Carter Gough & Co. Pendant Necklaces

Created as part of our signature collection, this 14k gold intaglio medallion depicts Poseidon, god of the sea, riding two hippocampi across turbulent ocean waves. The oval medallion hangs horizontally from an oversized bail, and the texture of the waves catches the light and gives the pendant an added sparkle. The medallion is pictured here on our Signature Handmade Dog Bone Link Chain. Using a rare bronze intaglio from the late 1700’s, we created a mold and cast the pendant in gold. We hand-carved depth into the mold so that the details would pop on the contemporary medallion as beautifully as they do on the original antique intaglio, and then lovingly added a gentle patina by hand to the finished piece. The intaglio used as a mold for this medallion is attributed to the James Tassie workshop, circa the late 18th century. Born in 1735, Tassie was a Scottish stonemason who invented a glassy white paste perfect for replicating gemstones. Tassie was commissioned across Europe, first by Catherine the Great of Russia, then by the Wedgwood factory, to create imitation gemstones and elaborately carved intaglios. In 1773, most of the infamous blue and white cameos in the Wedgwood catalogue were cast from molds made by Tassie. The artist left behind a collection of over 15,800 intricate pieces of artwork. Many of Tassie’s intaglios were cast in glass-paste or plaster, which could eventually break. However, some were cast into bronze—which have survived for centuries. These pieces are rare treasures that capture Tassie’s incredible skill. We love the Classical Revival imagery found in James Tassie’s work, which often depicts scenes from Greek and Roman mythology. These myths speak to human nature in a way that makes it just as evocative today as it was in the Classical Revival era that James Tassie worked within. The beauty of the images and timelessness of the stories were what drew us to these intaglios and inspired us to revive the centuries-old art for contemporary jewelry. Just as Tassie revived these ancient images, we are reviving Tassie’s work. Tradition is part of what makes the art of jewelry so meaningful. The Poseidon medallion...

Exceptional quality, on par with the finest Castellani pieces, antique Etruscan Revival large 14K yellow gold locket pendant/brooch 19th Century Featuring superb granulation and wire...

This 14k gold medallion charm is part of the Kirsten’s Corner signature “Cute as a Button” collection. It's handcrafted from a Victorian-era button and features the Egyptian vulture...

A 14 karat (14K) rose gold charm pendant designed as an Egyptian pyramid. Unmarked but tested for 14 karat gold. Dimensions: 0.95 x 1.1 x 1.1 cm (not i...

THIS IS A GORGEOUS AND RARE VICTORIAN - ART NOUVEAU PENDANT IN THE FORM OF A BEAUTIFUL PINK AND GREEN ENAMEL IRIS FLOWER IN 14 KARAT GOLD. THE IRIS FLOWER IS SET IN AN ELEGANT IRIS ...

Egyptian Revival Yellow Gold Pendant ABOUT THIS ITEM: P-DJ1030I This Egyptian Revival Yellow Gold Pendant Of King Tut is a stunning piece of jewe...

Details: *Locket Only* Absolutely beautiful 14K Buttery Yellow Gold Art Nouveau Portrait Locket with a lovely woman's face surrounded by roses. The piece is in amazing condition and ...

1908 - 1917 Imperial period Garnet Pendant chained, all metal parts in solid 56 /14K Yellow Gold. Original anchor-linked chains. The length of the chains is 50 cm if open and widesp...

During the early 19th century, the discoveries of ancient archaeological finds influenced and introduced what is referred to as "Egyptian Revival Jewelry." The first Egyptian Revival period began around the 1820’s, inspired by the unearthing of ancient Egyptian ruins during that time. Images such as the scarab beetle, sphinxes, pharaohs, and hieroglyphics became popular motifs in fashion. Pieces were often crafted using a material known as Egyptian Paste or "faience", which is the oldest form of non-clay glazed ceramic and usually found in a range of blue and green colors.  In the 1920’s, there was another unearthing of treasures, making the trend popular once again. This scarab pendant is from that era—the third Egyptian Revival period. The scarab is a brown colored faience bead with tan overtones in its recesses that delineate the shape of the beetle. There are hieroglyphics on the back of the scarab. At the bottom of the scarab is a round 14k gold ball that extends as a wire through the bead and forms a bale at the top. The pendant measures 1 “ from the bottom of the ball to the top of the bale. The scarab measures 11/16” x 1/2”. The bale measures 5 mm. The piece weighs 2.55 grams. The gold is unmarked and acid tests as 14k. The scarab is in excellent condition for its age and is ready to hang on a chain of your choice. We have other sizes and colors of scarab jewelry...

Art Nouveau Woman Locket: An elegant woman of 14k gold with wind swept hair adorns this shining antique locket. The piece measures 1.4 inches from the top of the bail to bottom by 1...

A fine antique American Art Nouveau convertible brooch or pendant. In 14 karat yellow gold. By Bippart & Co. In the form of a flower with the baroque pearl as the stigma of a gre...

Antique Renaissance Revival large 14K yellow gold and natural pearl ancient Roman Imperial coin- Ae Antoninianus- Aurelian Circa 275 AD pendant/brooch Gold setting- 19th century Roma...