Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Preliminary drawing for the sculpture Catacombs
By Seymour Lipton
Located in Fairlawn, OH
Preliminary drawing for the sculpture Catacombs
Black crayon on paper, 1971
Signed and dated lower right (see photos)
Provenance:
Estate of the artist
Michael and Alan Lipton (sons)
...
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Oil Crayon
Skyscrapers.
By Howard Norton Cook
Located in Storrs, CT
Skyscrapers. c. 1950. Pastel. 29 3/4 x 19 7/8 (framed 37 x 27). Provenance: The New Britain Museum of American Art, New Britain, Connecticut. Signed, lower right. Housed in a stunn...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pastel
Preliminary drawing for the sculpture Diadem
By Seymour Lipton
Located in Fairlawn, OH
Preliminary drawing for the sculpture Diadem
Black Crayon on paper, 1957
Signed and dated lower left
The preliminary drawing for the 1957 sculpture of the same name in the collection of the Baltimore Museum of Art...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Crayon
Preliminary drawing for the painting entitled Trapezoids
Located in Fairlawn, OH
Ink, graphite and colored pencil on graph paper
The final composition measured 28 x 28 inches
Annotated #615 in the lower right corner of the sheet
Provenance: Francine Seders Galler...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Color Pencil
Composition No. 12
Located in Fairlawn, OH
Composition No. 12
Gouache on paper, c. 1926
Signed lower right: “Urban Weis” (see photo)
Condition: Excellent
Image: 16 5/8 x 10 5/8"
Frame: 21 1/2 x 15 5/8"
Provenance: Dudensing G...
Category
1920s Cubist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Gouache
Untitled (Figurative Abstraction of Isadora Duncan #7)
By Abraham Walkowitz
Located in Myrtle Beach, SC
Abraham Walkowitz, Untitled (Figurative Abstraction of Isadora Duncan #7), pencil, 1918. Signed and dated in pencil, bottom center. A fine, spon...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pencil
'Rockport Harbor' — Mid-Century Modernism
By Louis Wolchonok
Located in Myrtle Beach, SC
Louis Wolchonok, 'Rockport Harbor', gouache, c. 1950. Signed in ink, lower right. A fine, modernist work, with fresh colors, on cream wove drawing pape...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Gouache
Untitled. Still Life.
By Werner Drewes
Located in New York, NY
This gouache painting by Werner Drewes was created in 1942. Signed with a pen in the lower right. Cypher and date are just under the signature. Painted to the papers edge - the pap...
Category
1940s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Gouache
Field Study #749
By Terrell James
Located in Houston, TX
Terrell James
Field Study #749, 2020
Oil on vellum
20 x 16 in (50.8 x 40.6 cm)
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Oil, Vellum
Color is Life — Mid-Century Abstract Expressionism
Located in Myrtle Beach, SC
Ernest A. Dieringer, Untitled (Color is Life), watercolor, 1959. Initialed 'ED' and dated ' '59' in red pencil at the top and bottom sheet edges—the artist's indication that the work can be viewed from either side. Signed 'Dieringer' in pencil in the bottom support board margin.
A fine abstract expressionist work, watercolor on white wove paper, with fresh, bright colors; the image extends to the sheet edges, spot glued to the original cream wove backing board, in very good condition. Archivally matted to museum standards, unframed.
Image size 9 x 10 15/16 inches; backing board size 13 1/2 x 16 3/4 inches.
Provenance: ex. Collection Alexander Raydon. The collector/dealer's well-known 'Raydon Gallery' was established in 1962 on 82nd Street and Madison Avenue, New York City.
ABOUT THE ARTIST
Ernest Dieringer studied at the Art Institute of Chicago on a National Scholastic Scholarship, beginning his career with the Chicago-based Wells Street Gallery in 1957. He showed his work with other abstract artists, including Robert Natkin and John Chamberlain. The gallery was considered a vanguard space in Chicago for exhibiting emerging abstract artists from the surrounding area. Artists associated with the gallery eventually became known as the Wells Street Group. Due to the success of the gallery, Dieringer and other group members were invited by the Manhattan-based contemporary art dealer...
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Woodland Reflection — Mid-Century Modern
Located in Myrtle Beach, SC
Irving Lehman, Untitled (Woodland Reflection), watercolor, c. 1955. Unsigned, with the artist's estate stamp verso: 'Original Artwork By: IRVING G. LEHMAN Russian/American 1900-1982'...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Untitled SF50-001
By Sam Francis
Located in London, GB
Sam Francis (1923-1994) was an American abstract painter, born in San Mateo, California. He turned to painting in the aftermath of World War II whilst recovering from severe injuries...
Category
Mid-20th Century Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Egg Tempera
SAN ROMANO: BLACK NINE
By Robert Reed
Located in Portland, ME
Reed, Robert (American, 1938-2014). SAN ROMANO: BLACK NINE. Mixed media, collage, assemblage. painted and colored papers and office staples, not dated, but ...
Category
1980s Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Drafting Film, Watercolor
TWO BIRDS
By Morris Graves
Located in Portland, ME
Graves, Morris (American 1910-2001). TWO BIRDS. Brown Ink on tan
paper, not dated. Although signed in pencil, lower right, the signature proved fugitive dur...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pencil
Abstraction
By Abraham Walkowitz
Located in Fairlawn, OH
Untitled Abstraction
Pen and ink on paper, 1932
Signed and dated in ink lower center
Condition: Excellent
Sheet/Image size: 10 3/8 x 6 1/4 inches
Frame size: 16 1/2 x 12 1/2"
Provena...
Category
1930s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Ink, Pen
Untitled Abstraction
By Medard P. Klein
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper, c. 1950
Unsigned
Signed with the estate stamp verso (see photo)
Provenance: Estate of the artist
Inherited by his neighb...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Graphite
Untitled. Form in Space.
By Werner Drewes
Located in New York, NY
Pencil drawing on paper from 1944. Signed and dated with cypher. Paper size 4 x 6" (10 x 15.1 cm).
Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, was...
Category
1940s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pencil
Untitled Abstraction
By Medard P. Klein
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper, c. 1946
Signed with the estate stamp verso
Provenance: estate of the Artist
Inherited by his neighbor/caregiver
Conditio...
Category
1940s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Graphite
Lyric Suite
By Robert Motherwell
Located in London, GB
Brown ink with orange bleed on rice paper
22.9 x 27.9 cms (9 x 11 ins)
Category
20th Century Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Ink
Preliminary drawing for a sculpture
By Seymour Lipton
Located in Fairlawn, OH
Preliminary drawing for a sculpture
Black crayon on paper, 1959
Signed and dated middle right (see photo)
A rare 1950's AbEx drawing.
Provenance:
Estate of the artist
Michael and Ala...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Crayon
Untitled (six vignettes)
By Pierre Courtin
Located in Fairlawn, OH
Signed lower center edge
Annotated verso: “5 Juin 1966
_____ et de soleil, de et d’oseille”
Image: 6 3/4 x 4 5/8"
Frame: 14 1/2 x 12 3/4"
Finishe...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor, Gouache
Untitled (Abstraction)
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
aka Beni Kosh
Untitled (Abstraction)
Watercolor on paper, 1970's
Unsigned
Ben Kosh Estate Stamp verso, No. 754
Condition: Very good
Sheet size: 10 5/8 x 14 9/16 inches
Provenance: Estate the Artist
Bingham & Vance, Shaker Heights...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Untitled Abstraction
By Medard P. Klein
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper. c. 1946
Unsigned
Provenance: Estate of the Artist
Inherited by his neighbor/caregiver
Condition: Staining at corners
...
Category
1940s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Graphite
Untitled (SF64-121)
By Sam Francis
Located in London, GB
Sam Francis
Untitled (SF64-121)
1964
Gouache and oil on paper
69.9 x 104.4 cms (27 1/2 x 41 1/8 ins)
SF14605
Exhibited:
New York, 'Chamberlain/Francis', Van Doren Waxter, July 11- ...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Gouache
Butterfly and Heart
By Damien Hirst
Located in Fairlawn, OH
Butterfly and Heart
Drawing in black felt pen over color screenprint 'spot' composition
Signed in full (bottom edge) and dedicated (top edge)
Dedicated by the artist
Annotated in fe...
Category
2010s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Ink
Untitled
By Matthew Kolodziej
Located in Fairlawn, OH
Untitled
Watercolor, cut out and construction on paper, 2013
Signed and dated in pencil lower right
Condition: Excellent
Image size: 22 x 30 inches
Frame size: 30 x 37 inches
Archiv...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Surrealist landscape with organic shapes
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Surrealist landscape with organic shapes
Watercolor on paper, 1960-1970
Signed CE Harris lower right corner (see photo)
Stamped with the artist’s estate stamp verso (see photo)
Reference: Beni Kosh Collection Estate Stamp #705
Provenance: Estate of the artist
A wonderful example by one of the few African American Surrealist painters.
“An African-American born Charles E. Harris, the name under which he painted until the early 1960s when he took the name of Kosh. His paintings span the period 1949-71, and reflect abstract and surreal figurative subjects which include Cleveland street scenes, jazz clubs, and depictions of Christ.”
Courtesy of Rachel Davis Fine Art
“Beni E. Kosh was born as Charles Elmer Harris, in Cleveland Ohio. He changed his name in the 1960’s, which translates to “Son of Ethiopia”. He rarely exhibited or sold his work and was affiliated with the African-American artists’ “Sho-nuff Art Group” and the Karamu House and studied under Cleveland artist Paul Travis. His style is very diverse and he experimented with Cubism, portraiture and abstractions in series. His paintings span from 1949 – 1971, and reflect abstract and surreal figurative subjects, which include Cleveland street scenes, jazz clubs, and depictions of Christ. He received little recognition during his lifetime and was only “rediscovered” literally days after his death when hundreds of his paintings were rescued by an art dealer.”
(Courtesy Pennsylvania Art...
Category
20th Century Surrealist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Dancing Motion.
By Werner Drewes
Located in New York, NY
Drawing, 1938. Signed and dated with the artist cypher. Paper size 7 9/16 x 6 1/4" (19.3 x 15.8 cm).
Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, wa...
Category
1930s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pencil
Folio from Communion of Saints, Reading from the Book of St. Matthew.
Located in Fairlawn, OH
Readings from the "Communion of Saints": folio from an Italian Missal
Pigment on vellum
Mid 17th century
Provenance:
Otto F. Ege (1888-1951)
Phillip Duechnes Bookseller, New York, c. 1948
References And Exhibitions:
Otto F. Ege Box Folio 27
Ege describes these folios as: Epistolary (Epistolarium), Italy, Middle 15th century
Latin Text: Rotunda or Round Gothic Script, square rhetorical neumes
Sister folio are in the following rare book libraries:
Case Western Reserve University
Cincinnati Public Library
Cleveland Institute of Art
Cleveland Public Library
Denison University
Kent State University
Kenyon College...
Category
15th Century and Earlier Old Masters Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Ink, Vellum
In the Garden of the Hummingbirds, No. XIX
By Michael Tracy
Located in Houston, TX
Michael Tracy
In the Garden of the Hummingbirds, No XIX, 1992
22 1/2 x 30 in (57.2 x 76.2 cm), unframed
25 1/2 x 33 1/2 in (64.8 x 85.1 cm), framed
JPHB 5649
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Paper, Oil Pastel, Watercolor, Gouache
Untitled SF74-863
By Sam Francis
Located in London, GB
In the 1970s, the beginning of a new phase in Francis’ career was defined by the emergence of the ‘color blotches’. These spots of gritty, shimmering color were made through glazes, ...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Acrylic
2 STUDIES FOR REVOLUTION II (Grosvenor School Color Linocut)
By Cyril Power
Located in Santa Monica, CA
CYRIL POWER (British 1872-1951)
STUDIES FOR THE COLOR LINOCUT REVOLUTION II, 1931
Pencil on thin wove paper. Unsigned. Consists of two 3 inch square pencil drawings on one sheet of thin wove paper 10 x 7 3/8 inches. Preliminary studies for Power's Grosvenor School...
Category
1930s Futurist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pencil
Untitled Abstraction
By John von Wicht
Located in Fairlawn, OH
Untitled Abstrraction
Gouache, watercolor and pigments on paper, c. 1960
Signed lower right in pencil (see photo)
Image: 17 x 22 inches
Sheet: 25 1/4 x 29 3/4 inches
Frame: 25 1/4 x ...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Connecticut Summer Fragments
By Lee Hall
Located in New York, NY
Lee Hall (1934-), Connecticut Summer Fragments, a portfolio of watercolor, 29 in all, each about 5 ¼ x 7 ¼ inches, on hand made paper attached to a backing, i...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Untitled (#2 Pri-Rain) (SF64-592)
By Sam Francis
Located in London, GB
Sam Francis
Untitled (#2 Pri-Rain) (SF64-592)
1964
Gouache on paper
57.2 x 75.6 cms (22 1/2 x 29 3/4 ins)
Frame size: 82.9 x 103.2 cms (32 5/8 x 40 5/8 ins)
SF14652
$300,000
Exhibit...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Gouache
Double Pyramid Thought Form
By Matt Magee
Located in Houston, TX
Matt Magee
Double Pyramid Thought Form, 2019
Oil on aluminum
25 1/2 x 19 1/4 in (64.8 x 48.9 cm)
JPHB 5837
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Oil
Composition in Red
By Sam Francis
Located in London, GB
Sam Francis
Composition in Red
c. 1960
Gouache on paper
52.5 x 24.5 cms (20 11/16 x 9 11/16 ins)
SF14434
$125,000
Exhibited:
Bernard Jacobson Gall...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Gouache
Cityscape Reflections - Study No. 1
By Gerald Geerlings
Located in Storrs, CT
Cityscape Reflections - Misty Morning. 1980. Lithograph with pastel coloring. Czestochowski 42. Edition 40. 14 x 10 3/16 (sheet 18 x 14). Tape stains in the margins, not affecting th...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pastel
Chorus Line
By Sam Spanier
Located in Fairlawn, OH
Chorus Line
Oil pastel on paper, c. 1960's
Signed (see photo)
Provenance: Estate of the Artist
Estate of the artist (Estate No. 745)
Condition: Excellent
Image/Sheet size: 5 3/4 x 4 inches
Sam Spanier (1925-2008)
Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann.
By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period.
Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed.
As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired.
Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007.
Selected Solo Exhibitions:
Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999).
Selected Group Exhibitions:
Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955);
Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004).
Selected Writings on the Artist:
Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Oil Crayon
The Dead Tiger
By Dorothy Dehner
Located in Fairlawn, OH
The Dead Tiger
Ink and watercolor on paper, 1955
Signed and dated in ink (see photo)
Condition: Aging to the entire sheet (it's 78 years old)
Image/Sheet size: 18 1/4 x 23 inches
On...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
A Sandstorm on the Little Colorado River, Arizona
By George Elbert Burr
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Watercolor on watercolor board. Study for Seeber 189. 10 3/8 x 14 1/4. Signed lower left; titled verso. An exquisitely subtl...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Untitled
By Jack Davidson
Located in Houston, TX
Jack Davidson
Untitled, 2008
Gouache on paper
22.5 x 15 in (57.2 x 38.1 cm)
JPHB 5682
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Paper, Gouache
September Morning: The First Ferry.
By Joseph Pennell
Located in Storrs, CT
September Morning: The First Ferry. 1929. Watercolor. 10 1/8 x 13 (image and sheet). Provenance: The Fine Art Society, London. A misty, impressionist watercolor on French papier ved...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Glen Orchy.
By David Young Cameron
Located in Storrs, CT
Glen Orchy. c. 1925. Watercolor, pencil and conte crayon on paper. 9 1/4 x 13 (sheet 10 3/8 x 13 1/4). Ex-collection L.G. Duke,purchased at Sotheby's, London '10.12.70'. Mat line; ot...
Category
20th Century Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor, Pencil
BARK
By David Hutchinson
Located in Houston, TX
David Hutchinson
BARK, 2021
Unique archival inkjet print
24 x 18 inches (16 x 45.7 cm)
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Inkjet
Here and There #4
By Kate Shepherd
Located in Houston, TX
Kate Shepherd
Here and There #4, 2020
Enamel and transfer on paper
12 1/2 x 19 inches
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Enamel
Untitled
By Mark Fox
Located in Houston, TX
Mark Fox
Untitled, 2018
Acrylic ink and wax crayon on paper
50 x 38 inches
Framed
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Wax Crayon, Acrylic
Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design
Gouache on paper, 1920-1935
Signed with the Atelier Stamp verso (see photo)
Numbered with the Atelier Litt Archive number verso
(see photo)
Condition: E...
Category
1930s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Gouache
The Dead Tiger
By Dorothy Dehner
Located in Fairlawn, OH
The Dead Tiger
Ink and watercolor on paper, 1955
Signed and dated in ink (see photo)
Condition: Aging to the entire sheet (it's 78 years old)
Image/Sheet size: 18 1/4 x 23 inches
On...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Untitled
By Fannie Hillsmith
Located in Fairlawn, OH
Untitled
Collage and crayon drawing, 1967
Signed and dated lower center (see photo)
Condition: Small imperfections from the creative process
Small tear on the left sheet edge (repai...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Crayon
Abstraction
By Abraham Walkowitz
Located in Fairlawn, OH
Signed and dated in ink lower center
Provenance:
Charlotte Bergman, noted collector and patron of Walkowitz. See photo for additional information.
Category
1930s Modern Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Ink, Pen
untitled
By Virginia Dehn
Located in Fairlawn, OH
Unsigned
Authenticated verso by the artist's nephew, Andrew Lowe
Provenance:
Estate of the Artist
Category
Mid-20th Century Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pastel
Non-Objective Drawing (Double sided composition)
By Rudolf Bauer
Located in Fairlawn, OH
Non-Objective Drawing (Double sided composition)
Graphite on paper, 1938
Initialed "B" by the artist lower right corner
Created while the artist was imprisoned in a Gestapo Prison fo...
Category
1930s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Graphite
The Pinks and the Blues
By Dorothy Dehner
Located in Fairlawn, OH
The Pinks and the Blues
Watercolor, pen and ink on paper, 1954
Signed and dated in ink lower left, titled in pencil verso.
Provenance: Gift of the Artist
Privat...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Watercolor
Untitled (Abstraction)
By Rolph Scarlett
Located in Fairlawn, OH
Untitled (Abstraction)
Ink on textured paper, c. 1958
Signed lower right "Scarlett" (see photo)
Condition: Excellent
Archival framing with OP3 Acrylic
Sheet size: 21 3/4 x 30 inches
Frame size: 28 1/2 x 36 1/2 inches
Note: A rare mid to late 1950s example of the artist's abstract expressionist style.
Provenance: estate of the artist
Private Collection, Hudson River Valley, New York
Rolph Scarlett
B. 1889, GUELPH, ONTARIO; D. 1984, WOODSTOCK, NEW YORK
Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O’Neill’s drama Lazarus Laughed (1926). In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths.
In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum’s collection. From 1940 to 1946, Scarlett served as the museum’s chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation.”
During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Ink
Black and White Cat
By Sam Spanier
Located in Fairlawn, OH
Black and White Cat
Ink and watercolor on paper, c. 1970
Unsigned
Provenance:
Estate of the artist (Estate No. 737)
Condition: Excellent
Image/Sheet size: 4 3/4 x 6 1/4 inches
Sam Spanier (1925-2008)
Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann.
By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period.
Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed.
As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired.
Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007.
Selected Solo Exhibitions:
Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999).
Selected Group Exhibitions:
Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955);
Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004).
Selected Writings on the Artist:
Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Ink, Watercolor
Chorus Line
By Sam Spanier
Located in Fairlawn, OH
Chorus Line
Oil pastel on paper, c. 1960's
Signed (see photo)
Provenance: Estate of the Artist
Estate of the artist (Estate No. 745)
Condition: Excellent
Image/Sheet size: 5 3/4 x 4 inches
Sam Spanier (1925-2008)
Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann.
By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period.
Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed.
As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired.
Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007.
Selected Solo Exhibitions:
Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999).
Selected Group Exhibitions:
Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955);
Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004).
Selected Writings on the Artist:
Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Oil Crayon
Untitled (Purple and Yellow)
By Gene Davis
Located in Fairlawn, OH
Untitled (Purple and Yellow)
Pastel on paper, 1981
Signed and dated lower right
Provenance:
Collection of Jan Cowles
Jan Cowles was married to Gardner Cowles owner of Cowles Media Company (1935–1998) which owned newspapers, magazines and information publishing company based in Minneapolis, Minnesota in the United States. The company operated Cowles Business Media, Cowles Creative Publishing, and Cowles Enthusiast Media units.
Owners of the Minneapolis Star-Tribune from 1935 to 1998, other newspapers owned at one time by Cowles Media and its affiliates included the Des Moines Register, the Buffalo Courier...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Drawings and Watercolors
Materials
Pastel
