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Neos Lorenz Clock

Neos Lorenz du Pasquier & Sowden Postmodern Clock
By George Sowden, Nathalie du Pasquier
Located in Chicago, IL
Neos Lorenz du Pasquier & Sowden Postmodern Clock A blue and purple plastic postmodern wall clock
Category

Late 20th Century Italian Post-Modern Wall Clocks

Materials

Plastic

Neos Lorenz du Pasquier & Sowden Postmodern Clock
By Nathalie du Pasquier, George Sowden
Located in Chicago, IL
Neos Lorenz du Pasquier & Sowden Postmodern Clock A black and white, bullseye-like design plastic
Category

Vintage 1980s Italian Post-Modern Wall Clocks

Materials

Plastic

Neos Lorenz du Pasquier & Sowden Postmodern Clock
By Nathalie du Pasquier, George Sowden
Located in Chicago, IL
Pasquier and George Sowden for Neos of Lorenz in the late 1980s. Co-founders of the Memphis Group, du
Category

Vintage 1980s Italian Post-Modern Wall Clocks

Materials

Plastic

Memphis Wall Clock by George Sowden & Nathalie du Pasquier for NEOS Lorenz
By George Sowden, Nathalie du Pasquier
Located in Tilburg, NL
1981. The ‘Neos’ series of clocks consisted of several different kinds of clocks – from table and wall
Category

Vintage 1980s Swiss Post-Modern Wall Clocks

Materials

Plastic

Neos Wall Clock George Sowden Nathalie du Pasquier Postmodern
By Nathalie du Pasquier, Lorenz, George Sowden
Located in Shibuya-ku, Tokyo
Neos clock designed by George Sowden and Nathalie du Pasquier. Working well.
Category

Vintage 1980s Italian Post-Modern Wall Clocks

Materials

Plastic

Postmodern Wall Clock by Nathalie du Pasquier & George Sowden for Neos
By Lorenz, George Sowden, Nathalie du Pasquier
Located in Brooklyn, NY
Nathalie du Pasquier for Neos of Lorenz. Orange plastic case with a very subtle iridescent elephant print
Category

Late 20th Century Post-Modern Wall Clocks

Materials

Glass, Plastic

Deadstock Tabletop Clock, Nathalie Du Pasquier and George Sowden for Neos Lorenz
By Nathalie du Pasquier
Located in Las Vegas, NV
Tabletop clock by Nathalie Du Pasquier and George Sowden for Neos of Lorenz. Iconic and rare piece
Category

Vintage 1980s Italian Post-Modern Table Clocks and Desk Clocks

Materials

Steel

Neos Wall Clock 2 George Sowden Nathalie du Pasquier Postmodern
By George Sowden, Memphis Milano, Nathalie du Pasquier, Lorenz
Located in Shibuya-ku, Tokyo
Neos clock designed by George Sowden and Nathalie du Pasquier in the 80s. Neos is the brand run by
Category

Vintage 1980s Italian Post-Modern Wall Clocks

Materials

Plastic

Neos table Clock George Sowden Nathalie du Pasquier Postmodern
By Nathalie du Pasquier, Lorenz, George Sowden
Located in Shibuya-ku, Tokyo
Neos clock designed by George Sowden and Nathalie du Pasquier. One of some table clock variations.
Category

Vintage 1980s Italian Post-Modern Table Clocks and Desk Clocks

Materials

Plastic, Acrylic

Recent Sales

Nathalie du PASQUIER George SOWDEN Horloge murale vers 1986 Neos of Lorenz clock
By George Sowden
Located in PARIS, FR
Neos of Lorenz arrêtée Plastique, métal laqué, verre, mécanisme à quartz (pile LR6 AA). Noms de
Category

Vintage 1980s Italian Post-Modern Wall Clocks

Materials

Plastic

Neos Clock George Sowden Nathalie du Pasquier Postmodern
By Lorenz, George Sowden, Nathalie du Pasquier
Located in Shibuya-ku, Tokyo
Neos clock designed by George Sowden and Nathalie du Pasquier. Working with original box.
Category

Vintage 1980s Italian Post-Modern Table Clocks and Desk Clocks

Materials

Plastic, Acrylic

Memphis Clock by Nathalie du Pasquier and George Sowden for Neos Lorenz Italy
By Nathalie du Pasquier, Lorenz, George Sowden
Located in Chicago, IL
Created by Nathalie du Pasquier and George Sowden for Neos Lorenz in 1988 Italy, this ceramic table
Category

Vintage 1980s Italian Post-Modern Table Clocks and Desk Clocks

Materials

Porcelain

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Neos Lorenz Clock For Sale on 1stDibs

At 1stDibs, there are many versions of the ideal neos lorenz clock for your home. Each neos lorenz clock for sale was constructed with extraordinary care, often using plastic, glass and metal. There are many kinds of the neos lorenz clock you’re looking for, from those produced as long ago as the 20th Century to those made as recently as the 20th Century. Nathalie du Pasquier, George Sowden and Lorenz each produced at least one beautiful neos lorenz clock that is worth considering.

How Much is a Neos Lorenz Clock?

Prices for a neos lorenz clock can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $325 and can go as high as $2,100, while the average can fetch as much as $1,213.

A Close Look at Post-modern Furniture

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Finding the Right Clocks for You

A sophisticated clock design, whether it’s a desk clock, mantel clock or large wall clock for your living room, is a decorative object to be admired in your home as much as it is a necessary functional element. This is part of the reason clocks make such superb collectibles. Given the versatility of these treasured fixtures — they’ve long been made in a range of shapes, sizes and styles — a clock can prove integral to your own particular interior decor.

Antique and vintage clocks can whisk us back to the 18th and 19th centuries. When most people think of antique clocks, they imagine an Art Deco Bakelite tabletop clock or wall clock, named for the revolutionary synthetic plastic, Bakelite, of which they’re made, or a stately antique grandfather clock. But the art of clock-making goes way back, transcending continents and encompassing an entire range of design styles and technologies. In short, there are many kinds of clocks depending on your needs.

A variety of wall clocks can be found on 1stDibs. A large antique hand-carved walnut wall clock is best suited to a big room and a flat background given what will likely be outwardly sculptural features, while Georgian grandfather clocks, or longcase clocks, will help welcome rainswept guests into your entryway or foyer. An interactive cuckoo clock, large or small, is guaranteed to bring outsize personality to your living room or dining room. For conversation pieces of a similar breed, mid-century modern enthusiasts go for the curious Ball clock, the first of more than 150 clock models conceived in the studio of legendary architect and designer George Nelson

Minimalist contemporary clocks and books pair nicely on a shelf, but an eye-catching vintage mantel clock can add balance to your home library while drawing attention to your art and design books and other decorative objects. Ormolu clocks dating from the Louis XVI period, designed in the neoclassical style, are often profusely ornate, featuring architectural flourishes and rich naturalistic details. Rococo-style mantel clocks of Meissen porcelain or porcelain originating from manufacturers in cities such as Limoges, France, during the 18th and 19th centuries, exude an air of imperial elegance on your shelves or side tables and can help give your desk a 19th-century upgrade.

On 1stDibs, find a range of extraordinary antique and vintage clocks today.