Stockholm

In this radiant drawing from 1911, Swedish artist Oskar Lycke captures the quiet grandeur of a summer landscape near Sundsvall in northern Sweden. The view stretches across a serene ...

A Rare 17th-Century Portrait of John Calvin This small interesting portrait, of John Calvin (1509–1564) offers a rare glimpse into the enduring legacy of the French-Swiss reformer. P...

Gunnar Ander for Ystad Metall, Sweden. A two-armed candle holder in brass shaped like flowers. From the 1950s. Marked. In excellent condition. fits 0.45” diameter candles

Beautiful side table or small coffee table by Josef Frank, with a round birch root table top. Legs sculpted with wooden balls.

Elegant white lacquered brass ceiling lamp by Paavo Tynell, with a streamlined shade perforated with small holes. The underside of the lamp has a glass shade that covers the light so...

Blue Chalcedony Cocktail Ring in White Enamel, 14K Gold Plated Designer: J Dauphin This handcrafted cocktail ring features a luminous blue chalcedony cabochon, set in smooth white e...

A pair of vintage mid-century modern Swedish wall lights or sconces made from Pine wood. Made by Stig Sandqvist in the 1970s with a very simple yet equally fantastic design. At the f...

A watercolor depicting a mountain view and the lake Gruyère, (Lac De La Gruyère) in Switzerland by the American Impressionist and Tonalist Mary Rogers Williams (1857–1907). Signed M.R. Williams. On the verso, the artist wrote: ‘Painted in Gruyère July 1902.’ This is a newly discovered work by a rare woman artist who seldom appears on the art market. Small in scale, yet rich in atmosphere, power, and depth—a genuine little gem. Mary Rogers Williams was born in 1857, in Hartford, Connecticut, the fifth of six children to a local baker. Orphaned by the age of fourteen, she pursued art with remarkable determination, studying at Hartford’s Decorative Art Society and the Art Students League in New York under William Merritt Chase. Her early mentor was James Wells Champney. In 1888, she joined Smith College as associate professor of art, where she taught for nearly twenty years to help support her family. Alongside her academic career, she maintained a serious and evolving artistic practice, though much of it was pursued within the limitations of her era’s gender roles and financial pressures. Her work is often classified as a blend of Tonalism and Impressionism—movements that were just taking shape during her lifetime. Tonalists used subdued palettes to evoke mood rather than detail, while Impressionists leaned toward brighter colors and broader subjects. Williams, working independently of art-world factions, forged a style rooted in mood, light, and atmosphere. She painted luminous pastels, watercolors, and oils—portraits, landscapes, and intimate studies of daily life. Despite knowing figures like Whistler, William Merritt Chase, and Childe Hassam, she rarely aligned herself with any artistic “school” and found many male contemporaries pretentious or repetitive. She famously dropped out of Whistler’s Paris school, calling him “a pompous fop surrounded by fawners.” Though Mary Cassatt and Williams were both American Impressionists living in Paris, they never met—Cassatt enjoyed wealth and elite circles, while Williams was a self-reliant educator without patrons. Williams traveled extensively throughout Europe—from the Arctic Circle to the ruins south of Naples—often alone or with her sister. She bicycled through fjords, hiked to medieval towns, and visited chateaux and harbors, all while sketching prolifically. She is likely the only 19th-century woman artist whose travels and daily life can be traced in such vivid, personal detail: what she ate, how she felt about fellow travelers, what she paid for trams, how the air smelled, what she wore, and how she missed home. She documented everything—museum visits, church restorations, conversations with hotel guests, and her frustrations with men’s treatment of women artists. These letters, rediscovered in 2012 in a family boathouse, provide an extraordinary insight into not only her art but the intellectual and emotional texture of her life. Her writings reveal not only artistic insight but the immense workload she carried. At Smith, she taught studio art and art history, organized faculty events, curated student exhibitions, wrote essays, handled housework, and even cooked and cleaned for her own lodgings. On vacations, she cooked for her family; in Europe, she waxed floors, painted walls, repaired clothing, and stoked fires—all while maintaining her painting and travel schedule. Unlike many of her male peers, she had no assistants, no household staff, and little inherited wealth. Yet, as her letters reveal, she never saw herself as a victim—she relished challenges and even the absurdities of her era, from Italian waiters pushing marriage to department heads at Smith dismissing women’s artistic capacity. Despite these challenges, Williams exhibited widely during her lifetime: Paris Salon (1899) National Academy of Design (1903–04) Pennsylvania Academy of the Fine Arts New York Water Color Club, American Water Color Society, Art Association of Indianapolis, and more. She was praised in The New York Times, Hartford Courant, and Springfield Republican, and compared by peers to figures like Emily Dickinson—another New England woman of quiet yet profound artistic power. But unlike Dickinson, Mary Williams...

A multicolored vase with a stunning crystalline glaze designed by Isak Isaksson in Sweden. The vase is 17.5 cm (7") high and about 11 cm (4.4") in diameter and it is in excellent con...

In this poetic lakeside scene, Hilding Werner transports the viewer to a tranquil Scandinavian summer night at the turn of the century. Four couples dance gaily upon a wooden raft or...

Set of three Murano Wall Lamps consisting of 17 handmade crystal prisms in pink colored murano glass. Lamp structure of metal with fittings painted in a light brown, bronzy tone. Gla...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

Divine Child Cuff Bracelet in Gold-Plated Brass with Light Blue Enamel, Blue Sapphire Star, and White Diamond Stardust This radiant cuff bracelet is crafted in 14k gold-plate and sp...

Pair of table lamps model BN 26 designed by Hans-Agne Jakobsson for Markaryd, Sweden. 1960s. Gold anodized aluminium. Excellent vintage condition, almost as new. Labeled. ...

Follower of Jacob Savery (1566-1603) Concert of Birds 18th-century oil on panel no signature unframed: 42 × 44 cm (16.5 × 17.3 in) framed: 53 × 54 ...

A beautiful solid pewter bowl with snake head handles and decor of a female face. Designed by Anna Petrus for Firma Svenskt Tenn. (celebrates 100 years 2024). With hallmarks and year...

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

This tranquil view shows Öland’s rolling green heath at dusk, with grazing sheep and a lone windmill on the far horizon. The broad sky streaked with soft gold and blue underscores Kr...

Set of six stunning “JH 701” dining chairs by Hans J. Wegner. Steel legs, cognac leather seats and sculpted wenge backrests. Contrasting wood detail in the backrests.

A decorative chess set in onyx, 1970s most likely made in Italy. The height of the highest piece is ca 3 cm. In good condition, smaller/normal signs of age and wear.

Extremly rare custom made wall lamp design by Paavo Tynell and made in solid brass with pierces holes. Drawing by the artist available on demand. the wall lamp can be used upon a des...

This exquisitely detailed drawing by Swedish artist Oscar Lycke captures a rustic settlement nestled in the golden highlands of northern Sweden, most likely depicting the traditional...

Mountainous Landscape with a Stone Bridge (1856) This painting by Austrian artist Richard Maerz (1810–1871) depicts a dramatic mountainous landscape. A stone bridge arches high above...

This unique, NOS; New Old Stock, never used solid pine wood, seven-light chandelier was created in this “golden age of Scandinavian design”, a period that saw the revival of an eleme...

A pair of modern Scandinavian vintage pine sconces/ wall lighing, which have a orange acrylic cone. The lamps are from to Solbackens svarveri, Sweden. The lamps has a classic shape f...

Otto Lindberg (1880–1955) – Twilight Reflections, Söderhamn Archipelago Serene Twilight in Söderhamn’s Archipelago This monumental oil on canvas (measuring 65 x 120 cm) presents a s...

A very nice and substantial vintage ceiling string pendant lamp for Domus, Sweden in the style of Temde Leuchten. It is made of a of sisal rope giv...

This evocative oil painting, titled Studio Muse, depicts a seated nude in a quiet moment of contemplation. The model is shown in profile, resting on a simple wooden stool against a n...

Rare small Swedish mid century ceiling or window lamp pendant in patinated copper by Hans-Agne Jakobsson produced in Sweden, 1950s. In good original condition with beautiful patina f...

This evocative 19th century oil painting on canvas portrays a tender moment as a fisherman returns with his catch to his two daughters on the tranquil, moonlit shores of a sea bay b...

Cool, rare sideboard by Ib Kofod Larsen, made from rosewood. Clean design with a smooth veneer pattern. Cabinet doors and drawers with decorative round wooden handles in a darker nua...

A rare and poetic nocturne by Swedish artist Hugo Carlberg, Moonlight evokes the hushed stillness of a moonlit landscape. Silvery reflections shimmer across the water as tall trees c...

A pair of large wall lights designed by Uno Kristiansson circa 1966 and made by Luxus. The main body of the design is turned pine wood. White acrylic diffusers sit atop the sconces. ...

A beautiful solid pewter bowl with lion paws, decor of flowers and leafs. Designed by Anna Petrus for Firma Svenskt Tenn (celebrated 100 years 2024). This bowl shows Petrus elegant...

Pair of neat wall lights by Josef Frank, in an understated design. Made from brass with white shades.

Large chandelier model Liberty, in handblown Murano glass, designed by Ercole Barovier, 1920s. Decor of 6 leaf shapes with gold sprinkles and 6 arms with flowershaped glass shades w...

Early edition brass floor lamp with cinnamon stem by Josef Frank, model 1842. Designed in 1932. Slender form with nicely curved tripod base, with brass balls at the ends. Height 100...

A Vintage bedside sconce or wall lamp, in a very pink color in an angular brutalist blocky design from the 1970s. Made by Swedish company Markaryd/ Elidus, and it is attributed to Ha...

This late work by Venny Soldan-Brofeldt, likely painted in the final years of her life, depicts two flowering Tallört plants (Monotropa hypopitys)—a delicate and unusual forest plant...

Set of six elegant dining chairs by Henning Kjærnulf, model called “Razorblade” from the cool sculpted design of the backs. Made from oak in a rustic design, seats in dusty pink velv...

Necklace Opal Heart Virgin Mary The Necklace Opal Heart Virgin Mary is a handcrafted piece by J Dauphin, blending spiritual symbolism with elegant design. This 28-inch necklace feat...

Beautiful wall light by Hans Bergström, with a brass frame with decorative knobs suspending the voluminous opaline glass shade. Hans Bergström was the owner and creative director of...

Aquamarine Amethyst White Pearl Necklace Choker Gold Filled Clasp Length 16 inches, 41 Cm Designer: J DAUPHIN Made in Los Angeles Available for immediate delivery

Beautiful Swedish Grace ceiling light in a large size. Made from bronze with a large, wide frosted glass shade. Elaborate, sculptural decor of a man, woman and a deer in stylized fol...

This symbolic necklace by J Dauphin features a heart-shaped moonstone framed by black diamonds, suspended from a 28-inch hand-enameled black chain crafted in gold-plated silver. The ...

Beautiful “Egyptian Chair” by Finn Juhl, made in rosewood with natural leather. Unique, elegant design with distinct lines and subtle details. Juhl was inspired to create the design ...

Archipelago at Dusk, 1948 Oil on canvas, likely depicting a coastal scene from the Söderhamn archipelago bathed in the warm glow of dusk. Lindberg masterfully captures the tranquilit...

Rare floor lamp designed by Svend Aage Holm Sørensen. Produced by ASEA in Sweden.

Carl Johansson (1863–1944) was a Swedish painter renowned for his evocative landscapes, particularly those capturing the striking natural beauty of northern Sweden. His works reflect...

Rare “Grasshopper” floor lamp by Greta Magnusson-Grossman, made from lacquered metal with amazing lines and proportions. Original petroleum blue lacquer that has aged beautifully.

The painting titled Portrait of a Boy in Profile, attributed to Friedrich Wasmann (1805–1886), exemplifies the refined portraiture characteristic of the Biedermeier period. Executed ...

Pair of Wall Lamps in the Style of Italian 50’s Stilnovo Arredoluce. Stilnovo Wall Lamps perfect as kitchen wall lamps or as a reading light. Handmade lamp structure in brass and sha...

Provenance: Jean-Marc Du Pan (1785–1838), Geneva (L. 1440), passed to his brother Alexandre-Louis Du Pan (1787–1846); his sale, Geneva, March 26–28, 1840, included in lots 913–917; ...

Rare Danish mid century wooden daybed in stained oak with a canvas upholstery, a dark brown leather cushion and white sheepskin designed and produced by Tage Poulsen in Denmark, 1950...

A beautiful sidetable / smoking table in solid oak with hammered copper top. Made by Nordiska Kompaniet in 1913, model Tenn. Nice patina, smaller / normal signs of age and use. Sta...

"After the Storm" is the title of this oil painting on canvas by the Swedish artist Hjalmar Berghcrantz (1889–1961). Signed and dated 1917. The artwork depicts a rugged landscape whe...

A real Josef Frank icon, model The Large Pendant / 2479 i brass with original shades. Frank designed the lamp in the 1920 for Haus & Garten and brought the sketches of the lamp to Sw...

Table lamp model 1819 designed by Josef Frank in 1934. This piece produced by Firma Svenskt Tenn around the 1950-60s. Large mould blown clear glass square with brass top part and lam...

Ibix / Antelope heads, coffee table base, a set– In the manner of Alain Chervet, France 1970s. Perfect for a glass top. In good condition.

Rare Danish Modern desk by Ernst Kühn, made from mahogany with unusual lines and proportions. Hidden handles for the drawers make them easy to pull out, the key is missing.