Sweden

Ring for every day in solid 18K Yellow Gold decorated with natural Emerald of oval cut 13 mm x 9 mm x 4.5 mm deep / ca. 4.5 ct that demonstrates structure typical for natural stones....

Sunset Over Northern Waters is an oil on canvas painting by Swedish artist Carl Hallström (1850–1929). It depicts a serene Nordic sunset in which a glowing red sun hovers low over st...

An iconic white metal brutalist sculptural ashtray, design by Holger Bäckström and Bo Ljungberg known as Ultima 15 made by Diverse Ting, Malmö, Sweden in the mid-1970s. These ashtra...

Scandinavian mid-century chandelier, produced by an unidentified Swedish manufacturer in the 1950s. Crafted from brass, it features five curved arms extending from a cone-shaped cent...

Italian fishermen in their boats at dusk and a quiet sea. Oil on canvas, Mounted in a gilttwood frame. 74 × 131 cm Signed and dated P. Gabrini Roma 1905 This evocative painting by ...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

We have curated a group of stunning pieces of ceramics made in Sweden during the 1950s. These pieces have been gathered and put together by us, carefully sorted and now ready to be g...

ϟiignet Ring for Men in solid 18K Yellow Gold decorated with natural black Onyx stone stone rectangular cut and polished 12 mm x 10 mm / about 4 ct . European, hand - made ca.1950s...

Elegant Pewter Mirror, Swedish Grace, Late 1920s A refined and decorative mirror crafted in pewter, featuring an elegant female figure at the crest flanked by stylized florals – a h...

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

Genuine antique foot stool from the Swedish gustavian period around 1770 to 1780. This Swedish antique has classic carved wooden decor on the legs and sides. Original paint from the ...

Follower of Jacob Savery (1566-1603) Concert of Birds 18th-century oil on panel no signature unframed: 42 × 44 cm (16.5 × 17.3 in) framed: 53 × 54 ...

A beautiful miniature stoneware vase with amazing 'aniara' glossy glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1960s. Good condition....

A beautiful Art Deco / Swedish Grace stoneware vase with amazing green glaze and hand-painted sterling silver decor, hence the name 'Argenta'. Made by Wilhelm Kåge at Gustavsberg in ...

Pair of Swedish Grace bronze candlesticks with amazing patina. Art Deco / Swedish Grace. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Good condition, with scratches and wear ...

This tranquil view shows Öland’s rolling green heath at dusk, with grazing sheep and a lone windmill on the far horizon. The broad sky streaked with soft gold and blue underscores Kr...

A wonderful pair of wingback chairs made in Sweden during the 1940s. The shape and structure together with the wooden armrest give these chairs a sophisticated and modern look. To...

A beautiful stoneware vase with amazing glaze. Made by Claes Thell, in the artist's studio, Höganäs, Sweden, 1977. Great condition. Signed Thell '77. Claes Thell is a Swedish cera...

Mountainous Landscape with a Stone Bridge (1856) This painting by Austrian artist Richard Maerz (1810–1871) depicts a dramatic mountainous landscape. A stone bridge arches high above...

This evocative oil painting, titled Studio Muse, depicts a seated nude in a quiet moment of contemplation. The model is shown in profile, resting on a simple wooden stool against a n...

German ring from ca. early XX century with parts in solid 14K Rose toned (band) and Yellow Gold (crown) with carved shoulders and bezel set with natural Citrine stone measuring 10 m...

Emerald and Diamonds Ring hand - made in Sweden, ca.1920s -1930. Swedish hallmarks, 18K, maker's mark. No Year marks, likely lost after old sizing. Band in solid 18ct Yellow Gold wi...

This set of furniture containing 2 chairs and one sofa are gifted with wonderful curved lines and newly upholstery. The mustard yellow velvet gives a modern and sophisticated look. ...

Wonderful Swedish Grace Art Deco / sideboard, buffet, storage unit named 'Haga' by Carl Malmsten. The sideboard sits on an ebonized base and it has inlays of geometric decoration and...

A modernist chandelier produced by the Swedish lighting manufacturer ASEA Belysning in the 1950s. Crafted from solid oak and brass, it features three curved arms holding white glass ...

This exquisitely detailed drawing by Swedish artist Oscar Lycke captures a rustic settlement nestled in the golden highlands of northern Sweden, most likely depicting the traditional...

Cool, rare sideboard by Ib Kofod Larsen, made from rosewood. Clean design with a smooth veneer pattern. Cabinet doors and drawers with decorative round wooden handles in a darker nua...

A Ring in solid 18K Yellow Gold with plain shoulders decorated with claw set natural oval cut Aquamarine of vivid Blue color with tint of Green, measuring 15.25 mm x 11.25mm x 10mm...

This compelling full-length figure study depicts a young girl dressed in traditional Russian folk attire. Likely painted by a Russian artist in the second half of the 19th century, t...

Divine Child Cuff Bracelet in Gold-Plated Brass with Light Blue Enamel, Blue Sapphire Star, and White Diamond Stardust This radiant cuff bracelet is crafted in 14k gold-plate and sp...

Beautiful old Ring in solid 18K Yellow Gold with natural Blue Sapphire and 18 natural Seed Pearls settings. Fragmented hallmarks, 18K, lokely Swedish or German ring, hand -made ca...

Genuine antique Swedish sideboard from the gustavian period around 1780. The sideboard is made in Stockholm by hand with a frame in solid pine. It has the straight classic shape with...

Beautiful “Egyptian Chair” by Finn Juhl, made in rosewood with natural leather. Unique, elegant design with distinct lines and subtle details. Juhl was inspired to create the design ...

Otto Lindberg (1880–1955) – Twilight Reflections, Söderhamn Archipelago Serene Twilight in Söderhamn’s Archipelago This monumental oil on canvas (measuring 65 x 120 cm) presents a s...

Ludwig Mies van der Rohe's very legendary chair, model MR10 (today renamed S 533), designed in 1927, a few years before he was nominated as the director of the world famous Bauhaus s...

Elegant Swedish Grace ceiling light, with a pewter and pale orange colored glass shade with a cut decor. Graphic, functionalist design. Original textile chord suspension.

Pair of Art Deco Wall Sconces in Pewter – Sweden, 1930s A sleek and rare pair of wall sconces in pewter from the 1930s, made in Sweden in true Art Deco style. These sconces feature a clean, geometric design with a highly polished, mirror-like surface that beautifully reflects light. The folded form and distinctive zigzag detailing in the metal are characteristic of the Art Deco era’s love for symmetry and decorative elegance. The gently curved candle holders...

Fine Locket with hand - engraved floral ornament on the frontal side. Internal bezels for images inside with plexiglass covers. Swedish hallmarks, bail hallmarked 18K, three crowns...

Elegant Pair of Swedish Karl Johan Table Lamps, 1820s A pair of elegant Swedish Karl Johan table lamps in brass, originally the lower parts of a pair of early 19th century candelab...

Vintage set of fine tea/ ice - cream spoons solid Gilt 925 grade Silver decorated with translucent Guilloche Enamels. Hand - made at the workshop of M.N Thune in Oslo, Norway ca 19...

Swedish antique rococo table from the 1770s. The table has a rectangular table top with curved rococo legs and curved, bevelled aprons. Dry scraped by hand down to the original first...

Rare “Grasshopper” floor lamp by Greta Magnusson-Grossman, made from lacquered metal with amazing lines and proportions. Original petroleum blue lacquer that has aged beautifully.

A modernist rise-and-fall pendant lamp, model 33087, designed in the 1950s by Bertil Brisborg for the renowned Swedish department store Nordiska Kompaniet. Crafted from steel lacquer...

In this poetic lakeside scene, Hilding Werner transports the viewer to a tranquil Scandinavian summer night at the turn of the century. Four couples dance gaily upon a wooden raft or...

The painting titled Portrait of a Boy in Profile, attributed to Friedrich Wasmann (1805–1886), exemplifies the refined portraiture characteristic of the Biedermeier period. Executed ...

Antique Dangle Earrings in 14K Yellow Gold with natural Diamonds settings hand - made in late 19th century Kiev, Малороссия / Little Russia / now Ukraine - at that time a part of R...

A rare and poetic nocturne by Swedish artist Hugo Carlberg, Moonlight evokes the hushed stillness of a moonlit landscape. Silvery reflections shimmer across the water as tall trees c...

Old Swedsih Toi et Moi Ring hand - made ca. 1920s - 1930s. Fragmented Swedish hallmarks, 18K. Top of the crown in White Gold. Two claw set natural Green and Rose Pink Tourmalines...

This symbolic necklace by J Dauphin features a heart-shaped moonstone framed by black diamonds, suspended from a 28-inch hand-enameled black chain crafted in gold-plated silver. The ...

A Ring with plain band and carved acanthus leaves on the shoulders featuring a claw set lab made Ruby oval cut 11 mm x 7 mm x 4.6 mm deep / ca. 3ct. Swedish hallmarks, 18K , date...

A pair of fine vintage European flower halo studs in solid 18K White Gold . Hand-made ca. the 1960s -1970s. Hallmarks : maker's initials, 750/ 18K. Each floret Ø 7mm. Two natural r...

Fritz Lindström (1874–1962) Mountain Landscape (Pyrenees), 1928 oil on panel unframed 15.5 × 24 cm (6.1 × 9.4 in) framed: 26 × 34 cm (10.2 × 13.4 in) signed on the reverse Frame by...

Set of 3 Large Chic Exquisite Murano Chandeliers in Traditional Italian Mid-Century Style. The murano pendants is perfect over a kitchen island or a dining table or customized shorte...

A pair of large wall lights designed by Uno Kristiansson circa 1966 and made by Luxus. The main body of the design is turned pine wood. White acrylic diffusers sit atop the sconces. ...

Large chandelier model Liberty, in handblown Murano glass, designed by Ercole Barovier, 1920s. Decor of 6 leaf shapes with gold sprinkles and 6 arms with flowershaped glass shades w...

Old Halo Ring with wide band in solid 14K Rose Gold with soldered crown part in high grade (likely 20 - 23K) Gold decorated with natural Ruby and Diamonds. European, ca. 1920s - 19...

Beautiful Halo Ring in solid 18K Orange toned Gold with natural Yellow Sapphire and 10 Diamonds in Silver clusters. Carved shoulders,reinforced band.. The back view is peculiar: deli...

A watercolor depicting a mountain view and the lake Gruyère, (Lac De La Gruyère) in Switzerland by the American Impressionist and Tonalist Mary Rogers Williams (1857–1907). Signed M.R. Williams. On the verso, the artist wrote: ‘Painted in Gruyère July 1902.’ This is a newly discovered work by a rare woman artist who seldom appears on the art market. Small in scale, yet rich in atmosphere, power, and depth—a genuine little gem. Mary Rogers Williams was born in 1857, in Hartford, Connecticut, the fifth of six children to a local baker. Orphaned by the age of fourteen, she pursued art with remarkable determination, studying at Hartford’s Decorative Art Society and the Art Students League in New York under William Merritt Chase. Her early mentor was James Wells Champney. In 1888, she joined Smith College as associate professor of art, where she taught for nearly twenty years to help support her family. Alongside her academic career, she maintained a serious and evolving artistic practice, though much of it was pursued within the limitations of her era’s gender roles and financial pressures. Her work is often classified as a blend of Tonalism and Impressionism—movements that were just taking shape during her lifetime. Tonalists used subdued palettes to evoke mood rather than detail, while Impressionists leaned toward brighter colors and broader subjects. Williams, working independently of art-world factions, forged a style rooted in mood, light, and atmosphere. She painted luminous pastels, watercolors, and oils—portraits, landscapes, and intimate studies of daily life. Despite knowing figures like Whistler, William Merritt Chase, and Childe Hassam, she rarely aligned herself with any artistic “school” and found many male contemporaries pretentious or repetitive. She famously dropped out of Whistler’s Paris school, calling him “a pompous fop surrounded by fawners.” Though Mary Cassatt and Williams were both American Impressionists living in Paris, they never met—Cassatt enjoyed wealth and elite circles, while Williams was a self-reliant educator without patrons. Williams traveled extensively throughout Europe—from the Arctic Circle to the ruins south of Naples—often alone or with her sister. She bicycled through fjords, hiked to medieval towns, and visited chateaux and harbors, all while sketching prolifically. She is likely the only 19th-century woman artist whose travels and daily life can be traced in such vivid, personal detail: what she ate, how she felt about fellow travelers, what she paid for trams, how the air smelled, what she wore, and how she missed home. She documented everything—museum visits, church restorations, conversations with hotel guests, and her frustrations with men’s treatment of women artists. These letters, rediscovered in 2012 in a family boathouse, provide an extraordinary insight into not only her art but the intellectual and emotional texture of her life. Her writings reveal not only artistic insight but the immense workload she carried. At Smith, she taught studio art and art history, organized faculty events, curated student exhibitions, wrote essays, handled housework, and even cooked and cleaned for her own lodgings. On vacations, she cooked for her family; in Europe, she waxed floors, painted walls, repaired clothing, and stoked fires—all while maintaining her painting and travel schedule. Unlike many of her male peers, she had no assistants, no household staff, and little inherited wealth. Yet, as her letters reveal, she never saw herself as a victim—she relished challenges and even the absurdities of her era, from Italian waiters pushing marriage to department heads at Smith dismissing women’s artistic capacity. Despite these challenges, Williams exhibited widely during her lifetime: Paris Salon (1899) National Academy of Design (1903–04) Pennsylvania Academy of the Fine Arts New York Water Color Club, American Water Color Society, Art Association of Indianapolis, and more. She was praised in The New York Times, Hartford Courant, and Springfield Republican, and compared by peers to figures like Emily Dickinson—another New England woman of quiet yet profound artistic power. But unlike Dickinson, Mary Williams...

ϟiignet Ring for Men in solid 18K Yellow Gold decorated with natural black Onyx stone stone rectangular cut and polished 15 x 12 mm x 2.56 mm deep/ about 5 ct . Swedish ring, hallm...

In this luminous landscape, Oscar Lycke invites us to experience the serene vastness of Sweden’s northern interior. Likely painted in the region surrounding Liden along the Indalsälv...