Alexander Rosell Animal Paintings

Pair of Hunting Dogs at Rest; Artist unknown, French, 19th century (monogrammed "JS" Circa 1850 10 x 7 (14 3/8 x 17 1/8 frame) inches This is finely realized portrait of pair of h...

"Tense," a thought-provoking piece by Rudolf Kosow, presents a surreal interplay between a colossal bulldog and a diminutive baseball player. The dog's face, detailed with astonishing realism, conveys a palpable intensity through its piercing gaze. The size disparity between the dog and the player underscores a narrative ripe with anticipation. The baseball player, clad in traditional attire, stands with bat at the ready, embodying a moment of concentration and readiness. This portrayal of the player, so starkly contrasted against the vastness of the bulldog's features, evokes a feeling of an undercurrent of suspense, as if the outcome of this encounter balances on a knife-edge. Through "Tense," Kosow delves into the theme of confrontation and the moments that precede action. The artwork captures the stillness before the storm, the quiet before the play, offering a metaphor for life's high-pressure situations where individuals face larger-than-life challenges. The painting invites reflection on the psychological interplay between fear and courage, the small against the mighty, and the personal tenacity required to stand firm in the face of overwhelming odds. "Tense" is not just a snapshot of a surreal encounter but a broader commentary on the emotional landscapes we navigate when confronted with formidable obstacles. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

Original and unique artwork by Hunt Slonem. A Certificate of Authenticity will be accompanied with this piece. Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for h...

Rare 1980 Hunt Slonem painting. The artist has painted - literally - thousands and thousands of bunnies (and almost as many birds and butterflies), but you won't easily find the li...

Contemporary figurative oil on canvas painting by Polish artist Rafal Gadowski. Painting in pop art style depicting a watermelon. Colors are saturated and vibrant. Title of this pain...

German School or Swiss School, 19th Century, Hunting Scene, Hunter with Dogs, Hares, Painting indistinctly signed. Fine and detailed painted scene of a hunt with dogs, a hunter and h...

In "Best Friends", the painter suggests the idea of a giant pet dog remaining reliable and comforting for the man, regardless of his giant-size. keywords; surrealism, animals, dog, ...

Francesco Casanova (London 1727 – Mödling 1803) attributed to - Battle scene on horseback. 22.5 x 17.5 cm. Oil on canvas, unframed (not signed). - Label: “CASANOVA Francesco Giuse...

We love Rudolf's latest series and particularly this exquisitely comical and enigmatic painting. The artist says "Banal, everyday things meet in the middle of nowhere and present the...

Margaret Maitland Howard. English ( b.1898 - d.1983 ). Pan, God Of Nature, Playing Panpipes. Oil On Canvas. Signed Lower Left. Image size 22.6 inches x 18.1 inches ( 57.5cm x 46cm ). Frame size 26.8 inches x 22.2 inches ( 68cm x 56.5cm ). Available for sale; this original oil painting is by the English artist Margaret Maitland Howard and dates from the 1930s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas has been lined and mounted on a newly constructed custom made stretcher. The painted surface has benefitted from cleaning and conservation, all of which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Margaret Maitland Howard was an accomplished and versatile English artist whose works spanned the early to mid-20th century. Known for her evocative and often mythologically inspired oil paintings, Howard’s work reflects a deep engagement with classical themes and her knowledge of nature, and the human form. She was also proficient working in watercolours and pastels and an accomplished sculptor. Margaret, who was always known as “Marjorie” was born in Friern, Barnet, London on 31 July 1898, the daughter of artist and civil servant Henry James Howard. She grew up at Sutton, Surrey, where she spent most of her life. She spent many years living and working from St. Katherine’s, Malgrave Road, Sutton, Surrey. She was educated privately, at the Byam Shaw and then attended the Vicat Cole School of Art, completing her studies at the Royal Academy Schools, where she won five silver medals and other awards. She was also the recipient of a British Institute scholarship and extension and won the 1926 prize for her portrait work at the National Welsh Eisteddfod in Swansea. She exhibited paintings at the Royal Academy, showing at least ten works of classical and biblical themes at Summer Exhibitions between 1923 and 1935. She was one of the early group of women who painted nudes, a practice which was considered somewhat risqué and vulgar in the early twentieth century. She also exhibited at other leading galleries and in the provinces and consistently pursued her art despite the challenges posed by the societal norms of the time. Howard had a significant professional career for a woman of her generation. Just after World War II she was appointed draughtsman to the Institute of Archaeology at London University where she worked from 1948 to 1960. This is now part of University College, London. Here, she worked as an illustrator and sculptor, creating models for Professor Frederick Zeuner to use in his lectures. She also illustrated one of his important books (Zeuner, F.E. Dating the Past, London: Methuen). She also created the bust of Gordon Childe, now in the Institute’s Library. After her retirement from the Institute of Archaeology she collaborated with Ian Wolfran Cornwall on his series of books about the prehistoric world. In 1956, whilst working for the British Institute for the Study of Iraq, she moved to Balawat and supervised the archaeological work at the site of an ancient Assyrian city in northern Mesopotamia. She subsequently prepared drawings of the Balawat Gates, which was significant and technical work. In addition to illustrating various books on ancient history and anthropology, Howard was also known as an illustrator of fictional books, producing an illustrated edition of the Fables of Aesop that was published by John Lane at The Bodley Head in 1926. She also illustrated Elizabeth Ward...

W. Richard (British, late 19th century) - Landscape with a Herd of Highlanders by a Lake. 51 x 76 cm. Old oil painting on canvas, unframed. - Signed lower right: "W. Richard p." ...

this is a fantasy painting based on a photo of my husband's niece when she was little, a little photo of a charming child that I imagined had a good imagination. In creating this pa...