Building Still-life Sculptures

"WTF" - Limited edition blue glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back f...

Large Hyperreal water bag glass sculpture - solid and hollow glass by Dylan Martinez. Martinez's hyperreal sculptures are hot sculpted glass hand-molded entirely by the artist. The ...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars...

Bronze sculpture of a horse that rears on granite base

Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world. We are offering limited editions ...

"Cradle of Consequences" Sculpture 21" x 23" x 15" inch by Tetiana Kalivoshko Unique sculpture Medium: Concrete, plumbing steel pipes, steel replica hand grenades, steel vires Teti...

This intriguing interactive sculpture is designed by the Japanese born artist Natsuki Takauji. A gently curved metal and composite dark brown wood chai...

"Pearl Royale Chess Set" 14K White Gold & Diamonds Ed. of 3 by Colin Burn Medium: 18K White Gold, Diamonds, Sapphires & South Sea Pearls Limited Edition - 3 Only Edition: Artist Proof 1/1 NOTE: preparation time may take up to 12 weeks. Pearl Royale Limited Edition Chess Set Crafted in solid 18K white gold and pave set with more than 510 carats of fine diamonds, the Pearl Royale stands as the world’s most opulent chess set ever created. This unique and lavish chess set radiates pure opulence through the finest quality materials, design, and workmanship. Handcrafted with a luxurious regal feel the Pearl Royale is symbolic in its design to the renowned 1849 Staunton standard chess set. Limited edition with only three sets being created, each being hallmarked, numbered, and authorized by the artist. Each solid 18K white gold chess piece is painstakingly paved’ set with the highest quality fine diamonds, AAA South Sea pearls, and Ceylon Blue sapphires, sitting atop a crystal glass board embellished with solid 18K white gold, pearl, and diamond set corners. The underside of each piece is intricately designed and channel set with the same quality fine diamonds and finished with smooth polished edges to glide effortlessly across the crystal glass board. Crafted as part of the artist's Limited-Edition Pearl Royale contemporary art collection, this truly unique chess set is sure to be realized as one of the world’s finest jewelry artworks ever created. Exquisite Staunton With championship origins, the Staunton design has been the world standard since 1849. Inspired by this legacy, the artist has paid homage to this royal standard, meticulously dressing and bringing each of his pieces to life with lavish regalia, fit for Kings and Queens. Artists Inspiration: As a young child I regularly played chess with my cousins so my parents gave me a beautiful Staunton chess set which I really loved. Growing up in the 60’s & 70’s my generation was exposed to Hollywood movies of epic battles, it was popular for us kids to have collections of toy soldiers which made chess a popular game as it embodied the same spirit and challenge. Thinking back on that fun times I was drawn to the idea of creating the world’s most beautiful chess set and in 2008 I finally put pen to paper to commence the design. At the time I was doing a lot of work with beautiful South Sea pearls, so they became the inspiration for my design to embody the heads of each piece and bring life to the characters. It was perfect as I could use both black and white pearls to define each side of the chess set. It was also important for my design to be Staunton-inspired as this has become the standard for chess sets since 1849 and the only chess set allowed in the world championships. I wanted to create the most beautiful chess set within this royal standard and it had to be dressed in all its regalia, with the world’s most beautiful diamonds and rich blue sapphires fit for kings and queens. My overall dream was to create the world’s finest chess set for the world’s greatest players to do battle! - Colin Burn The high-quality gems sourced and used in making the Limited-Edition Pearl Royale Chess Sets are GIA certified. Established in 1931, GIA is the world’s foremost authority on diamonds, colored stones, and pearls. A public benefit, non-profit institute, GIA is the leading source of knowledge, standards, and education in gems and jewelry. South Sea Pearls The Australian and Tahitian South Sea pearls are internationally regarded as the finest and most prestigious pearls in the world. Among the largest and rarest of cultured pearls, they feature a distinctive lustre and superior strength, endowed by their thicker layers of nacre. The Limited-Edition Pearl Royale Chess Set, features both silver white Australian and peacock black Tahitian South Sea pearls of AAA quality. Fine Diamonds The Limited-Edition Pearl Royale Chess Set features over 510 carats of the finest white diamonds ethically sourced and certified from the worlds leading diamond suppliers. Ceylon Sapphires Ceylon, which is now known as Sri Lanka, is one of the best-known sources for sapphire gems, particularly the Ceylon blue sapphire. Sri Lanka has produced sapphires for many years and a few of the most famous sapphires include the 423 carat Logan Blue Sapphire, the 563 carat Star of India...

Mixed media, - Easy wall mount with French cleat. Signed and numbered. Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best street ...

Cracked Bear - Pink, 2019 Fabric, plaster, and pigment Edition of 500 + AP with a holographic label verifying its edition number and authenticity. 24.76 x 20 x 20 cm In mint conditio...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars...