Charles Amedee de Noe (CHAM) Drawings and Watercolor Paintings

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. Although we use the word 'pencil' fo...

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. This charming piece places the yooun...

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

In this drawing, Sylvia Spicuzza presents the viewer with a scene from the theater or opera, showing five women on stage. Three of the women have their backs to the viewer, while one...

A classic Emil Ganso nude. Quite large, the sheet is 14 1/8 x 21 inches and the image goes all the way across the sheet from left to right. Very delicately drawn - especially for Ganso.

Marie LAURENCIN Lovers, 1953 Original ink and pencil drawing Signed by artist stamp On paper 24.5 x 19.5 cm (c. 9.6 x 7.6 inch) Good condition, one small tear on the right edge an...

Signed by artist "M. O'KEEFE 2013" at lower left. Media is graphite on clay-coated panel. Overall dimensions including the frame are 18 x 15 inches.

Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional for a woman during an era in a male-dominated field. Notably, she was the first female artist to have a solo exhibition at the National Gallery (Ottawa) in 1971 and the Art Gallery of Ontario (Toronto) in 1987. Although Wieland was an artist who was always drawing, she launched her career as a painter. Always experimenting, her art practice expanded to incorporate a range of media and materials, from textile works to film. In New York City, she was best known as an experimental filmmaker. In the mid 1960s Wieland began to embrace more representational and narrative elements in her work. Inspired by comic books, and her background in film as an animator, Wieland embraced figuration albeit clearly influenced by Pop Art. One of the reoccurring motifs in Wieland's oeuvre is playing with and subverting icons of femininity. In this work Wieland presents icons inspired by the French Queen Marie-Antoinette: a jewelry or hat box, a hairbrush, a medallion. The artist seems to be willing to give a make-over to the Queen. In the "nice medallion painting...

Isadora Duncan Graphite with grey wash on paper mounted to cardstock Signed and dated in pencil lower right (see photo) Provenance: Charlotte Bergman, f...

Suzanne LALIQUE Baroque Pink Dress Original carbon pencil and gouache on vellum Signed with the stamp of atelier on the back On vellum 31 x 24 (c. 12 x 9...

'Mon Colonel', pencil and crayon on paper, by noted French artist, Auguste Chabaud (circa 1914-1918). A delightfully simple drawing of a French Army colonel in profile along with clo...