Frank Kleinholz Figurative Paintings

'Piazza di Spagna, Roma' oil on canvas, by Yves Brayer (1933). At the bottom of the Spanish Steps, is one of the most famous squares in Rome. It owes ...

Early morning, Dartmoor by Georgie Dowling [2022] original and hand signed by the artist oil paint on board Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W...

Title: Barcelona and Its People Artist: Josep Maria Martínez Lozano (1923–2006) Year: 1979 Technique: Oil on canvas mounted on board Dimensions: 29.13 x 21.65 in Condition: Unfr...

Reminiscing about afternoons at the famous Horseshoe Beach in Bermuda, next to the Southhampton Princess, brings animated joy and, as such, Polish American artist Eugene Maziarz has...

This striking surrealist seascape by Sula Repani captures a dynamic female figure mid-dive against a vivid coastal horizon. Bathed in radiant tones of sky blue, sea green, and warm a...

'Landscape', oil on canvas, by Charles Kvapil (1928). The artist, Kvapil, has scores of tremendous artworks which depict scenes in nature such as this one. Here, a bit of Mediterrane...

"End of Fall" by Sandra Pratt is an original oil painting that depicts an autumn landscape with colorful leaves and a house in the distance. Artist Statement: My work is inspired b...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

'The Park', oil on canvas, by M. Phidias (circa 1920s). Painted using this artist's trademark impasto, the effect is to add depth and texture to the exuberant display of hues and ref...

This captivating painting "Dinner on the terrace in Provence" presents a serene coastal scene viewed from an inviting terrace. The artist’s use of an expressive, painterly style im...

There’s something restorative in being outside in the fresh air. It enables one to recharge and relax. Even if one has no outside space of ones own to dream in art makes it possible. Francesca Owen...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in village landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 25.5 x 21.25 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...