Helen Vogt Interior Drawings and Watercolors

Born in Szeged, Hungary, he became one of the better known and successful illustrators of the Golden Age of Illustration, completing over 100 books. Among them are "A Treasury of Verse for Little Children," "The Rubaiyat of Omar Khayyam," and "The Rime of the Ancient Mariner." He is probably best known for pen and ink drawings of mythology subjects geared towards children. He studied at Budapest Technical University and attended art schools in Munich and Paris before moving to London at age 23. In 1907, he began illustrating children's books and did a series of annual gift books...

“Old love, new love” Drawing, acrylic, ink and colored pencils on paper. I developed a drawing technique based on natural pigments from leaves, flowers and bark with which I intend t...

Robert Indiana Illustrated To-Do List (Hand Signed by Robert Indiana) Black and green marker on paper, signed in graphite pencil verso A unique one of a kind piece for any true colle...

Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reversed in preparation for engraving 25 × 17.5 cm Watermark: Hunting horn, Churchill 318 (dated 1724) Unsigned Provenance Private collection, France Context & Attribution Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet. Subject In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life. Technical Analysis Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate. Place within the Oeuvre Drawings of church...

Jo Mielziner (1901 – 1976) "Cat on a Hot Tin Roof," 7 ½ x 11 ½ inches. Pencil on paper. Label verso from Richard Stoddard, Dated June 18. 1996. Mr. Joe W...

"Loser's Rack" - Original Charcoal and Graphite Drawing on Paper This drawing by California artist, Angela Stone (American, b. 1983), provides brilliant 1-point perspective in a val...

A classic Emil Ganso nude. Quite large, the sheet is 14 1/8 x 21 inches and the image goes all the way across the sheet from left to right. Very delicately drawn - especially for Ganso.

Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...

Dorothy Varian (1895-1985) was based in New York City and Woodstock, NY. This is a courtroom scene that captures the intensity of the situation. It is s...

Pastel, Pencil, petal flowers, Color and Ink on Paper. The base of this drawing is Fabriano paper of 120g /m2. I use natural dyes of flowers, herbs, leaves, bark of trees as the fir...

Horace Vernet (French, 1789-1863) Two Ladies Standing, 1814 Watercolor on paper, 8 x 6 1/4 inches Framed: 15 x 13 inches (approx.) Signed and dated at lower right: "H.Vernet--1814."...

"Daughters of Atreus" Broadway Play Set Design Drawing American Modernism WPA. 8 x 10 ¾ inches. Graphite on paper, 1936. Initialed on lower right. The play opens October 14, 1936 at Broadway’s 44th Street Theatre. Handwritten title, date, and signature on lower center of original matte which is now affixed to the verso. Inscription on lower right of matte reads, "For Prince & Barbara - Jo Mielziner...