Henri Kerels Wall Decorations

This original copper engraving, extracted from the scarce German edition of Arnoldus Montanus' "Die Unbekante Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes", ...

Early 17th century, French hand colored equestrian engraving. After Antoine de Pluvinel (French, 1552-1620), "Henry IV, Mounted", figure 42 from "L'Instruction du Roy en l'Exercice de Monter a Cheval", c. 1625, matted and framed under UF-3 plexiglass (blocks approx. 97% of UV) , gallery label verso. Figures from this publication have sold at Christie's. Those were not hand colored. A highly detailed engraving with the French King Henry 1V the central figure. Mounted on horseback, Le Roy (the King) is watched by no less than 10 courtiers some of whom are mounted on horseback, all of which are named in the engraving. Antoine de Pluvinel (1552, Crest, Dauphine - 24 August 1620) was the first of the French riding masters, and has had great influence on modern dressage. He wrote L’Instruction du Roy en L'exercice de Monter à Cheval ("instruction of the King in the art of riding"), was tutor to King Louis XIII, and is credited with the invention of using two pillars, as well as using shoulder-in to increase suppleness. In 1594, Pluvinel founded the "Academie d'Equitation" near what is now Place des Pyramides. There, the French nobility was trained not only in horsemanship, but also in all the accomplishments (dancing, fashionable dressing, etc.) It can be said that Pluvinel's influence on the aristocracy lasted from the late 16th century to the 17th century. Richelieu, the future Prime Minister of King Louis XIII attended the Academie; so did William, Duke of Cavendish. Pluvinel's book was published posthumously by the Flemish engraver Crispijn van de Passe II and the royal valet de chambre...

The image is a historical copper engraving from 1673, taken from the German edition of Arnoldus Montanus' work, which is known for its depiction of the Americas and the Southern land...

Antique costume print titled 'Henry IV Roy de France 1595'. This print depicts Henry IV, also known by the epithet Good King Henry or Henry the Great. He was King of Navarre...

Title: *In the Great North-West with the Marquis of Lorne, XVIII – Blackfoot Crossing* - Published in The Graphic, January 28, 1882. Description: This hand-colored wood engraving, published in The Graphic on January 28, 1882, is part of a series documenting travels in the North-West territories of Canada with the Marquis of Lorne. The scene, titled *Blackfoot Crossing*, portrays a group of Blackfoot Indigenous people crossing a river with their horses and supplies. The Blackfoot, an Indigenous tribe in the Great Plains, are shown in traditional attire, adorned with feathers and beaded clothing...

Carroll Dunham is a well-listed American artist whose prolific work jumps between abstraction, figuration, pop, surrealism and cartoon. This colored etching, created in the 1990's is...

Title: Der Braune und Aschfarbene Kranich - Hand-Colored Engraving of the Brown and Ash-Colored Crane by Johann Michael Seligmann, 18th Century This stunning hand-colored engraving,...

Antique Print - Indigenous Warriors, Early 19th Century South America - Ferrario-Bonatti Line & aquatint etching with original hand colouring on wove (vellin) paper. This compellin...

Antique print titled 'Canadier'. Very decorative print of Indigenous Canadians. This print originates from 'Trentsensky’s peoples costumes' by J. Tre...

Title: 1757 Engraving of Inuit & Indigenous Peoples – Hudson Bay & Arctic Canoe Scene Description: This rare 1757 antique copperplate engraving presents two fascinating scenes depicting Indigenous life in Arctic Canada, focusing on the Inuit and other First Nations communities in the Hudson Bay region. Originally published in *Histoire Générale des Voyages*, the engraving provides an invaluable visual record of daily life, survival techniques, and traditional dwellings. The top illustration, titled 'Un Esquimau dans son Canot', depicts an Inuit paddling a sleek, narrow kayak through choppy waters, showcasing the remarkable boat-making skills of the Arctic peoples. The kayak, designed for hunting and efficient travel, is shown in its traditional form, reflecting centuries of adaptation to harsh northern environments. The bottom illustration, 'Esquimaux du côté du Nord-Ouest de la Baie de Hudson', portrays a male and female Inuit figure standing near an igloo, a crucial form of temporary winter shelter. The man holds a bow and arrows, symbolizing subsistence hunting, while the woman carries a small child. In the background, additional Indigenous dwellings, including conical tipis, suggest the presence of other First Nations groups living near the Hudson Bay coastline. The detailed hatching and shading techniques used in the engraving bring out the textures of clothing, landscapes, and architectural features, making this a historically and artistically significant piece. As an early European representation of Arctic Indigenous culture, it holds great value for collectors of ethnographic art, Canadian history, and antique travel prints...

Title: Collaborative Fishing at Jervis Bay: Astrolabe Sailors and Indigenous People Description: This engaging lithograph, circa 1836, depicts a lively scene at Jervis Bay, New Ho...

This print represents King Henry VI of England, depicted in a regal and contemplative pose with hands clasped in prayer. He is dressed in a blue robe with a pattern that suggests opu...