George Sheringham Landscape Prints

This artwork titled "Thunder Bay" 1986 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 14/95 in penci...

Donald Sultan's 'Seven Blues Jan. 24, 2024' is a masterful color silkscreen featuring enamel inks, flocking, and tar-like textures, limited to an edition of 30. Donald Sułtan Seven...

Artist: LeRoy Neiman Title: Nantucket Sailing Medium: Serigraph Year: 1980 Edition: 168/300 Sheet Size: 25 5/8" x 30 7/8" Image Size: 20" x 24" Signed: Hand signed in pencil

Pol Bury (Belgian, 1922-2005) screen print of Statue of Liberty Hand signed and numbered 27/ 62 in pencil Dimensions: 24.25 X 17.5 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Artist: Yaacov Agam Title: Hommage to Mondrian (Dark Blue) Medium: Screenprint in colors Year: 1976 Edition: 4/100 Sheet Size: 26 1/2" x 28" Framed Size: 31 3/4" x 33 1/4" Signed: H...

Pol Bury (Belgian, 1922-2005) Screen print of raised bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

John Stritch was an American artist best known for his abstract and sculptural work. "Blue Sky" features an abstracted and simplified pastoral landscape. ...

Artist: Yaacov Agam Title: Circles in Yellow Medium: Screenprint in colors Year: 1980 Edition: 154/200 Sheet Size: 30" x 28 1/2" Image Size: 35 1/4" x 33 3/4" Signed: Hand signed an...

Gary Hume Grey Leaves 2004 Screen print in 4 colours with one glaze, printed on 400gsm Somerset Tub Sheet: 28 x 23 inches; 71 x 59 cm Frame: 30 3/8 x 25 1/...

Edition of 200 Coney Island Philomena Marano is known for her colorful cut paper technique. She worked with Robert Indiana. Ms. Marano's work is in m...

Paula Scher China, 2013 Hand pulled silkscreen on deluxe Lanaquarelle paper 24 3/5 × 28 1/5 inches Edition of 95: Pencil signed and numbered on the front Unframed Accompanied by gall...

Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches The work is matted on board and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...