Francisco Martinez Espinoza Figurative Sculptures

Yeonsoo Kim, "Be Yourself," Monochromatic black and white clay vessel, White stoneware, black underglaze, 11.5 × 12.5 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blen...

Yeonsoo Kim, "Self Portrait" White Porcelain, glaze, underglaze, 12 x 11 x 11 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, con...

Yeonsoo Kim, "You Are Enough" Monochromatic black and white clay vessel, White stoneware, black underglaze, 22 x 20 x 20 inches. Korean ceramic artist Yeonsoo Kim masterfully blends...

Yeonsoo Kim, "Sweet Home," 2024, Porcelain moon jar,, colored clay, underglaze, 15 × 14 × 14 inches Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, contemporary expression, crafting pieces that chronicle his personal and artistic journey. Drawing inspiration from Korea’s rich ceramic heritage, he redefines Onggi, a centuries-old practice originally used for functional pottery, by infusing it with vibrant colors, unconventional forms, and playful, stylized motifs. His hand-shaped vessels and sculptures become dynamic, modern narratives that capture his thoughts and experiences in clay. Kim’s technique involves spontaneous surface decoration using Sgraffito and calligraphy brushing, resulting in intricate designs featuring whimsical figures, animals, and objects. His work is driven by memories, relationships, and emotions, evolving organically without preplanning, embracing "freedom over perfectionism." Through his reinterpretation of Onggi, Kim merges tradition and modernity, offering a fresh expression of cultural storytelling in each piece. Working with both porcelain and iron-bearing clays, he tailors each material to the expressive qualities of his designs, revitalizing a millennia-old craft for the modern era. Yeonsoo Kim states, "My work serves as a canvas for a diverse cast of characters, engaging in silent conversations that speak volumes through their nuanced expressions. These characters, often resembling self-portraits, invite viewers into a world where implied images and narratives converge. My work reflects my ongoing quest for artistic identity by exploring the intricacies of daily existence. I delve into the depths of human emotion through recurring motifs, transforming abstract inner experiences into tangible visual realities." Yeonsoo Kim earned a BFA in ceramics and glass from Hongik University in Seoul, an MFA in ceramics from the Lamar Dodd School of Art at the University of Georgia, and has held apprenticeships with master Onggi artisans Hayngjong-Oh in Jeolla-do and Jinkyu Huh in Gyeongsang-do, Korea. In 2020, Kim was recognized as one of the top six Emerging Artists by the National Council on Education for the Ceramic Arts (NCECA). His work has been exhibited nationally and internationally, most recently being selected for the prestigious 12th International Ceramics Biennale Competition at the Korea Ceramics Foundation in Gyeonggi. Kim has participated in several artist residency programs, including the Korea Ceramic Foundation, Montana State University, the Morean Center for Clay in St. Petersburg, FL, and the Archie Bray Foundation in Montana. ceramic sculpture...

Yeonsoo Kim, "Never Ending Story," Colorful clay white stoneware, underglaze, 14 x 12 x 12 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition w...

Yeonsoo Kim, "Look at Me," Colorful red clay vessel, underglaze, 13 x 11 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, con...

This figurative sculpture titled "Deepfake National Monument" is an original artwork by Jedediah Morfit made of plaster, paint, pins, epoxy, adhesive, wood, rope, and hardware. This piece measures 32"h x 11"w x 27”d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

Yeonsoo Kim, "Love Yourself," 2023, Local clay, white slip, 13 x 12 x 12 inches Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, contempor...

Unknown/ Unidentified Artist, "Red Devil", Wooden Figurative Folk Art Sculpture, 30 H x 10 W x 6 D, 20th Century, ca. 1989 Colors: Red, Brown, Black Proven...

Rose and Yello gold ceramic popsicle sculptures handmade for wall installation. Available at Variant colorful. Harmony and grandeur characterize the work of Reli Smith and Osnat Yaf...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a ...