Albert Ernest Carrier-Belleuse Lighting

A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

Delightful, one-of-a-kind set of five gold-painted textured iron "tulip" floor lamps, set on round, black marble bases, veined with white. Striking and very decorative pieces.

These Palace size French 19-light torchieres are electrified and have new wiring; this exceptional pair is a rare find with the original gilding in beautiful condition. They are pho...

Forged from solid iron and still showing traces of its original painted finish that has achieved a Fine patina, this 19th century floor lamp was originally designed for a candle, and...

Pair of chrome deco torcheres (floor lamps).

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

A Palatial Pair of French 19th/20th Century Neoclassical Revival Style Ebonized Cast-Iron and Parcel-Gilt Torcheres (torchières - Lamp Posts). The park-like torcheres surmounted with...

A Rare Tall Pompeiian Style 19th-20th century gilt patinated bronze tripod torchere Floor Lamp fitted with a molded glass shade. The tall fluted center column, topped with decorated ...

A fine pair of 19th century Japanese porcelain and French gilt bronze mounted thirteen-light celadon torchiere, floor lamp candelabra. Wired for ...

A stunning pair of monumental torchiere floor lamps. These oversized lamps were designed by Karl Springer for Karl Springer Ltd, circa 1970s for bespoken spacious interior as statement lighting. Will look amazing in a large living room or dinging room...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A very fine and large patinated and gilt bronze urn with classical detail by Ferdinand Barbedienne Made into a lamp with a custom shade.