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House of the Poet, one-of-a-kind steel sculpture
By Bella Feldman
Located in Glen Ellen, CA
Sculpture is a beautiful gray, with delicate texturing and the opening at the top of the stairs casts a striking reverse shadow. This plated steel pedestal sculpture is from Bella Fe...
Category

1980s Contemporary Bella Feldman Art

Materials

Steel

Snoopy -from the Wartoys Series
By Bella Feldman
Located in Glen Ellen, CA
This small steel and glass sculpture is from Bella Feldman's "War Toys" series, which began in the aftermath of the Persian Gulf War and has continued into he...
Category

21st Century and Contemporary Contemporary Bella Feldman Art

Materials

Steel

Missile 5
By Bella Feldman
Located in Glen Ellen, CA
This steel and glass pedestal sculpture is from Bella Feldman's "War Toys" series, which began in the aftermath of the Persian Gulf War and has continued into...
Category

21st Century and Contemporary Contemporary Bella Feldman Art

Materials

Steel

Untitled, Steel, Iron Bella Feldman Brutalist Sculpture
By Bella Feldman
Located in Surfside, FL
Bella Feldman (American, b. 1930), Untitled, metal 2-wheeled cart with metal cables, (Provenance: Allan Stone Gallery, New York, NY) gallery label affixed affixed verso, overall: 37"h x 48"l x 37"w. Provenance: Private Collection Bella Feldman is an American sculptor whose work addresses the themes of sexuality, war, and the persistent anxiety of the industrial age. Feldman is known for pioneering the use of glass with steel. Her work has affinities with Surrealism, Post-Minimalism, and the Feminist art movement, although she has no formal affiliation with these. A Professor Emeritus at the California College of the Arts, Feldman lives and works in Oakland, CA and London, England. Bella Feldman was born in 1930 in New York City to a family of working-class Jewish immigrants from Poland. She grew up in the Bronx tenements. Feldman attended The High School of Music & Art in Manhattan during World War II. Students were required to visit museums and galleries as part of the curriculum. When Feldman was thirteen, she visited her first art museum, the Museum of Modern Art. There, she saw Meret Oppenheim’s Object (1936), the fur-lined cup and saucer, and was struck by her strong psychological response to this work. Other early influences included Alberto Giacometti’s The Palace at 4 a.m. (1932) and the sculpture of David Smith. One of Feldman’s earliest sculptures Warrior (1952) pays tribute to Giacometti. During the Holocaust, Feldman lost numerous family members who remained in Poland, an experience that helped shape her worldview. This includes her life-long preoccupation with war, and the overwhelming effects of the military-industrial complex. Feldman received a BA from Queens College, City University of New York. She married Leonard Feldman at age 18, and moved to California with him in 1951 where they both accepted teaching positions. Feldman has two children, Nina Feldman, born 1954 and Ethan Feldman, born 1956. In 1965, Feldman started teaching at the California College of the Arts. In 1971 she and her family moved to Uganda, East Africa on a grant from the E. L. Cabot Trust Fund at Harvard University. Feldman spent two years teaching art in Uganda prior to the genocidal war in that country. Upon her return to CCA, she faced gender discrimination and a threat to her job. Her successful fight to retain her position prompted her to later become an advocate for other women faculty, who she helped to achieve equity and job security. Feldman was awarded an MA in 1973 from San Jose State University. Her teachers were Sam Richardson...
Category

20th Century Contemporary Bella Feldman Art

Materials

Steel, Iron

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Previously Available Items
Untitled, Steel, Iron Bella Feldman Brutalist Sculpture
By Bella Feldman
Located in Surfside, FL
Bella Feldman (American, b. 1930), Untitled, metal 2-wheeled cart with metal cables, (Provenance: Allan Stone Gallery, New York, NY) gallery label affixed affixed verso, overall: 37"h x 48"l x 37"w. Provenance: Private Collection Bella Feldman is an American sculptor whose work addresses the themes of sexuality, war, and the persistent anxiety of the industrial age. Feldman is known for pioneering the use of glass with steel. Her work has affinities with Surrealism, Post-Minimalism, and the Feminist art movement, although she has no formal affiliation with these. A Professor Emeritus at the California College of the Arts, Feldman lives and works in Oakland, CA and London, England. Bella Feldman was born in 1930 in New York City to a family of working-class Jewish immigrants from Poland. She grew up in the Bronx tenements. Feldman attended The High School of Music & Art in Manhattan during World War II. Students were required to visit museums and galleries as part of the curriculum. When Feldman was thirteen, she visited her first art museum, the Museum of Modern Art. There, she saw Meret Oppenheim’s Object (1936), the fur-lined cup and saucer, and was struck by her strong psychological response to this work. Other early influences included Alberto Giacometti’s The Palace at 4 a.m. (1932) and the sculpture of David Smith. One of Feldman’s earliest sculptures Warrior (1952) pays tribute to Giacometti. During the Holocaust, Feldman lost numerous family members who remained in Poland, an experience that helped shape her worldview. This includes her life-long preoccupation with war, and the overwhelming effects of the military-industrial complex. Feldman received a BA from Queens College, City University of New York. She married Leonard Feldman at age 18, and moved to California with him in 1951 where they both accepted teaching positions. Feldman has two children, Nina Feldman, born 1954 and Ethan Feldman, born 1956. In 1965, Feldman started teaching at the California College of the Arts. In 1971 she and her family moved to Uganda, East Africa on a grant from the E. L. Cabot Trust Fund at Harvard University. Feldman spent two years teaching art in Uganda prior to the genocidal war in that country. Upon her return to CCA, she faced gender discrimination and a threat to her job. Her successful fight to retain her position prompted her to later become an advocate for other women faculty, who she helped to achieve equity and job security. Feldman was awarded an MA in 1973 from San Jose State University. Her teachers were Sam Richardson, John Battenberg and Fletcher Benton. In the 1970s, Feldman completed several installations portraying different stages of animal metamorphosis. These featured hybrid, mutant creatures, reminiscent of Hieronymus Bosch’s triptych The Garden of Earthly Delights—rats transformed into fish, and turtles with human features. The small-scale sculptures were displayed in large clusters, their multitude invoking aggression and infestation. Birds (1970), a cast metal flock of dead birds, preceded Kiki Smith’s Jersey Crows (1995) while Metamorphic Turtles (1973-75) anticipated Smith’s Sirens and Harpies (2002). War Toys and War Toys Redux War Toys (1992) is a series created in response to the first Gulf War. Feldman was incensed by the tone of admiration she heard in President George Bush’s voice when he referred to the Patriot missile. These works mocked the allure of weaponry and perceived glory in violence. The War Toys series relates to Magdalena Abakanowicz War Games' sculptures (1989), giant monstrous weapons made of metal and wood. However, the scale and sensuality of Feldman’s War Toys strip them of power. The series is in the tradition of contemporary women artists’ critique of war that entwines images of male sexuality and military aggression. Examples include Nancy Spero The War Series (1966–70), a response to the Vietnam War, and Judith Bernstein’s Iraq Travel...
Category

20th Century Contemporary Bella Feldman Art

Materials

Iron, Steel

Bella Feldman art for sale on 1stDibs.

Find a wide variety of authentic Bella Feldman art available for sale on 1stDibs. You can also browse by medium to find art by Bella Feldman in metal, steel, glass and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Bella Feldman art, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Brian Usher, Lincoln Grey, and Tom Otterness. Bella Feldman art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $5,000 and tops out at $10,000, while the average work can sell for $9,000.

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