Ben Marshall Prints and Multiples

David Hockney (British, b. 1937), 'David Hockney -The Tate Gallery - Travels with Pen, Pencil and Ink, Drawings and Prints, but no paintings, 1961 - 1979'...

Limited edition of 130 prints, 100 of which in arab and 30 in roman numbers, all numbered and hand signed. Excellent condition.

"Figure with Female Nude" is a lithograph taken from Picasso's Verve 29/30 series in 1954. It is printed by Mourlot in Paris, not signed. Dated in plate. It comes beautifully framed with a high-end mat in excellent condition. Picasso made the original ink and brush drawings of bullfighting in the Château of Vauvenargues, near Aix-en-Provence, where he and his partner Jacqueline Roque...

Artist: Raphael Soyer Title: Self Portrait Year: 1980 Print : Lithograph on Arches Archival Paper 22'' x 16'' inches Edition: Signed in pencil and marked 52/250 Image size : 11...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, ...

Arthur Grover Rider (American 1885-1975) Offset Litho on board of fisherman in Spain. Professionally framed and matted in gilt frame. Born in Chicago, IL on March 21, 1886. Rider ...

Joan Miro (1893-1983) Cat, Small Bird and Black Hand, 1970 Original lithograph Printed signature in the plate On vellum 83 x 60 cm (c. 33 x 24 in) Excellent condition

Medium: original lithograph. Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 9 5/8 inches (320 x 245 mm). Not sign...

Pablo Picasso (1881-1973) - Portrait de Jacqueline Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of ...

Artist: Le Corbusier Medium: Original Lithograph, 1956/62 Dimensions: 29 x 21.5 in, 73.7 x 54.6 cm Arches Paper with Mourlot watermark - Excellent condition A Le Corbusier’s relationship with Mourlot started as early as the mid thirties. The artist was always interested in editions of all sorts, whether furniture, tablewear or lithographic. It all related to a new modern way of life and intrinsic to his architecture. In fact, the famous Modulor is the iconic image in Le Corbusier’s work as it is the basis for his architectural work. As in many other cases, the Master’s philosophy was very democratic and he felt that while a few proofs should be signed, the others should be signed directly in the plate so that it could be affordable to as many people as possible. He wanted not only collectors, but regular home owners to have access to an artwork of quality but reasonably priced, just as he wanted them to afford his furniture designs. It was all about Modernity ushering a brave new world. This rare Le Corbusier lithograph...

Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vison" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1895 Medium: Original Lithograph on chine appliqué on wove paper Limited edition: approx. 1,500 Printer: Imprimeries Lemercier, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Hediard No. 122 (IV/IV); Sanchez & Seydoux 1895-6, page 126 Sheet size: 11" x 7.38" Image size: 7.5" x 5.75" Condition: Some minor discoloration in margins. In excellent condition Notes: Original cover tissue sleeve mounted at left margin as issued. This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild portraits...

Artist: Ernest Joseph Laurent (French, 1859-1929) Title: "Sicile (Sicily)" Portfolio: Gazette Des Beaux-Arts *Issued unsigned, though monogram signed by Laurent in the plate (printed...