Jane Kim Still-life Paintings

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Artist Commentary: These deliciou-looking Port Royal Wild oysters were locally sourced. They were served at a waterside restaurant in Port Royal, South Caro...

Artist Commentary: This humble scene is a few blocks from my home at the boatyard, early in the spring. The mooring balls are all lined up, lines and anchor chains at the ready for t...

Artist Commentary: I love the geometry of mooring balls, stacked boats and anchors and the tangled texture of chains and ropes in boatyards. The shadows of late day delineate them. ...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Painted on birch wood panel and framed in a 1.5 " deep white solid wood floater frame. The same frame is now on the other tree paintings this size by the artist, Afternoon Bay Laurel...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Artist Commentary: I saw these pelicans at the marina in Hilton Head where we often visit with our boat. This was their hangout. They lined up there every ...

Artist Commentary: My husband and I love eating oysters. When we travel, we always eat the local oysters and choose one to take with us to remember the experience. I then later paint their portraits. These oysters, as well as some Spanish moss...

Artist Commentary: These huge old mooring balls would have a story to tell, if they could talk. I ran across them in Bivalve, NJ (yes, a real town), an old oystering town on the Dela...

Mat Tomezko's latest series of abstract mixed media paintings are constructed from traditional acrylic painting and the incorporation of ash into a hand-mixed paint of his own creation. This piece is part of a body of work that uses evocative materials and imagery of fire, flowers, food, newspapers, asphalt, and ash to illuminate the interconnectedness of destructive and creative forces. "Ash" is a traditional still-life and landscape composition interrupted by broad black geometric chevron lines or "arrows" that divide the composition symmetrically in a geometric balance. This painting is signed and dated on the back. It includes all hanging hardware and is ready to install -- no need for additional framing. Tomezsko is an artist from Philadelphia who creates abstract paintings, public art installations, and community art projects based around participation and everyday visual language. His approach to composition is informed by mid-century formalism and conceptualism. His work was recognized by the 2017 Americans for the Arts Public Art Network Year in Review for outstanding public art. Tomezsko’s work has been exhibited at numerous art spaces regionally and nationally, including the Crane Arts, Woodmere Art Museum, the Center For Emerging Visual Artists (CFEVA), and Wexler Gallery in Philadelphia; Lillstreet Art Center in Chicago, IL; the Delaware Contemporary in Wilmington, DE; and Thomas Hunter Projects in New York, NY. He has created several notable public art projects including "14 Movements: A Symphony in Color and Words," a mile-long temporary mural installed in downtown Philadelphia during the 2016 Democratic National Convention; "Look Long and Look Good," a series of 30 paintings currently installed along Main Street in Manayunk; and "Flowering Axes," a mural in the 5th Street Vehicular Tunnel underneath the Ben Franklin Bridge. His work is in the collection of The Wharton...

"Yellow Still-life". Raquel Fariñas. Folk Art, Acrylic on wood panel painting. Dimensions: (H) 103 x (W) 122 x (D) 4 cm. The color in the foto is a little blue. The border and the a...