Ernest Lawson was born in Halifax, Nova Scotia in Canada in 1873. In 1888, he enrolled in classes at the Kansas City Art Institute. There, he studied with Ella Holman, whom he would later marry. Lawson realized that there were not many opportunities for artists in Kansas City, and 1890, he moved with his father to Mexico City. He worked as a draughtsman for an English engineering company and studied in the evenings at the San Carlos Art School. By 1890, he had saved enough money to move to New York, and he began studies at the Art Students League under John Henry Twachtman. Lawson developed his Impressionist style while studying under Twachtman and J. Alden Weir at their school in Cos Cob, Connecticut. He became devoted to landscape painting, and this interest remained unchanged throughout his professional life. In 1893, he traveled to France, where he studied in Paris at the Académie Julian under Jean-Paul Laurens and Benjamin Constant. During his stay in France, Lawson painted at Moret-sur-Loing, near the Fontainebleau forest, where he met Alfred Sisley, who along with Twachtman was the main influence on his work. In 1898, Lawson and his family moved to Washington Heights in Manhattan, and by the turn of the century, his work centered almost exclusively on views of this neighborhood. He and his family moved to Greenwich Village in 1906, and once there Lawson met William Glackens. Through this important and outgoing artist, Lawson became associated with a group of American artists in New York City, including Arthur B. Davies, Maurice Prendergast, William Glackens, Everett Shinn, Robert Henri, John Sloan, and George Luks. This group, who called themselves The Eight, held a well-publicized exhibition at the Macbeth Gallery in New York in February 1908. They were men of widely different tendencies and five of the eight artists were known best for their gritty urban scenes. However, common opposition to academicism, as well as an interest in the daily lives of the middle and lower classes bound all eight artists and the environment in which they lived. A committed landscapist, Lawson always began a work out of doors in the en plein air method. He did not create preliminary drawings but instead painted directly on the canvas. Lawson's work includes pure landscapes, foreign scenes, urban views and rural village scenes. His extremely rich and varied palette has been described as having a crushed jewel effect. Like the Impressionists, Lawson used intensely contrasting colors and rough impasto textures in his work and he had a particular interest in the effect of light on the surface of the landscape. After Lawson became associated with the artists of The Eight, his work became progressively less picturesque. Lawson created many winter landscapes during the first two decades of the 20th century and in them, the impasto and brushstrokes take on their structural significance.
"Cheyenne Mountain (Summer in Colorado)" Ernest Lawson, Modernist Western Scene
By Ernest Lawson
Located in New York, NY
Ernest Lawson Cheyenne Mountain (Summer in Colorado), circa 1927-30 Signed lower center Oil on canvas 12 x 16 inches Provenance Mrs. Bertram H. Catzen Manor Circle Gallery, Pelham, ...
Canvas, Oil
Reflections of Spring: Bronx River
By Ernest Lawson
Located in Greenville, DE
Excellent example of Lawson's work. Wonderful, thick impasto. Signed lower right. 31" x 37 1/4" in brand new, custom, 23k gold leaf frame.
Canvas, Oil
Original Ernest Lawson Plein Air New York Painting of Wooded Landscape
By Ernest Lawson
Located in Tustin, CA
Beautiful original plein air impressionistic and realistic style, oil on canvas painting, features a wooded landscape, with magnificent trees which dwarf a woman and child, who are w...
Canvas
Ernest Lawson Oil on Board Painting Titled "Zoo in Central Park"
By Ernest Lawson
Located in New York, NY
In many ways Ernest Lawson bridges the work of the American Impressionists and the Realists of Robert Henri’s circle. Although he is often thought of as a painter of pure landscapes, who’s primary interests were light and atmospheric effects, after settling in Washington Heights...
Oil
Sketch for Post Office Mural in Short Hills, New Jersey
By Ernest Lawson
Located in Bryn Mawr, PA
Ernest Lawson is an artist who defies easy categorization. His work exhibits characteristics of both Impressionism and realism. In fact, he studied with the American Impressionists, ...
Oil, Board
$3,000
H 12 in W 16 in
"Prospect Park, Brooklyn" Nathan Hoffman, New York City Impressionist Landscape
Located in New York, NY
Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...
Oil, Board
$3,800
H 24 in W 18 in D 1 in
Early 20th Century Figurative -- The Paper Boy and His Comics
By Louise Miller Clark
Located in Soquel, CA
Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...
Canvas, Oil, Cardboard
Impressionist Plein Air Signed Philips
Located in Redding, CT
Impressionist Plein Air Impressionist Painting by Philips. Hand Carved solid wood frame. Very reminiscent of Monet.
Canvas, Wood, Paint
$376Sale Price|46% Off
H 13 in W 16.15 in
Cadaques oil painting Spain spanish mediterranean european landscape
By Rafael Duran Benet
Located in Sitges, Barcelona
**Technical Sheet** Title: Cadaqués Artist: Rafael Durán Benet (Terrassa, 1931 - Barcelona, 2015) Technique: Oil on canvas board Dimensions: 13 x 16 inches (33 x 41 cm) Year: Un...
Canvas, Oil, Cardboard
$1,600
H 17.5 in W 21.5 in D 2 in
"Brunch at Tartine" Impressionist Oil Painting in Soho Restaurant on White Frame
By Cindy Shaoul
Located in New York, NY
"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...
Oil, Canvas
$1,118
H 14.57 in W 11.42 in
1916 Idyllic Green Landscape With Grazing Cows, Oil Painting By Danish H. Brasen
Located in Frederiksberg C, DK
This idyllic landscape painting depicts two grazing brown cattle in a green field before an old Danish farmhouse, partially surrounded by mature trees. The scene is imbued with a qui...
Oil, Board
"The Perfect Point" Original Oil Painting by Ernest Hart
Located in Coeur d'Alene, ID
The Perfect Point by Ernest H Hart (1910 - ). Original framed oil on board 18" x 24". Connecticut Illustrator. From the archives of the Shaw Barton Calendar Co used for an early calendar print. English Pointer and English Setter on point, one leg raised... sure a hunter someplace behind them. Great match to one we have by Ole Larsen made for the publication (O525). Period: 20th century Origin: Connecticut Size: 18" x 24", frame 29" x 22" Ernest Huntley Hart 'Ernest H. Hart': An American painter, printmaker, illustrator, and author, Ernest Huntley Hart perused his art studies at the Art Students League in New York. He was a member of the Association of Connecticut Artists and the Association of American Artists. During the 'American Depression Era', Ernest Hart...
Paint
$1,847Sale Price|30% Off
H 25 in W 33 in D 3 in
Mediterranean Painting of Lake Como in Italy by 20th Century American Artist
Located in Preston, GB
Mediterranean Painting of Lake Como in Italy by 20th Century American Artist, J W Wagner Art measures 28 x 20 inches Frame measures 33 x 25 inches Professionally cleaned and re-framed in a high quality shabby chic off-white moulding Early 20th Century Vintage Original Painting...
Canvas, Oil
$518Sale Price|44% Off
H 14.97 in W 18.12 in
Sevilla garden oil painting european art Spain spanish landscape
By Rafael Duran Benet
Located in Sitges, Barcelona
Rafael Duran Benet (1931-2015) - Sevilla - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, n...
Canvas, Oil, Board
$600Sale Price|20% Off
H 10.5 in W 12.5 in
Pointillist Oil Painting Fall Landscape 19th Century, Unique Frame 1900
Located in Buffalo, NY
A beautiful pointillist oil painting dated 1900 and signed Ford. Housed in a very unique and oddly complementary frame this work stands out in a crowd.
Oil, Board
California Plein Air Landscape Painting by Esther Smee 1930's-1940s
By Esther Smee
Located in San Francisco, CA
Southern California landscape Plein Air style painting in original period carved and gilded wood frame. Signed, Esther Smee. Recently professionally cleaned. In excellent condition. Esther B...
Canvas
$5,277
H 40.16 in W 40.16 in D 0.99 in
Grande Place-original cityscape-wildlife architecture painting-contemporary art
By Nathan Neven
Located in London, Chelsea
We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...
Canvas, Oil
New York Farm in Winter, 1913
By Ernest Lawson
Located in New York, NY
Ernest Lawson brings his unique style to the representation of a snowy farm scene in his artwork entitled, “New York Farm in Winter.”
Canvas, Oil
Sold
H 20 in W 24 in D 1.75 in
1920s Colorado Mountain Landscape Oil Painting Farm, Jewel Tones Green Purple
By Ernest Lawson
Located in Denver, CO
Oil on board painting titled 'Little Ranch, Colorado' by Earnest Lawson (1873-1939) circa 1925-1930. Colorado mountain landscape scene with three structu...
Oil, Board
Sold
H 16 in W 20 in
Summer Reflections, Hudson River, Ernest Lawson New York Impressionist Landscape
By Ernest Lawson
Located in New York, NY
Ernest Lawson (1873 - 1939) Summer Reflections, Inwood on the Hudson River, New York, circa 1905 Oil on canvasboard 12 x 16 inches Signed lower left Provenance: Macbeth Gallery, Ne...
Oil, Board
Sold
H 13.5 in W 16 in
"Trees and Rocks, " Ernest Lawson, Ashcan American Impressionism Modern Landscape
By Ernest Lawson
Located in New York, NY
Ernest Lawson (1873 - 1939) Trees and Rocks Oil on board 7 15/16 x 10 1/4 inches Signed lower left: E. LAWSON; inscribed on verso: Trees + Rock / Ernest Lawson / Trees + Rock Provenance: Gift of the artist By descent in the artist’s family Private collection Christie’s New York, New York, March 4, 2003, Lot 62 Avery Galleries, Bryn Mawr, Pennsylvania Private collection, 2005 Questroyal Fine Art, LLC, New York, New York, acquired from above, 2006 Private collection, Connecticut, acquired from above, 2007 Questroyal Fine Art, LLC, New York, New York, acquired from above, 2014 Private collection, Georgia, acquired from above, 2015 Brunk Auctions, Asheville, North Carolina, March 23, 2018, Lot 495 Exhibited: Halifax, Canada, Dalhousie Art Gallery, Ernest Lawson; From Nova Scotia Collections, August 12 - October 30, 1983, no. 10. Literature: Questroyal Fine Art, WHY, New York, May 2014, p. 22, illustrated. A small, densely painted composition Trees and Rocks displays Ernest Lawson’s signature encrusted surface. His energetic paint application is composed of layer upon layer of color. While the pigments blend together in many areas, others are defined by a patch or dab of unmixed color. These impastoed brushstrokes or slashes of the palette knife are often the brightest colors, heightening the overall tonality of the work. Additionally, Lawson scratched at the paint layer – dragging the back of the brush through the wet pigments, to further invigorate the overall facture. Trees and Rocks, looks incredibly fresh, as if Lawson just stumbled upon this landscape motif of a few rocks, some trees, and a lake in the background. Boldly, Lawson painted the sky as a series of white dabs placed atop the blue water and the encircling trees. Since his days at John Twachtman’s and J. Alden Weir’s summer school in Cos Cob, Connecticut in 1892, Lawson was in the habit of wandering around in search of a motif. While his technique varied over time, he devotedly focused on creating a sense of the atmosphere of each place, recording his impressions of the light and season. Scholars have noted that after his trip to Spain in 1916-17, Lawson painted a set of diminutive landscape...
Oil, Board
On The Rialto, Mexico City
By Ernest Lawson
Located in Denver, CO
Housed in a period (likely original) frame, outer dimensions measure 23 x 27 ¼ x 1 inches; image dimensions measure 16 x 20 inches. About the Artist: Ernest Lawson (1873 San Franci...
Canvas, Oil