Carolyn Blish Still-life Prints

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Signed in graphite to the lower edge. On laid paper.

Set against a gradient blue background, the soft red pitcher and the bright lemon stand out against the scene in this print by Pablo Picasso. A lithograph from the Marina Picasso Est...

Unsigned. On Japanese paper.

Artist: Ben Shahn, American (1898 - 1969) Title: The Sea Itself from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 ...

This art print by Laurent Durieux is a rare find for any Halloween enthusiast. Signed by the artist and numbered out of 500, this print is an original piece produced using screen pr...

Signed in graphite and numbered 4/75. On Japanese paper.

"Renee's Breakfast" depicts a simple image of three eggs on a plate with bacon, a breakfast so familiar to many, and serves as a poignant reminder of the passage of time and the transience of even the most ordinary moments. Just as the morning sun rises and sets, casting shifting shadows and changing the hues of the yolks, so does life move forward, never standing still. The sizzling bacon mirrors life's moments, fleeting and ephemeral, yet leaving behind a savory residue of memories. In this seemingly mundane tableau, we find an allegory for the ceaseless march of time, urging us to savor each bite, each moment, for they are as precious as the breakfast on our plate. John Kato...

"The Country Stable" After a painting by George Morland. 1763-1804. - Mezzotint engraving by William Ward. 1766-1826. Print: 20.75" x 26" - With Frame: 28.5" x 34" Published: March...

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Raspberry MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 23/200 MEASUREMENTS: 29.75" ...