Cornelis Danckerts II More Prints

Brahms-Phantasie is a wonderful in-folio volume: the Brahm's Phantasies musical score is incredibly illustrated with 37 numbered plates for a total of 41 original engravings (burin, ...

"Kvetch" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing. Signed and dated Bochner 2021 lower right recto. I...

Artist: Erhard Ratdolt (German, 1442-1528) Title: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" Portfolio: Breviarium Pataviense Year: 1490 (First edition) Medium: Set of Three Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Friedrich von Öttingen and Christoph von Schachner, Passau, Germany Reference: Hain No. 3875; Bod-Inc No. B-542; GW No. 5426; Weale/Bohatta No. 335; Schreiber No. 3615 Sheet size (each): approx. 12.5" x 8.88" Condition: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" all have scattered wormholes, staining, foxing, and soiling about their sheets. The latter two have remnants of tape at their edges. "Vol. 6, 28-29" has heavier staining to its sheet and edge wear about. Have been professionally stored away for decades. They are all otherwise strong impressions in overall fair condition with strong colors Extremely rare Notes: Comes from Ratdolt's six volume "Breviarium Pataviense", (1490) (First edition), which consists of 378 pages of Gothic texts in Latin with red rubricated initials, psalms, readings, hymns, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on May 12, 1490. There was a subsequent printing on November 27, 1490. Both "Vol. 6, page 10-11" and "Vol. 6, 28-29" have a bow and arrow watermark in the center of their sheets. Some information and old prices inscribed in pencil to their sheets. Breviary is a liturgical book in the Roman Catholic Church that contains the daily service for the divine office, the official prayer of the church consisting of psalms, readings, and hymns that are recited at stated hours of the day. Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...

Women Outside Breton Hotel - Chromolithograph on Paper In a pastel palette, Alson Skinner Clark (American, 1876-1949) captures the rustic beauty of a side street in a Breton village as two women converse outside of a hotel on a blue sky day. Signed “Alson Clark...

Artist: William Henry Toms (English, c.1700-1765) Title: "Draught of a Galley" (Plate 13, Vol. III, page 131) Portfolio: La Spectacle de la Nature Year: 1737 Medium: Original Hand-Colored Engraving on laid paper Limited edition: Unknown Printer: Unknown, London, UK Publisher: Humphreys, London, UK Framing: Recently framed in a Regency style gold moulding with 100% cotton rag matting and 99% UV protective Museum Glass. The frame is an antique frame we've reused, originally built by Knoedler Gallery, New York, NY Framed size: 10.25" x 10.25" Sheet size (irregular margins): 6.63" x 8.25" Image size: 4.75" x 6.75" Condition: In excellent condition with strong colors and good margins Rare Notes: Comes from the 1737 volume edition of Noël-Antoine Pluche's "La Spectacle de la Nature", translated from the original French by Humphreys as "Nature Displayed". With two soft vertical folds within paper as issued. Various dealer reference numbers and an old price pencil inscribed in margins and on verso. Biography: William Henry Toms (c. 1700–1765) was an English engraver. He worked on portraits, book-plates, landscapes and prints of buildings. Among his works were the plates for Robert West's "Perspective Views of All the Ancient Churches in London" (1736–1739). In 1741, he worked with Thomas Badeslade on "Chorographia Britanniae or a New Set of Maps of all the Counties in England and Wales". The maps were republished on 29 September 1742, with additional place names. Among Toms's apprentices was the engraver and publisher John Boydell. W. H. Toms lived in Masham Street, London, and was the father of the painter Peter Toms. Toms died in 1765. Noël-Antoine Pluche (1688-1761) , known as the abbé Pluche, was a French priest...

"Gobbledygook" monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper from Two Palms Publishing. Signed and dated Bochner 2017 lower right recto. Ima...

"A Representation of the Attack on Captain Wallis in the Dolphin by the Natives of Otaheite (Tahiti)" is an engraving created by the artist Sparrow based on an engraving in John Hawk...

ANCIENT SCRIPT by the Israeli artist Moshe Castel (1909-1991) is an original etching and aquatint printed in colors with carborundum using traditional hand intaglio techniques on arc...

"Some Town without a Name" - Signed Screen Print Exhibition Poster Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under. Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle Presented in a white mat. Mat: 36"H x 28"W Paper: 26"H x 21"W Image: 25 1/2"H x 19 1/2"W Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...

Artist: Erhard Ratdolt (German, 1442-1528) Title: "Preface Page" and "Page CVI - 106" Portfolio: Missale Frisingense Year: 1492 (First edition) Medium: Set of Two Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Sixtus of Tannberg, Freising, Germany Reference: Hain No. 11303; Weale/Bohatta No. 396; Schreiber No. 4699; Pell No. 7944 Sheet size (each): approx. 11.94" x 8.13" Condition: "Preface Page" has the occasional wormhole. Remnants of tape, a tape and a paper clip stain along its edge. Minor foxing and soiling mainly in margins. "Page CVI - 106" has remnants of tape and a small stain along its left edge. Light foxing and soiling about its sheet with some general edge wear. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition with strong colors Very rare Notes: Comes from Ratdolt's one volume "Missale Frisingense", (1492) (First edition), which consists of 576 pages of Gothic texts in Latin with red rubricated initials, music, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on March 17, 1492. "Preface Page" has a bull's head and cross watermark in the upper center of its sheet. Some information and old prices inscribed in pencil to their sheets. A missal is a book that contains the prayers, chants, biblical readings, and rubrics for celebrating Mass. The first missals were found in monasteries in the 12th and 13th centuries. The term missale is Latin for "Mass book". Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...

"The Fleet of Otaheite, Assembled at Oparee" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on hi...