Christopher Windle Furniture

Modern School (20th/21st c.), triptych, one part painted on foil, mounted on wood, the others possibly paper mounted on wood, verso of blocks marked "11" and "1, 2 and 3". Describ...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Christopher Lane (American,1937) This oil on canvas painting by Christopher Lane is very similar to one of his larger paintings that was displayed at...

Vibrant abstract painting titled "Yellow" by American artist Rebecca Ruoff, 2018.

About the painting “Dubai Growing” 2016 "Dubai Growing" Taking inspiration from her move to Dubai and incorporating the silver of skyscrapers and the watered green areas and blue sk...

Contemporary New York artist Peter Buchman's "No Portrait, No Landscape" white painting is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice over Series, one that poetically mocks knowledge and itself in an endless bantering list style. To explain that Buchman’s word paintings are ‘A Figure Of Speech’ is underestimating the level of soulfulness at which these works reside. They are markings directly from the artist’s hand yet are indications of many people before him. These are words from familiar phrases, music albums, his funny brand of irony and the human form itself. Signed and dated en verso. This will ship directly from the one of the artist's studios. American artist Peter Buchman has BFA in Illustration from The Rhode Island School of Design and did a Sculpture Residency at The School of Visual Arts in New York. Peter's artwork has been exhibited throughout the US since 1981 including the Parrish Art Museum (Southampton, NY), Cooperstown Museum (NY), Delaware Museum of Art, Kidder Smith Gallery (MA) and Vered Gallery (East Hampton, NY). His work is included in the portfolios of collectors including Beth Rudin DeWoody, Nicole Miller, David Yurman and Howard Schultz...

Painting in charcoal on linen made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina.

An Industrial wall art of exceptional size depicting two panthers in oil paint. The spotted and black panther are so incredibly detailed they appe...

About the painting “Dresscode” 2016 About the artist: Cecilia’s is working with all geometrical forms, lines and shadows. Her style developed to be clean and sharp forms in different combinations. Often they are in juxtaposition to create a three dimensional effect. Since two decades she has only painted in acrylic on canvas. Her art characteristics are uniform geometrical shapes with pristine borders, often in bold colours. Born in Sweden in 1954, Cecilia Setterdahl has always been painting from Swedish inspiration. Studied ascetics in High School and then went on to the Technical University of Lulea and graduated as a teacher. Moved to Stockholm and studied at the “Konstskolan” First exhibition 1988. Through a move to Neuchatel, Switzerland Cecilia continued her studies at the M-Art and Accademie Maximilien de Meuron...

About the painting “Escape” 2017 Escape is part of Cecilia’s Freedom Collection - inspired by Ms. Yeonmi Park’s escape from North Korea. Escape tells part three of Ms. Yeonmi Park'...

Beautiful abstract blue painting inspired by ocean washed blue glass by American artist Rebecca Ruoff, 2018.

Framed drawing on paper made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina.