Anthony Andreas de Meijier Drawings and Watercolor Paintings

"Since my early childhood, nature has had a profound affect on me in ways that I cherish. The state of mind that is instilled within me when walking through the woods, or on a seclud...

This lovely watercolor painting on Arches paper features a landscape view in Provence. This typical Mediterranean country house in the south of France has a veranda and the Saint Victoire...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

French school early 20th century  View of the Grosbois castle and a portrait study. Black ink, black ink wash and watercolor on paper Signed lower right (indistinct, see photo) 27 x ...

View of Paris: The Hotel de Ville banks and the statue of Etienne Marcel under Snow Watercolor Signed E. Galien Laloue, circa 1910-1920 Appraisal by Mr Noé Willer. (Will figurate in...

Attributed to Felix Ziem and painted circa 1900. Bearing signature, lower right, 'F. Ziem' for Felix Francois Georges Philibert Ziem (1821-1911) Framed dimensions: 13.75 x 18 x .75 ...

This enormously impressive architectural study was created for a church's renovation in a suburb of Paris. These sketches of the St Pierre church in Avon, Seine et Marne Departement, near Paris are for the restoration of the front porch. The artist created the drawing using watercolor, ink, and sepia pencil. On the lower center bottom, you have the drawing of the porch itself, on the left side a close-up of the underside of the framework, and on the right side the same framework views from above. The top left corner shows a quoted plan of the porch. In the lower right-hand corner a handwritten dedication that says "To my old mate and pal. A fond recollection of school." Maurice Lambert's signature is after the dedication. The study is ornate with a classic wood frame with glass protection. The frame has some little wear, but otherwise, the artwork is in wonderful shape. Please check the last three pictures for views of the original building. Measurements: With frame: 40.94 in wide (104 cm) x 27.56 in high (70 cm). View: 38.98 in wide (99 cm) x 25.59 in high (65 cm). Note: Listed as a Historic Monument in 1840, the Saint-Pierre d'Avon church (77) was built in the 12th century, its bell tower in the 13th century, and the choir and the portal in the 16th century. The porch where parish benefactress Madame de Maintenon...

Watercolor on art paper framed and signed Total size with frame: 52x40 cm Albert Nyfeler (September 26, 1883 in Lünisberg, † June 14, 1969 in Burgdo...

Claude Muncaster (British, 1903-1974) Cowdray ruins, West Sussex Pencil and watercolour 12.1/2 x 9 in. (31.7 x 22.8 cm.) Provenance: Garton & Cooke, New Bond Street, London Exhibitio...

Bright floral landscape by Jean Harney (American, 20th Century). An interior courtyard is full of plants and flowers in bloom. There is a lush vine climbing over an archway, with blossoms in shades of pink and orange. Several other potted plants are displayed nearby. Signed "Jean Harney" in the lower left corner. Presented in a wood frame with a new cream mat. Frame size: 21.25"H x 17.25"W Image size: 13"H x 10"W Jean Harney (American, 20th Century) is an artist and illustrator from Ulen, Minnesota. Harney graduated from Pacific Lutheran University in Tacoma, Wash., with a major in Education and a minor in Art. After graduation, she moved to Arizona to take a teaching position. Since that time, she has taken art classes in Arizona at A.S.U., Scottsdale Community College, and privately. In the beginning, she painted in oils on canvas or masonite, then taking an interest in screen printing. Several years later she discovered acrylic paints and loved the quick drying properties of them. Eventually, she switched from painting in acrylics on canvas to painting on paper and gradually worked into painting in watercolor, which is now her medium of choice. Harney founded the Garden Art Show in 1965, which has been running yearly since that time. She has also been a participant in the Phelps Mill Festival for over two decades, as well as Phoenix’s Artist’s Studio Tour. She is a member of the Art of the Lakes Art...

A bright neon futuristic geometric landscape, depicting a detailed imaginative deconstructive dome structure in a polychrome world, titled "Domus Series" by Anita Margrill (American,...

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...