Associated Press Photography

Exclusivity New photo recently released from the archives of Bert stern Marilyn new black dress 2009 draw 72 copies Signature on front and back Dated...

Behold nature's stunning beauty in this black & white hand signed landscape photograph of beautiful Ayers Rock in Australia, showcasing the elegant curvatur...

The beauty of nature's rhythm is captured in this black and white landscape photograph of a forest of Aspen trees by American photographer and film maker, John Henry Johnson (America...

Beautiful black & white landscape photograph of forest trees and stream in the woods of Alaska, by Anchorage-based nature photographer George Provost (American, 20th Century). Hand signed and dated "George Provost 1989" lower right. Photograph is hand made from an 8x10 camera negative in a traditional "wet" darkroom, by the photographer. Mounted on white mat board. Unframed. Image size: 19"H x 15"W. Born in California, Provost grew up in the Bay Area. He has lived and worked in Alaska since 1987, specializing in large format, fine art, black and white photography. His work has been exhibited in over 60 exhibitions, received numerous awards, and is included in hundreds of collections, both public and private. George Provost was an Isle Royale...

Stunning black & white landscape photograph with trees reflecting in water in the Sierra Nevada mountains by California artist Robert Werling. Signed on mat lower right: "Bob Werling." Presented in a silver metal frame. Image, 15"H x 19"W. Robert Werling was born in San Francisco, California in 1946 and realized an interest in art at an early age. While briefly attending a commercial art school, he found photography to be his medium and went on to obtain both a BA and an honorary MS from the Brooks Institute of Photography in Santa Barbara, CA. He also studied privately under Ansel Adams from 1966 to 1970 and Imogen Cunningham from 1969 to 1975. Through his affiliation with Adams, Werling came to know and work with other noted photographers. Brett Weston became his close friend and mentor and Marion Post Wolcott, relying on his darkroom expertise, entrusted her negatives to his printing genius. While creating an impressive number of his own fine art prints, Werling also lectured extensively and worked as an instructor for the Brooks Institute, the University of California, Santa Barbara, the Zone System Seminars and Workshops in the United States, and for the Werkschule fur Fotografie in Soltau, Germany. Werling has exhibited his photographs in over sixty one-man and group shows in both the United States and Europe. He was guest curator of photography for the Santa Barbara Museum of Art organizing VIVO, the Contemporary Japanese Photography and Brett Weston’s photographs...

Elegant hand signed black & white photo highlighting the sharp contrast between the Yosemite mountain range of Mt. Lyell and the beautiful clouds above by Charles Cramer (American, b...

Cy Twombly Earle and Carolyn Brown at the Stevenson's in Brewster, 1955 Identified and inscribed on the reverse by the sitter Carolyn Brown Photograph on paper 8 x 8 inches Provenance Gift of the artist Estate of Carolyn Brown, New York 2025. Cy Twombly gained fame for his art that combined cultural, historical, and poetic elements—particularly those from classical antiquity—with abstract shapes and his distinctive script. Born Edwin Parker Twombly, Jr. on April 25, 1928, in Lexington, Virginia, he began his artistic journey under the guidance of Pierre Daura and Marion Junkin at Washington and Lee University. This initial training was complemented by his formative experiences at the Arts Students League of New York and Black Mountain College, where he established enduring friendships with influential figures like Robert Rauschenberg, John Cage, and Merce Cunningham. A pivotal moment for Twombly was his 1952 trip to Italy and North Africa with Rauschenberg, funded by a grant from the Virginia Museum of Fine Arts. This journey allowed Twombly to engage deeply with the rich cultural history that would inform his future artistic endeavors, leading to the creation of significant early pieces. Twombly made his way back to Italy in 1957 and 1958, during which he presented his first solo exhibition in Italy at Galleria La Tartaruga, owned by Plinio De Martiis. In 1959, he married Luisa Tatiana...

Paris Longchamp, 1989 by Leonard Freed is stamped and signed verso (back of photo), a gelatin silver vintage print, 16" x 12". The documentary photograph captures chic beautiful peop...

Wall Street, 1956 by Leonard Freed is a modern print signed verso (on back) by the estate/widow of the photographer, Brigitte Freed. This is a 24" x 20" gelatin silver print. Leonard...

The black and white photograph from the 1950s captures beatnik hipster writer Jack Kerouac in dark glasses, wearing a beret and friend Barbara Ferrara. Beat Couple, 1959 by Burt Gl...

Saul Leiter 3 Carolyn Brown and Remy Charlip Photography 14 x 11 inches Provenance Estate of Carolyn Brown, New York 2025. Saul Leiter (1923-2013) was born in Pittsburgh to a father who was a well-respected Talmudic scholar. His passion for the arts ignited during his late teenage years, and despite being urged to follow in his father's footsteps to become a Rabbi, he chose to forgo theological studies, moving to New York at the age of 23 to delve into painting. In the city, he formed a friendship with Abstract Expressionist painter Richard Pousette-Dart, who was exploring photography. This connection, along with a subsequent friendship with W. Eugene Smith, deepened his fascination with photography. Leiter's initial black and white images reveal a remarkable talent for the art form. By the 1950s, he also began to explore color, producing a substantial and noteworthy collection during the early stages of this medium. His uniquely muted color palette often imparts a painterly essence that distinguishes his work from that of others in his era. Leiter's inaugural showcase of color photography took place in the 1950s at the Artist's Club, a gathering spot for many Abstract Expressionists of that period. Edward Steichen included twenty-three of his black and white works in the influential 1953 exhibition "Always the Young Stranger" at the Museum of Modern Art and also showcased twenty of Leiter's color photographs during the 1957 MoMA event "Experimental Photography in Color. " In the late 1950s, art director Henry Wolf featured Leiter's color fashion photography...

An atmospheric and magical photo by master of the lens, photographic and cinematic, that captures a tranquil corner of Hyde Park. As Suschitzky himself said ...