourg, Switzerland.
2001 Nature, Culture, Sculpture, L‘Imagerie, Lannion, France.
1999 Travaux, Maison Espagnole, Festival Contrebande, Revin, France.
1998 Sculpture, Galerie Zabriskie, Paris, France.
Sculpture, La Fraternelle, Maison du Peuple, Saint-Claude, France.
Sculpture , F.R.A.C. Auvergne, Clermont-Ferrand, France.
Sculpture, Musée des Beaux – Arts, Lons-le-Saunier, France.
1997
Quelques travaux 1983/96, La Fraternelle, Maison du Peuple, Saint-Claude, France.
1996
Travaux 1988/95, Espace Peires, Toulon, France.
Les avatars, Galerie Zabriskie, Paris, France.
Les Avatars & Autres Travaux, 9° Photofolies, Burloup, Rodez, France.
1991 Sculpture, Chapelle du Méjan, Arles, France.
Sculpture, Künstlerhaus Mousonturm, Frankfurt, Germany.
Culture – Nature, Galerie Zabriskie, Paris.
Sculpture – Culture – Nature, Centre National de la Photographie, Palais de Tokyo, Paris.
1989 Icônes & Sculptures, Centre d’Arts Plastiques, Villefranche / Saône, France.
1988 Icones & Fictions Colorées, Galerie de l’École des Beaux-Arts, Rouen, France.
Icones & Fictions Colorées, Institut Français, Cologne, France.
Sculpture, Galerie Zabriskie, Paris, France.
1985 Colored Fiction, Galerie Anna Leonowens, Halifax, Canada.
Fictions Colorées, FRAC Champagne – Ardennes, Chaumont, France.
1982 Cinéma l’Épatant & Trois installations, Usine Pali-kao, Paris, France.
1980 Usine à Bastos, Ateliers Contemporains, Centre George Pompidou, Paris, France.
SELECT GROUP EXHIBITIONS
2017 L’éloge du paradoxe, Le Douches La Galerie, Paris, France.
2014 Leitmotif: Doug & Mike Starn, Garry Fabian Miller, Ian McKeever, Bill Armstrong, Pascal Kern, HackelBury Fine Art, London, United Kingdom.
Pascal Kern, Garry Fabian Miller, Doug & Mike Starn, HackelBury Fine Art, London, United Kingdom.2013
Convergence: Garry Fabian Miller, Pascal Kern, William Klein, Richard Learoyd, Saul Leiter, Ian McKeever, Doug & Mike Starn, HackelBury Fine Art, London, United Kingdom.
2011 Flux: A Unity Of Opposites: Pascal Kern, Katia Liebmann, Garry Fabian Miller, Doug & Mike Starn, HackelBury Fine Art, London, United Kingdom.
2012 Exposition retrospective, The Art Institute of Chicago, Chicago, IL.
2012 Exposition retrospective, Jeu de Paume, Paris, France.
2004 20 ans de la Collection Frac Champagne Ardennes, Reims, France.
2003 Arles et la Photographie, Collection du Musée Réattu, Fondation Maeght, Saint Paul de Vence, France.
2002 Les Regard de l’autre, Musée des Beaux-Arts, Rouen, France
2000 ans de créations d’après l’Antique, Musée du Louvre, Paris, France.
1998 Présentation d’une collection, Fondation Cartier, Paris, France.
1997 Heureux le Visionnaire Dont la Seule Arme Est le Stylet du Graveur, Présentation d’une Commande Publique Pour le FNAC. Travelled to: Musée de L’Estampe, Rueil-Malmaison; Musée du dessin et de l’estampe originale, Arsenal de Gravelines; Musée-Château d’Annecy, France.
SAGA 97, etc. 5 ans d’acquisition, FRAC Alsace, Centre européen d’actions artistiques contemporaines, Strasbourg.
1996 Extraits de la Collection. FRAC Picardie, Abbeville and Amiens, France.
1994 Photographie et au Dela : Nouvelles Expressions en France, Musée d‘Art Moderne, Jerusalem, Israel. Travelled to: Boca Raton Museum of Art Boca Raton, FL. (Photographers: David Buono, Christian Boltanski, Ariele Bonzon, Sophie Calle, Pascal Kern, Suzanne Lafont, and Annette Messager.)
La Tentation de la 3 ° Dimension, Mai de la Photo, Reims, France.
1993 Laiterie en Friche – Europe en Chantier, La Laiterie, Strasbourg, France.
La Photographie Dans les Collections Publiques Françaises, National Gallery, Athens, Greece.
Dada, Hans Jean Arp et Aprés, Musée d‘Art Moderne et Contemporain, Strasbourg, France.
De Brancusi a Boltanski, Castello di Rivoli, Turin, Italy.
1992 Kern, Barbara & Michael Leisgen, Gerard Traquandi, Galerie Christine Debras et Yves Bical, Brussels, Belgium.
Primavera, Musée d‘Art Moderne, Barcelona, Spain.
1991 Photographie Francaise en liberté, l.C.P., New York, NY.
The second east-west photo-conference, Musée d‘Architecture, Wroclaw, Poland.
1987 The Spiral of Artificiality, Hallwalls, Buffalo, NY.
Sans titre, Musées: Houston; New York; San Francisco.
A Visible Order, Galerie Liberman et Saul, New York, NY.
1986 Signs of the Real, White Columns, New York, NY.
L‘Eternité Heureuse Bernard Faucon, Kern, Georges Rousse, Musée des Beaux Arts, Bar le Duc, France. Travelled to: Galerie Passage, Troyes, France.
Jeune Sculpture – Exposition Bilan, Port d'Austerlitz, Paris, France.
Surfaces Sensibles – 15 artistes a la Salpétrière, Chapelle de la Salpêtrière, Paris, France.
Sites, Carrefour Création Contemporaine/Alsace, Strasbourg, France.
1985 Images Fabriquées, exposition itinérante, Musée National d‘Art Moderne, Paris, France.
Pascal Kern et Patrick Tosani – Accrochage, Fondation Cartier pour l’art Contemporain, Jouy-en-Josas, France.
Livres d’Artistes, présentation des collections de la Bibliothèque Nationale, BPI, Centre Georges Pompidou, Paris,
Accrochage, Galerie Zabriskie, New York, NY.
Un Monde Naturel, Maison de l‘Avocat, Nantes, France.
1° Biennale de Sculpture, Fort Miot, Belfort, France.
Journées Jeunes Créateurs, organisées par les revues “Art Press” et “Autrements”, Galerie Zabriskie, Paris, France.
1976 Assemblage, mise en espace de la “Téte Mécanique” de Raoul
Haussmann, Musée National d‘Art Moderne, Palais de Tokyo, Paris, France.
SELECTED COLLECTIONS
FNAC, France
FRAC Pays de Loire, France
FRAC Champagne Ardennes, France
FRAC Picardie, France,
FRAC Haute Normandie, France
FRAC Franche Comté, France
FRAC Basse Normandie, France
FRAC Alsace, France
FRAC Auvergne, France
Musée du Havre, France
Musée de Belfort, France
Musée Aurillac, France
Maison Européenne de la Photographie, France
Bibliothèque Nationale, France
Centre National d’Art et de Culture George Pompidou, France
Musée Réattu Arles, France
Musée National d’Art Moderne, France
Musée d’Art Moderne de Strasbourg, France
Musée Cantini, Marseille, France
Fondation Cartier, France
Santa Barbara Museum Of Art, USA
Baltimore Museum, USA
Philadelphia Museum of Art, USA
Museum of Fine Arts, Houston, USA
Collection Royale Belge, Belgium
Collection de la Ville de Lannion, France
Collection de la Ville de Vitry-sur-Seine, France
Fonds Départemental d’Art Contemporain de Seine St Denis, France
Artothèque Angers, France
Artothèque Nantes, France
Art Institute of Chicago, USA
- Creator:Pascal Kern (1952, French)
- Creation Year:1987
- Dimensions:Height: 48 in (121.92 cm)Width: 48 in (121.92 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210504632
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By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...
Category
1990s Conceptual Color Photography
Materials
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Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. Stamped with the Muse X stamp and marked NFS.
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...
Category
1990s Conceptual Color Photography
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C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Color Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Color Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Color Photography
Materials
C Print
Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. Stamped with the Muse X stamp and marked NFS.
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...
Category
1990s Conceptual Color Photography
Materials
C Print
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"Vintage Alarm Clock in Custom Vinyl Slipcover"
Located in New York, NY
“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...
Category
2010s Conceptual Still-life Sculptures
Materials
Mixed Media
Large Wood Wall Sculpture: "Salvia"
By Loren Eiferman
Located in New York, NY
Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...
Category
2010s Conceptual Still-life Sculptures
Materials
Wood, Mixed Media