Edward Bawden More Prints

This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...

This artwork titled "And Deborah, A prophet" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...

This detailed etching depicts Notre Dame in France. The foreground shows an alleyway, with cracking and peeling buildings, plants climbing the walls, and a shifting stone road. Each ...

Artist: Cuca Romley– Spanish/American, b.1933 Title: Operation Sail Year: 1986 Medium: Color etching Image size: 17.5 x 24.75 inches. Sheet size: 22.25 x 30 nches. Paper: Tiepolo Fabriano Signature: Hand signed in pencil by the artist Edition: Numbered 5/10 H.C in pencil Condition: Excellent, has never been framed Cuca Romley is in her eighties, and currently based in Spain after spending decades in New York City. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a burin until the image is completed. For each individual print, a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet paper 100% cotton Tiepolo Fabriano covering the plate, is passed through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. 2016 Group Show - Guild Hall, East Hampton, N.Y., USA 2013-16 Barcelona Design Gallery, Barcelona, Spain 2010 Group Show - Elaine Benson Gallery, Bridgehampton, N.Y., USA Group Show - Guild Hall, East Hampton, N.Y., USA Group Show - Gallery International Naive Art, N.Y., USA 2009 Group Show - Gallery International Naive Art, N.Y., USA 2008 Group Show - Gallery International Naive Art, N.Y., USA Group Show - Guild Hall, East Hampton, N.Y., USA Group Show - The Winter Tree Gallery, Sag Harbor, N.Y., USA Gina Gallery, New York, N.Y., USA Guild Hall, East Hampton, N.Y., USA 2007 The Cordova Gallery, Greenport, N.Y., USA 2006 One Person Show - JP Morgan Chase, New York, N.Y., USA The Winter Tree Gallery, Sag Harbor, N.Y., USA 2005 One Person Show - JP Morgan Chase, New York, N.Y., USA The Winter Tree Gallery, Sag Harbor, N.Y., USA 2004 One Person Show - JP Morgan Chase, New York, N.Y., USA 2003 One Person Show - JP Morgan Chase, New York, N.Y., USA One Person Show - Galerie Select, East Hampton, N.Y., USA Group Show - Frank F. Miele Gallery, New York, N.Y., USA 2002 Group Show - Eugenia Cucalon Gallery, New York, N.Y., USA 2001 One Person Show - New York Institute of Technology, New York, N.Y., USA One Person Show - Frank F. Miele Gallery, New York, N.Y., USA 2000 One Person Show - Galerie Select, East Hampton, N.Y., USA 1999 One Person Show - Galerie Select, East Hampton, N.Y., USA 1998 One Person Show - Galerie Select, East Hampton, N.Y., USA 1997 One Person Show - Galerie Select, East Hampton, N.Y., USA 1995 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1993 Expansion of Furniture and Jewelry Lines 1992 One Person Show - The Winter Tree Gallery, New York, N.Y., USA 1991 One Person Show - Tamames Gallery, Madrid, SPAIN 1990 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1989 One Person Show - Wenniger Graphics, Boston, Massachusetts, USA Group Show - Wenniger Graphics, Boston, Massachusetts, USA One Person Show - Beaux Arts International Gallery, Toronto, CANADA 1988 One Person Show Fontana Gallery, Tokyo, JAPAN One Person Show - The Winter Tree Gallery, New York, N.Y., USA 1987 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1986 One Person Show - Collector's Guild, Short Hills, New Jersey, USA One Person Show - Sharon Park Gallery, San Francisco, California, USA One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA 1985 Group Show - "New York Hispanic Expressions", City Hall, New York, N.Y., USA One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA One Person Show - The Lessing Gallery, New York, N.Y., USA 1984 One Person Show - Art Works Gallery, State College, Boalsburg, Pennsylvania, USA One Person Show - JoAnn Perse Gallery, Little Rock, Arkansas, USA 1983 One Person Show - The Hyatt Gallery, Nice, FRANCE Group Show - Neville Gallery, Toronto, CANADA One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates and Furniture for the Winter Tree Gallery, New York, N.Y., USA 1979 First Prize, National Arts Club Competition, New York, N.Y., USA 1977 One Person Show - Bryant Public Library, Roslyn, New York, USA 1976 One Person Show - Cordoba Gallery...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Great Jewish Bride (B340), Year: of original 1635, Medium: Etching on Laid Paper, Image Size: 12 x 9 inc...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...

This is an early 18th century etching of the Grand Canal in Venice entitled "Veduta del Canal Grande dirimpetto la Pescaria di Rialto" by Domenico Lovisa, first published in 1720 in ...

This is a 19th century etching entitled "Tour De Montalban, Amsterdam" (Montalban Tower, Amsterdam) by Maxime Lalanne, published by Phillip Gilbert Hamerton in 1884. The etching depicts a canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins and two watermarks; "Portfolio" along the left margin and "MBM" along the right margin. It is signed, titled and dated in the plate in the lower right. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 10" high by 15" wide and the mat measures 13" high by 16" wide. There is a small spot in the right margin and some mild discoloration in the periphery on the upper margin. The print is otherwise in excellent condition. This etching is held by many museums and institutions, including The Fine Arts Museums of San Francisco, The Museum of Fine Arts, Boston, The Yale University Art Gallery and The Philadelphia Museum of Art. References: Beraldi (1889) 105; Villet (2016) 148, IV; Lalanne (1882) 137; Bibliothèque Nationale (1932) 82; Gutekunst (1905) 105. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...

This artwork titled "And Put on the Eyes of Zedekiah" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...

This artwork titled "Then Said Samuel to the people" from the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...

Artist/Designer; Manufacturer: Roy Lichtenstein (American, 1923-1997) Marking(s); notes: signed; ed. 37/80; 1992 Materials: aquatint Dimensions (H, W, D): 16.75"h, 13"w sight; 19"h, ...

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...