South American Rugs

Early 20th century Ceremonial Cloth / Tampan, Paminggir, Lampung region, South Sumatra, Indonesia Commonly referred to as ship cloths, these ceremonial tampan would have been used as gifts, wrappers, cushions or pillows in any number of life-transition ceremonies, including children’s first hair cutting...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

Scandinavian woven Folk Art wedding wall decoration tapestry, 1760 Dated 1760 and monogrammed OHW/HPS. The tapestry is decorated mostly in red and yellow colors, with flowers and...

This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. On...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

A large brightly colored fabric collage tapestry of a bird with fish in its mouth. This dramatic fabric piece features carefully cut geometric pieces ...

This is a repeat of large sweeping arabesques in muted colors adorning the red field rug designed in the early 20th century that originates from the Bidjar region in northwestern Ira...

Earth tones pre-Columbian textile fragment with abstract embroidered figures. This piece is framed in a black shadowbox. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts -- so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

Early 20th century ceremonial cloth / Tampan, Paminggir, Lampung region, South Sumatra, Indonesia Commonly referred to as ship cloths, these ceremonial tampan would have been used as gifts, wrappers, cushions or pillows in any number of life-transition ceremonies, including children’s first hair cutting...

This framed hooked rug or mat was done by the well known George Edouard Tremblay of Quebec Canada in approximately 1940 in his period Folk Art style. The rug or mat is done with wool...

Extremely detailed yellow embroidered Pre-Columbian textile fragment with hints of red from the Chancay culture in Peru. This piece is framed in a black shadowbox. It is a wonder to behold antiquities such as a Pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts -- so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

Navajo Native American Woven Small Rug Tapestry handcrafted 14.75 H x 12.5 W original vintage Refer to images listed